Fundamentals of architectural design comparison to filmmaking

Download

index.pdf

Date

2006

Author

Çetin, Hasan Okan

Metadata

Show full item record

Item Usage Stats

408
views

214
downloads

The relation between architecture and cinema has begun with the first steps of the technology of moving images at the beginning of the 20th century and it has continued progressively until now by importing various intellectual, representational, and practical devices from each other in order to reconfigure their own systems of knowledge. In this investigation, the fundamental elements of architectural design and principles of their organization are used in the field of cinema as a methodological tool to analyze the compositional features of narrative, mise-en scene and editing/montage. First of all, the end products of both domains are conceived as a form of composition, and in this respect, the compatibility of their design dynamics is examined. Secondly, the fundamental design elements and principles of both architecture and cinema are defined. Finally, in order to redefine the design process of a film and to reveal the existence of fundamental principles of architectural design in the process of filmmaking, a comprehensive and comparative analysis is made between the two fields.

Subject Keywords

Architectural Design and Drawing.

URI

http://etd.lib.metu.edu.tr/upload/12607669/index.pdf
https://hdl.handle.net/11511/15956

Collections

Graduate School of Natural and Applied Sciences, Thesis

Suggestions

OpenMETU
Core

Constructing computational models of nature for architecture: a case on transcoding the ıntelligence of cactus Erdoğan, Elif; Sorguç, Arzu; Department of Architecture (2012) The environment of knowledge exchange between computation and biology elicits a contemporary approach towards architecture. Computation, as an overarching mode of thinking, instructs the analysis, understanding and reinterpretation of the un-formal structure of natural organizations (such as systematic construct, information flow, and process through time) for architectural form generation. Consequently, the computing theory originates a mind-shift where processes, relations, and dependencies are a major co...
Reconsidering architectural program within the framework of conjectures and refutations: the design studies journal Özten, Ülkü; Özkar, Mine; Department of Architecture (2014) The discussion of program in the field of history and theory of the Modern Movement in architecture enters a new period in the 1960s and 70s under the influence of the strong embodiment of science and technology in the field of design research. Beginning with this period, the idea of program arises both in a series of generations parallel to a specialized, sophisticated understanding of design and as an autonomous professional area of study. While the concept was being largely developed under the influence ...
The architectural precedent and the diagram: a comparative analysis of Le Corbusier's Villa Savoye and Rem Koolhaas' Maison a Bordeaux Küçük, Alper; İmamoğlu, Vacit; Department of Architecture (2007) The last decade of the 20th century witnessed a revival of interest in the idea of diagrams in many disciplines, including architecture. Thus, terms like 'diagram architecture' and 'diagrammatic practice' have started to dominate the architectural discourse, both in theory and practice. Although much of the contemporary work examined under the rubric 'diagram architecture' celebrate diagram's capacity to generate new ideas and forms and embrace the diagram as a tool to revolt against the authority of establ...
Urban complexity and connectivity : emergence of generative models in urban design Ayaroğlu, Mert; Mennan, Zeynep; Department of Architecture (2007) This thesis analyzes the changing design and planning strategies in the contemporary urban design area. The rapid improvements during the 20th century in complexity sciences and computer technologies have directly affected all the branches of design. In architecture, as in urban design, generative models, evolutionary design attitudes and computer based simulation tools have taken a significant role during the last few decades. In urban design, emerged in a period starting form the second half of the centur...
An Agentic account of design intentionality in computational architecture Tüntaş, Duygu; Mennan, Zeynep; Department of Architecture (2018) This thesis aims at understanding alterations in the conceptualization of design intentionality in relation to technological advances that bring new synthetic configurations to the world of design. The concept of intentionality used to be defined as central to human consciousness hence design intention regarded as exclusive to the human mind. The contemporary technological/ontological condition seems to displace this conceptualization of design intentionality sustained in conventional design processes, to t...

Citation Formats

H. O. Çetin, “Fundamentals of architectural design comparison to filmmaking,” M.Arch. - Master of Architecture, Middle East Technical University, 2006.