Travmatik Bedenin Sanat Yoluyla Yeniden Siyasallaştırılması: Guillermo Núñez, Ariel Dorfman ve Şili'deki Siyasi Geçiş Süreci

Date

2023-11-01

Author

Çolak, Erdem

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Tis article aims to explore the potential of art to create alternatives to hegemonic narratives in posttraumatic societies and the role of art in the re-politicization of both the artist and the audience. It discusses the role of art in constructing the ethics and memory of Never Again through the visual artworks of Guillermo Núñez (1930) and Ariel Dorfman’s (1942) play Death and the Maiden (1990). Such artistic productions enable the re-participation of the traumatized body in political life not only through the represented story but also through the active refection and agency of the art producer and the viewer. In this way, they contribute to making visible the passive remembering that is ofen underestimated in the batle of memories, and to transforming abstract and generalizing facing practices in transitional periods into individual and specifc ‘face-ings.’

Subject Keywords

Ariel Dorfman, Arts, Chile, Confronting the past, Guillermo Núñez

URI

https://hdl.handle.net/11511/107697

Collections

Department of Political Science and Public Administration, Article