New monumentality

Download
index.pdf
2005
Özten, Ülkü
Show full item record
291
views
2659
downloads
أNew monumentalityؤ is a term which was first introduced to architectural discourse by Sigfried Giedion, Jose Luis Sert, and Fernand Léger right after the post-World War II in the early forties. The effect of the term comes from the polemical power of reformulation of the accustomed category أmonumentؤ within the field of the modern architecture. In this way, as it is shaped by the three authors, for the first time أNew Monumentalityؤ had been identified as a modern task under the name of Nine Points on Monumentality in 1943. Therefore, this thesis is mainly grounded on this significant text that is a primary manifestation of the need for the new monumentality. On these bases, that the manifesto is stressed an effort to determine the ethics of the post war modern architecture regarding: historicism, functionalism, and representation. This thesis seeks to clarify the self-critical frame which is unfolded by the manifesto within the context of the modern architecture. Thus, the first one of the three objectives of this thesis is to clarify the concept of new monumentality; the second one is to locate its position in the history of modern architecture; and the third one is to differentiate proposed and unintended outcomes of this movement within the contemporary discourses of architecture.
Architecture.
http://etd.lib.metu.edu.tr/upload/2/12606932/index.pdf
https://hdl.handle.net/11511/15699
Graduate School of Natural and Applied Sciences, Thesis

Suggestions

Doubling: “italy, the new domestic landscape” as a historical project
Mutlu Tunca, Gülru; Savaş Sargın, Ayşen; Department of Architecture (2009)
Italian architectural historian and critic, Manfredo Tafuri, with his seminal book Theories and History of Architecture, issued in 1968, started a new era in the architectural discourse. With his eminent theorization of “architecture as the critique of ideology,” Tafuri had shifted the critique of architecture to a political and Marxist level and this revolutionary understanding had absolute impacts on the institutionalization of the American critical discourse after 1968. This study is a historical critici...
Architectural interpretations of modernity cultural identity : a comparative study on Sedad Hakkı Eldem and Bruna Taut in early Republican Turkey
Uysal, Zeynep Çiğdem; Altan, Tomris Elvan; Department of Architecture (2004)
The thesis aims to reveal the decisive influence of the tension that stems from the contemporary searches for cultural identity on the architectural production of the early Republican Turkey. It attempts to demonstrate the conceptual and practical strategies that were devised in contemporary architecture for the resolution of the cultural tension by examining the architectural attitudes and practices of Sedad Hakki Eldem and Bruno Taut in the late 1930s and the early 1940s. In the first part, ءcultural iden...
Re-thinking the limits of architecture through the avant-garde formations during the 1960s : projections and receptions in the context of Turkey
Savaşır, Gökçeçiçek; Cengizkan, Ali; Department of Architecture (2008)
An inquiry into the voyage of avant-garde within the domains of art and architecture makes it evident that avant-garde is ambiguous in meaning as a word, a term, a phenomenon and a concept. This study aims to decipher avant-garde and to offer a map for its conceptualization in architecture. Taken not as a monolithic statement but as a unitary concept incorporating a number of subjects and formations for granted, in this study, architectural avant-garde is conceptualized as diverse expressions of activated e...
Is "Rational" knowledge of architecture possible? Science and poiesis in L''Architettura della Citta' (A meditation on Aldo Rossi's groundbreaking book)
Turan, Belgin (1998-02-01)
This essay is a meditation on one of the most influential architectural texts produced in the second half of the twentieth century—Aldo Rossi's groundbreaking 1976 book L'Architettura della Città. The book can be seen as a manifesto for Italian “Neorationalism,” of which Aldo Rossi was the most celebrated representative. This essay, through a close reading of L'Architettura della Città, tries to track down the object of the “Neo-Rationalist urban science.” Moreover this reading, which is done vis-à-vis the ...
Awarding architecture in Turkey: national architecture exhibition and awards program
Durmaz, Nur; Balamir, Aydan; Department of Architecture (2009)
The establishment of the National Architecture Exhibition and Awards (NAEA) program in 1987, by Chamber of Architects, coincides with the period of dissolving modernist paradigm and rising pluralist influences in Turkey. The program, as a critical medium, is expected to reflect “national” architectural practice and contribute in the “contemporary” architectural practice in Turkey. In order to evaluate the consistencies with these objectives, firstly the program identity and then the participations are analy...
Citation Formats
Ü. Özten, “New monumentality,” M.Arch. - Master of Architecture, Middle East Technical University, 2005.
METU IIS - Integrated Information Service open@metu.edu.tr