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Narrative Time and Moral Injury in Daniel Defoe’s The Fortunate Mistress
Date
2024-08-01
Author
Serhatti, Fahime
Sönmez, Margaret Jeanne M.
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This paper explores the deliberate use of temporal ambiguities and discrepancies in Defoe’sThe Fortunate Mistressto convey the disturbed retrospections of a guilt/shame-ridden narrator and the relationship between moral injury and temporal narrative techniques, highlighting the gendered nature of the fictional narrator’s moral injury. Drawing on Pederson’s model of moral injury in literature, which deals with perpetrator trauma, it argues that the narrator’s moral injury and its temporal reflexes in the narrative serve to reinforce the thematic and narratorial (re)iterations of female trauma and subsequent moral injury. Ultimately, this analysis provides compelling evidence of Defoe’s astute understanding of the psychology of shame, guilt, and narration, as well as his preference for psychological realism over traditional sequential narration, as he crafts stories that explore the human and psychological consequences of traumatic experiences.
URI
https://www.tandfonline.com/eprint/F2UWPHYECBGZEYG3E9HX/full?target=10.1080/0013838X.2024.2390740
https://hdl.handle.net/11511/111158
Journal
ENGLISH STUDIES
DOI
https://doi.org/10.1080/0013838x.2024.2390740
Collections
Department of Foreign Language Education, Article
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F. Serhatti and M. J. M. Sönmez, “Narrative Time and Moral Injury in Daniel Defoe’s The Fortunate Mistress,”
ENGLISH STUDIES
, vol. 0, no. 0, pp. 1–23, 2024, Accessed: 00, 2024. [Online]. Available: https://www.tandfonline.com/eprint/F2UWPHYECBGZEYG3E9HX/full?target=10.1080/0013838X.2024.2390740.