Show/Hide Menu
Hide/Show Apps
Logout
Türkçe
Türkçe
Search
Search
Login
Login
OpenMETU
OpenMETU
About
About
Open Science Policy
Open Science Policy
Open Access Guideline
Open Access Guideline
Postgraduate Thesis Guideline
Postgraduate Thesis Guideline
Communities & Collections
Communities & Collections
Help
Help
Frequently Asked Questions
Frequently Asked Questions
Guides
Guides
Thesis submission
Thesis submission
MS without thesis term project submission
MS without thesis term project submission
Publication submission with DOI
Publication submission with DOI
Publication submission
Publication submission
Supporting Information
Supporting Information
General Information
General Information
Copyright, Embargo and License
Copyright, Embargo and License
Contact us
Contact us
Travmatik Bedenin Sanat Yoluyla Yeniden Siyasallaştırılması: Guillermo Núñez, Ariel Dorfman ve Şili'deki Siyasi Geçiş Süreci
Download
index.pdf
Date
2023-11-01
Author
Çolak, Erdem
Metadata
Show full item record
This work is licensed under a
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License
.
Item Usage Stats
113
views
37
downloads
Cite This
Tis article aims to explore the potential of art to create alternatives to hegemonic narratives in posttraumatic societies and the role of art in the re-politicization of both the artist and the audience. It discusses the role of art in constructing the ethics and memory of Never Again through the visual artworks of Guillermo Núñez (1930) and Ariel Dorfman’s (1942) play Death and the Maiden (1990). Such artistic productions enable the re-participation of the traumatized body in political life not only through the represented story but also through the active refection and agency of the art producer and the viewer. In this way, they contribute to making visible the passive remembering that is ofen underestimated in the batle of memories, and to transforming abstract and generalizing facing practices in transitional periods into individual and specifc ‘face-ings.’
Subject Keywords
Ariel Dorfman
,
Arts
,
Chile
,
Confronting the past
,
Guillermo Núñez
URI
https://hdl.handle.net/11511/107697
Journal
THE INTERNATIONAL JOURNAL OF TRANSITIONAL JUSTICE
DOI
https://doi.org/10.1093/ijtj/ijad028
Collections
Department of Political Science and Public Administration, Article
Citation Formats
IEEE
ACM
APA
CHICAGO
MLA
BibTeX
E. Çolak, “Travmatik Bedenin Sanat Yoluyla Yeniden Siyasallaştırılması: Guillermo Núñez, Ariel Dorfman ve Şili’deki Siyasi Geçiş Süreci,”
THE INTERNATIONAL JOURNAL OF TRANSITIONAL JUSTICE
, vol. 0, no. 0, pp. 1–14, 2023, Accessed: 00, 2024. [Online]. Available: https://hdl.handle.net/11511/107697.