KARAGOZ AND HIS WORLD: GROTESQUE IMAGERY IN THE TURKISH SHADOW THEATRE

Date

2014-01-01

Author

Erdoğan, Necmi

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Based on an analysis of the already transcribed karagoz "scenarios", this study argues that the Turkish shadow theatre is characterized by a grotesque imagery. Its principal stock character, Karagoz, is a fool hero who turns the world upside down and inside out in a grotesque manner. Karagoz is also marked by what Bakhtin calls "carnivalization of speech", i.e. freeing language from gloomy seriousness of the official culture and subverting truisms. The study also asserts that karagoz defies the commonplace classification of the Ottoman cultural field in terms of impermeable and mutually exclusive categories of "high culture" and "folk culture".

Subject Keywords

Turkish shadow theatre, Grotesque, Bakhtin, Folk laughter, Folk culture

URI

https://hdl.handle.net/11511/64216

Journal

REVISTA DE ETNOGRAFIE SI FOLCLOR-JOURNAL OF ETHNOGRAPHY AND FOLKLORE

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Department of Political Science and Public Administration, Article

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Citation Formats

N. Erdoğan, “KARAGOZ AND HIS WORLD: GROTESQUE IMAGERY IN THE TURKISH SHADOW THEATRE,” REVISTA DE ETNOGRAFIE SI FOLCLOR-JOURNAL OF ETHNOGRAPHY AND FOLKLORE, pp. 5–22, 2014, Accessed: 00, 2020. [Online]. Available: https://hdl.handle.net/11511/64216.