Show/Hide Menu
Hide/Show Apps
Logout
Türkçe
Türkçe
Search
Search
Login
Login
OpenMETU
OpenMETU
About
About
Open Science Policy
Open Science Policy
Open Access Guideline
Open Access Guideline
Postgraduate Thesis Guideline
Postgraduate Thesis Guideline
Communities & Collections
Communities & Collections
Help
Help
Frequently Asked Questions
Frequently Asked Questions
Guides
Guides
Thesis submission
Thesis submission
MS without thesis term project submission
MS without thesis term project submission
Publication submission with DOI
Publication submission with DOI
Publication submission
Publication submission
Supporting Information
Supporting Information
General Information
General Information
Copyright, Embargo and License
Copyright, Embargo and License
Contact us
Contact us
Caryl Churchill and gender roles : Owners, Cloud Nıne, Top Girls
Download
index.pdf
Date
2005
Author
Fırat, Serap
Metadata
Show full item record
Item Usage Stats
708
views
268
downloads
Cite This
This thesis evaluates Caryl Churchill's criticism of culturally defined roles imposed by patriarchy on both sexes in her three plays Owners, Cloud Nine, and Top Girls by referring to Kate Millet's defination of aspects of patriarchal ideology in Sexual Poitics, and the thesis contends that gender roles are arbitrary. Churchill's attempt to draw attention to patriarchal essentialism is discussed within this framework.
Subject Keywords
English literature.
URI
http://etd.lib.metu.edu.tr/upload/12606786/index.pdf
https://hdl.handle.net/11511/15627
Collections
Graduate School of Social Sciences, Thesis
Suggestions
OpenMETU
Core
Mythmaking in progress: plays by women on female writers and literary characters
Uçar Özbirinci, Pürnur; Çileli, Fatma Meral; Department of English Literature (2007)
This thesis analyzes the process of women’s mythmaking in the plays written by female playwrights. Through writing the lives of female writers and rewriting the literary characters, which have been created by male writers, the women playwrights assume the role of a mythmaker. A mythmaker possesses the power to use the ‘word,’ thereby possesses the power to control ‘reality.’ However, for centuries, women have been debarred from generating their own myths, naming their own experiences, and controlling their ...
An ecofeminist approach to Atwood’s surfacing, lessing’s the cleft and winterson’s The Stone Gods
Bilgen, Funda; Sönmez, Margaret Jeanne M.; Department of English Language Education (2008)
This thesis analyzes the analogy between woman and nature and ecofeminist theory that emphasizes the parallelism between man's exploitation of woman and nature. It aims to make an ecofeminist analysis of three novels: Surfacing by Margaret Atwood, The Cleft by Doris Lessing and The Stone Gods by Jeanette Winterson. First, this thesis introduces the history and main principles of ecofeminist theory. These novels by different women writers investigate the embodiment of these main principles in three novels de...
The Function of the fantastic in the works of Angela Carter and Jeanette Winterson
Özyurt Kılıç, Mine; İçöz, Nursel; Department of English Literature (2005)
This study sets out from the premise that the fantastic, in the hands of the women writers with feminist awareness,can be used as a tool to subvert patriarchal gender roles that are culturally constructed. The dissertation aims at analysing the fantastic novels by Angela Carter, The Infernal Desire Machines of Doctor Hoffman and Nights at the Circus, and by Jeannette Winterson, The Passion and The.PowerBook as examples in which the transgression of gender roles is achieved through the use of fantastic image...
Ambivalence in Victorian women’s writing: Ellen Wood’s East Lynne, Mary Elizabeth Braddon’s Lady Audley’s Secret, Margaret Oliphant’s Hester
Coşar Çelik, Seda; Yıldız Bağçe, Hülya; İçöz, Nursel; Department of English Literature (2014)
The simultaneous rise of Victorian women’s movement and the dominance of female authorship and readership in the nineteenth century prompted scholars of Victorian literature to interpret women’s novels as fictional examples of Victorian feminism or anti-feminism. Yet, this study stresses the ambivalent nature of women’s fiction by paying attention to the contradiction between the feminist and subversive content in women’s texts and their anti-feminist and disciplinary treatment. Exemplary underread novels f...
The Construction of female identity in Timberlake Wertenbaker's The Grace of Mary Traverse and The Break of Day
Öztürk, Gülüzar; Çileli, Fatma Meral; Department of Foreign Language Education (2012)
This thesis aims to analyse the construction of female identity from the beginning of the feminist activism in Victorian era whose rationale was formed during the eighteenth century, to the contemporary times in terms of patriarchy and motherhood in Timberlake Wertenbaker’s The Grace of Mary Traverse and The Break of Day. This study is conducted with the historical development of the feminist movement that has had different agendas at different periods of history being taken into account. Fighting for women...
Citation Formats
IEEE
ACM
APA
CHICAGO
MLA
BibTeX
S. Fırat, “Caryl Churchill and gender roles : Owners, Cloud Nıne, Top Girls,” M.S. - Master of Science, Middle East Technical University, 2005.