Animated films as mattertext and eloquent bodies: Lee’s Tarboy and Boyden’s an object at rest

2017-11-03
The recent philosophical emphasis on how vibrant, agential “matter” matters has a special place in especially material ecocriticism. What Serenella Iovino and Serpil Oppermann call “mattertext” (the coalescent body of matters and texts that are inherently embedded within one another) indicates the embedded narrativity within matter. Material ecocriticism thus signifies a “vast spectrum of creativity” which “extends into all networks of vital materialities” (Oppermann, “Material Ecocriticism” 59). In other words, the “flesh of the world,” to use Nancy Tuana’s words, tells stories to the human observer, who is not independent from the stories s/he “reads.” Indeed, from biological organisms to lithic compositions, mattertext is everywhere. The geological strata of the planet, for instance, which can be thought of as the bodily natures of the world, bear narrative capabilities in both material and textual forms, as the strata transmit the naturalcultural marks of every epoch that the planet has been through, enabling an understanding of the (hi)story of the world. Hence, in the polyphonic naturecultures of the planet, in its corporeal and inscriptional aspects, matter and text are always already enmeshed. Bearing in mind such narrative powers of mattertext, this paper focuses on the analysis of two short animated films as cases in point exemplifying the concept. Being posthuman environments that enmesh the human and the nonhuman, animated films can be considered mattertexts that possess agentic and eloquent bodies. James Lee’s Tarboy (2009), which illustrates the Baradian reading of Schrödinger’s cat experiment, and Seth Boyden’s An Object at Rest (2015), which displays discernible similarities with Jeffrey J. Cohen’s analysis of lithic bodies as narrative sites indicate how the agentic potentials of the nonhuman become visible through ecologically oriented animated films.
Uluslararası ve Disiplinlerarası Çevre ve Edebiyat Sempozyumu, 1 - 03 Kasım 2017

Suggestions

Sanat Tanımları Ve Sanatım Üzerine
Erzen, Jale N. (Middle East Technical University, Faculty of Architecture, 1975)
The essence of art lies in its being the manifestation, on an individual level, of the collective consciousness and the relationships between man and the environment. Thus, originality in art is dictated basically by the limitations of the individual catalyst, and real creativity lies in being able to let the dynamism of existence and of man/environment relations appear through one's expressions. Ultimately, an artist's aesthetic values and artistic claims depend upon what his definition.for this existentia...
Understanding of music in the philosophy of Wittgenstein
Canlar, Simay; Turan, Şeref Halil; Department of Philosophy (2019)
In this thesis, Samkhyakarika, which is one of the most important texts of the Indian Philosophy, is analyzed. Moreover, it is argued that Samkhya Philosophy could be examined within the framework of Hadot’s observations and comments on philosophical tradition of Ancient Greek and Roma. Firstly, the main lines of the philosophical-spiritual tradition of Ancient Greek and Roma are shared with the findings and analysis of Hadot. Hadot thinks that Ancient Greek philosophy provides a way of life to the person. ...
Emotional labor: dispositional antecedents and the role of affective events
Yalçın, Aslı; Bilgiç, Reyhan; Department of Psychology (2010)
The present study aimed to explore both situational (Emotional Display Rules and Affective Events) and dispositional antecedents (Four of Big Five personality dimensions; Extraversion, Neuroticism, Conscientiousness and Agreeableness) of emotional labor. Potential interaction effects of situational and dispositional variables on emotional labor; and long-term consequences of the construct were also examined. Data were collected from table servers working in cafés, restaurants, and hotels in Ankara, İstanbul...
Reconsidering the Kantian concept of genius through the questions of nature, freedom and creativity
Ertene, Merve; Çırakman, Elif; Department of Philosophy (2012)
In this thesis, the role and the significance of the Kantian theory of art and concept of genius in Kant’s system is examined. In this examination, it is aimed to answer the question of the meaning of being human in Kant’s system through art and artist. To this end, Kant’s consideration of art from the spectator’s standpoint and ignorance of artist’s perspective are criticized. In conformity with this criticism, throughout the thesis, depending on Kant’s conceptualization of the genius, the artist’s perspec...
Nomad thought in Peter Reading’s Perduta gente and Evagatory and Maggie O’sullivan’s In the house of the shaman and Palace of reptiles
Türe Abacı, Özlem; Birlik, Nurten; Department of English Literature (2015)
This study aims to explore the processes of becoming in Peter Reading’s Perduta Gente and Evagatory and Maggie O’Sullivan’s In the House of the Shaman and Palace of Reptiles by concentrating on the spatial, corporeal and performative politics in their poetry within a theoretical framework based on Deleuze and Guattari’s nomad thought and their revisionary ideas on the politics of body, space and subjectivity. This study also investigates how nomadism as a critical category enables an exploration of the form...
Citation Formats
B. Ağın, “Animated films as mattertext and eloquent bodies: Lee’s Tarboy and Boyden’s an object at rest,” presented at the Uluslararası ve Disiplinlerarası Çevre ve Edebiyat Sempozyumu, 1 - 03 Kasım 2017, Manisa, Turkey, 2017, Accessed: 00, 2021. [Online]. Available: https://hdl.handle.net/11511/86882.