"Ocean of Stories" play photos (METU Players, 2004)

Date

2004

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From the person who dreams to the existence of an entertainment industry whose function is the reproduction of the system. The transition from being a product of a dream to a consumer of ready-made dreams is experienced violently. Thinking about the concept of "dreaming" today, we think, is part of the problem of freedom. It is an indispensable dimension. In this regard, Arnold Wesker's play that we staged in 2003 This problem, which we encounter in the play called Mutfak, is determined by the author, the type of literature and its quality. transfigured Salman Rushdie's fairy tale "Haroun and the Sea of ​​Stories" We tried to bring it to the stage by making it a play. The play contains the negativities and schizoid contradictions imposed by urban life; maybe in the past Maybe today, maybe in the future, maybe in each of them, Elifba will not even know the name of her country out of sadness. It begins in the forgetful city, in the "Sad City". From the chimneys of the gloomy factories in the city. When the rising unhappiness overwhelms the Caliph Family, the storyteller Reşit and his child Harun go to K Bay. They set off on a right journey. After a while, this journey turns into a dreamlike form. for Aaron This imaginary learning process, which we can express with the growth of a child, is reflected in Reşit as an adult. It corresponds to a person coming to terms with his shadow.

Subject Keywords

METU theater plays, Art on campus, Ocean of Stories

URI

https://hdl.handle.net/11511/106371
https://bellek.metu.edu.tr/handle/11511/106371

Collections

METU Bellek, Multimedia