Sense through nonsense reading difficult poetry

Download
2004
Taşkesen, Bengü
This thesis analyses the difficulties in reading modern poetry that arise out of not the references but the unconventional use of language, and presents them in a theoretical framework based on Julia Kristeva̕s semanalytic theory and Melanie Parsons̕s application of it to a comparison of Nonsense literature and twentieth century poetry. Then aspects of the works of G. M. Hopkins, Dylan Thomas and Edith Sitwell are discussed and poems by these poets are analysed within this framework.

Suggestions

A Julia Kristevan analysis of Emily Dickinson and John Milton
Sarıkaya, Merve; Sönmez, Margaret Jeanne M.; Department of Foreign Language Education (2007)
This thesis aims to analyze poems by Emily Dickinson and John Milton according to Julia Kristeva’s theories of poetic language and abjection, and to see the extent to which these concepts are applicable to two such different poets and also to see how the poets compare within such analytic framework. Kristeva adapts a psychoanalytic approach to poststructuralist theory. Psychoanalytic criticism with its two leading figures, Sigmund Freud and Jacques Lacan, has been analyzed to see its reflections on Kristeva...
“From the root of the old one” : reconfiguring individual and collective identities in Anglophone Afro-Caribbean poetry
Türe, Özlem; Sönmez, Margaret Jeanne M.; Department of Foreign Language Education (2007)
This thesis analyzes how Afro-Caribbean poets writing in English appropriate language and use memory as a thematic tool to articulate postcolonial identities. The present study is organized in three parts: the first part provides the necessary theoretical background regarding postcolonial theory, the politics of hybridity and resistance; the second part examines poets’ struggles over language and social forms of poetry; the third part deals with the site of memory as a revisionary tool in rewriting history ...
The relationship between the individual and nature in Samuel Taylor Coleridge's poems
Bal, Reyyan; Sönmez, Margaret Jeanne M.; Department of English Literature (2004)
This thesis analyses the individual-nature relationship in Samuel Taylor Coleridge's poems. It begins with an overview of Coleridge's inconsistent views on the subject, as reflected in his prose writings, and explains the personal reasons behind such inconsistencies. The thesis then asserts that despite the inconsonant views expressed in his prose writings, Coleridge's poems display a consistent view of the individual-nature relationship. According to this view, the relationship is constituted of three cons...
Rereading Shakespeare's The Merchant of Venice and Richard II : Wesker's The Merchant and Ioneco's Exit the King
Altındağ, Zümrüt; Norman, Ünal; Department of Foreign Language Education (2004)
This thesis is a comparative study of how Shakespeare̕s ideas transcend the boundaries of his own time and still remain as the major sources of inspiration for modern dramatists. Arnold Wesker and Eugéne Ionesco explore the concept of the "other" leading to loss of identity and awareness of non-being embedded in Shakespeare̕s works. The main argument is that the contemporary playwrights reinterpret Shakespeare̕s works in the light of some modern issues and ideas to reveal the entrapment of the individual.
Kinds of parody from the medieval to the postmodern
Korkut, Nil; İçöz, Nursel; Department of English Literature (2005)
This study approaches parody as a multifarious literary form that has assumed diverse forms and functions throughout history. The study handles this diversity by classifying parody according to its objects of imitation. Three major parodic kinds are specified: parody directed at texts and personal styles, parody directed at genre, and parody directed at discourse. In the light of this classification, this study argues that different literary-historical periods in Britain have witnessed the prevalence of dif...
Citation Formats
B. Taşkesen, “Sense through nonsense reading difficult poetry,” M.A. - Master of Arts, Middle East Technical University, 2004.