Show/Hide Menu
Hide/Show Apps
Logout
Türkçe
Türkçe
Search
Search
Login
Login
OpenMETU
OpenMETU
About
About
Open Science Policy
Open Science Policy
Open Access Guideline
Open Access Guideline
Postgraduate Thesis Guideline
Postgraduate Thesis Guideline
Communities & Collections
Communities & Collections
Help
Help
Frequently Asked Questions
Frequently Asked Questions
Guides
Guides
Thesis submission
Thesis submission
MS without thesis term project submission
MS without thesis term project submission
Publication submission with DOI
Publication submission with DOI
Publication submission
Publication submission
Supporting Information
Supporting Information
General Information
General Information
Copyright, Embargo and License
Copyright, Embargo and License
Contact us
Contact us
Entangled Geographies, Contested Narratives: The Canning Marbles and the Ottoman Response to Antiquity
Date
2022-01-01
Author
Özkaya, Ayşe Belgin
Metadata
Show full item record
This work is licensed under a
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License
.
Item Usage Stats
39
views
0
downloads
Cite This
The history of archaeology in the nineteenth century has conventionally been studied from the point of view of Europeans, who are credited as the inventors of modern archaeology. Although the blatantly Eurocentric perspective of earlier scholarship has been challenged in recent decades by a proliferation of works on the "source countries"where the bulk of archaeological material originated before being displaced to Europe, the trajectory of European archaeology has not been abandoned as the measure by which to assess emerging sensibilities about antiquity in the nineteenth century. In this essay, I trace the origins of a group of "marbles"from the British Museum, the Canning marbles, and propose to rethink a mid-nineteenth-century Ottoman attempt to establish a museum to house such "marbles"in the light of the Ottoman exhibitionary practices in the longue durée. My aim is to challenge both contemporaneous European narratives on nineteenth-century Ottoman attitudes to antiquity and current scholarship on Ottoman museology that attributes its proper emergence to the last two decades of the century, after the well-known Ottoman polymath Osman Hamdi Bey resumed the directorship of the Müze-i Hümāyūn (Ottoman Imperial Museum). Keywords
Subject Keywords
Ahmed Fethi Pasha
,
Bodrum Castle
,
British Museum
,
Canning marbles
,
Dārü'l-eslia
,
history of archaeology
,
Mausoleum of Halicarnassus
,
Mecma-i Āsār-i Atīa
,
Müze-i Hümāyūn
,
Ottoman antiquities
,
spolia
,
Stratford Canning
URI
https://www.scopus.com/inward/record.uri?partnerID=HzOxMe3b&scp=85141190935&origin=inward
https://hdl.handle.net/11511/107340
Journal
Muqarnas
DOI
https://doi.org/10.1163/22118993-00391p10
Collections
Department of Architecture, Article
Citation Formats
IEEE
ACM
APA
CHICAGO
MLA
BibTeX
A. B. Özkaya, “Entangled Geographies, Contested Narratives: The Canning Marbles and the Ottoman Response to Antiquity,”
Muqarnas
, vol. 39, no. 1, pp. 227–254, 2022, Accessed: 00, 2023. [Online]. Available: https://www.scopus.com/inward/record.uri?partnerID=HzOxMe3b&scp=85141190935&origin=inward.