Show/Hide Menu
Hide/Show Apps
Logout
Türkçe
Türkçe
Search
Search
Login
Login
OpenMETU
OpenMETU
About
About
Open Science Policy
Open Science Policy
Open Access Guideline
Open Access Guideline
Postgraduate Thesis Guideline
Postgraduate Thesis Guideline
Communities & Collections
Communities & Collections
Help
Help
Frequently Asked Questions
Frequently Asked Questions
Guides
Guides
Thesis submission
Thesis submission
MS without thesis term project submission
MS without thesis term project submission
Publication submission with DOI
Publication submission with DOI
Publication submission
Publication submission
Supporting Information
Supporting Information
General Information
General Information
Copyright, Embargo and License
Copyright, Embargo and License
Contact us
Contact us
<b>The Negative Sublime in Coleridge’s Later Poetry; The Irreducibility of Difference</b>
Download
266-1349-1-PB .pdf
Date
2014-1-29
Author
Birlik, Nurten
Metadata
Show full item record
This work is licensed under a
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License
.
Item Usage Stats
113
views
116
downloads
Cite This
The poetic persona cannot form "a fair luminous light" embracing the Earth, that is, he cannot activate his creative energy. In Coleridge's other poems what triggers this energy is Joy and then the mystical power of nature. In this poem his imagination is imprisoned in his consciousness as he cannot feel Joy and the mystical power of nature cannot reconcile the binary oppositions. In his earlier poems nature was a book waiting to be deciphered and Coleridge could read the symbolic language of nature, whereas now, in the absence of Joy, this language is no more accessible to Coleridge and he thematizes the anxiety of this impasse in the poem. As a result, he cannot read the symbols that would make nature into Nature. In other words, he can perceive nature only as empirical reality and cannot perceive what lies beyond or within. This impasse is at the same time a re-formation of the rupture between subject and object that he managed to annihilate in his earlier poems.
Subject Keywords
Coleridge
,
Negative Sublime
,
Poetry
URI
https://hdl.handle.net/11511/51213
Journal
Journal of History Culture and Art Research
DOI
https://doi.org/10.7596/taksad.v2i4.266
Collections
Department of Foreign Language Education, Article
Suggestions
OpenMETU
Core
Edmund Burke’de Yüce ve Jouissance, Lacancı bir okuma
Birlik, Nurten (Akdeniz University; 2018-05-18)
Burke’çü anlamda yüce, şiir kişisinin, doğada gördüğü tekil nesnelere odaklanıp bu nesnelerin arkasında yatan bütüncül metafizik yapının izlerini görebilme ya da doğada görülen nesneler aracılığıyla aşkınlığı deneyimleme çabası olarak tanımlanabilir. Bu deneyim aynı zamanda modernitede, ampirizm ve pozitivizm ile birlikte ortaya çıkan insan ve doğa kategorilerini epistemolojik bağlamda sorunsallaştırır çünkü ikisi arasında oluşmuş kopukluğu gidermeye hizmet eder. Bu bildiri odak noktası ...
Perception with and without concepts : searching for a nonconceptualist account of perceptual content
Arıkan Sandıkçıoğlu, Pakize; Sayan, Erdinç; Department of Philosophy (2013)
It is agreed upon by many philosophers that perception represents the world to be in a certain way. However, there is disagreement among those philosophers about whether perceptual content is conceptual or not. The aim of this thesis is to provide a clear presentation of the debate and to propose an account of nonconceptual perceptual content that can tackle many philosophical problems related to the issue. Conceptualism about perceptual content is the view that perceptual content is wholly conceptual. Prop...
Modeling And Sımulatıon Of Photobioreactors For Bıologıcal Hydrogen Productıon
Eroğlu, İnci; Gündüz, Ufuk; Androga, Dominic Deo(2013-12-31)
Photofermentative hydrogen production is greatly influenced by the microorganism, the type of photobioreactor (PBR) and physiological conditions such as temperature, pH and light intensity, under which the system is operated. In the design of the PBR system, it is imperative to initally determine the critical physiological parameters like light intensity and temperature, which affect the photofermentative hydrogen production. Developing predictive models that pinpoint and incorporate the relationships betwe...
MERLEAU-PONTIAN CONCEPTS IN THE POSTDRAMATIC PLAYS OF SARAH KANE
Bozdağ, Berna; Sönmez, Margaret Jeanne M.; Department of English Literature (2022-6-10)
In this thesis, it is asserted that form and content of Sarah Kane’s plays 4.48 Psychosis and Crave are complementary, reflecting the inner states of their characters, and that this complementarity manifests and is manifested by postdramatic elements. As evidence, and to analyze how the plays are constructed in this way, the plays are examined with reference to three essential Merleau-Pontian concepts, synesthesia, being-in-the-world, embodiment and with reference to postdramatic elements. The thesis ...
The primacy of falsity deviant origins in Deleuze
Shores, Corry Michael (2019-01-01)
Deleuze's notion of the powers of the false is central to his philosophy of truth and becoming, but it is also one of his most complexly elaborated ideas, with its various diverging conceptual dimensions inviting further analysis and reconfiguration. One perplexing conception here is that falsity is more primary than truth, because it is what creates truths of the highest order. We examine the thinking behind this idea by proceeding through Deleuze's notions of the Devil and the sorcerer, Dupreelian consoli...
Citation Formats
IEEE
ACM
APA
CHICAGO
MLA
BibTeX
N. Birlik, “<b>The Negative Sublime in Coleridge’s Later Poetry; The Irreducibility of Difference</b>,”
Journal of History Culture and Art Research
, pp. 187–202, 2014, Accessed: 00, 2020. [Online]. Available: https://hdl.handle.net/11511/51213.