Show/Hide Menu
Hide/Show Apps
Logout
Türkçe
Türkçe
Search
Search
Login
Login
OpenMETU
OpenMETU
About
About
Open Science Policy
Open Science Policy
Open Access Guideline
Open Access Guideline
Postgraduate Thesis Guideline
Postgraduate Thesis Guideline
Communities & Collections
Communities & Collections
Help
Help
Frequently Asked Questions
Frequently Asked Questions
Guides
Guides
Thesis submission
Thesis submission
MS without thesis term project submission
MS without thesis term project submission
Publication submission with DOI
Publication submission with DOI
Publication submission
Publication submission
Supporting Information
Supporting Information
General Information
General Information
Copyright, Embargo and License
Copyright, Embargo and License
Contact us
Contact us
Worlds subverted: a generic analysis of the lion, the witch and the wardrobe, the subtle knife, and harry potter and the philosopher’s stone
Download
index.pdf
Date
2008
Author
Tokdemir, Gökçe
Metadata
Show full item record
Item Usage Stats
356
views
180
downloads
Cite This
This dissertation aims to study three very important works in English children’s fiction: C. S. Lewis’s The Lion, the Witch and the Wardrobe, Philip Pullman’s The Subtle Knife, the second book of his trilogy His Dark Materials, and J. K. Rowling’s Harry Potter and the Philosopher’s Stone. The novels will be analyzed in terms of their approaches toward the conventions of fairy tale, fantasy and romance; to this end, the novels are to be evaluated in relation to their concept of chronotope, and the quest of good versus evil. While the secondary world or multiple worlds presented are going to be analyzed in terms of their perception of time and space along with the presentation of the supernatural elements, the characters will be evaluated in terms of the common classification good versus evil. The main argument of this study concentrates on the gradual estrangement from the crystal clear distinctions of the fairy tale genre to a more shadowy, pessimistic, and ambivalent vision of the fantastic in the children’s literature.
Subject Keywords
English.
,
Children’s Fiction.
URI
http://etd.lib.metu.edu.tr/upload/3/12609698/index.pdf
https://hdl.handle.net/11511/17690
Collections
Graduate School of Social Sciences, Thesis
Suggestions
OpenMETU
Core
Theatricality and the chronotope in "The Magus" by J. Fowles and "England, England" by J. Barnes
Filimonova, Alexandra; Sönmez, Margaret Jeanne M.; Department of English Language Teaching (2009)
The thesis reveals the main principles of the theatrical chronotope and examines the ways in which it is embodied in the novels of two postmodern authors – The Magus by John Fowles and England, England by Julian Barnes. These are analyzed as presenting two different variants of texts that employ the theatrical chronotope to exploit its different possible semantic implications. The thesis argues that in The Magus theatricality is employed to convey the author’s philosophical and aesthetical thoughts. The mai...
GOTHIC SPACE IN DAPHNE DU MAURIER'S JAMAICA INN, REBECCA AND MY COUSIN RACHEL
Erdem, Özge; Birlik, Nurten; Department of English Literature (2022-2-28)
This dissertation argues that the gothic space in Daphne du Maurier’s novels Jamaica Inn, Rebecca, and My Cousin Rachel displays non-Cartesian and non-Newtonian qualities, which makes it possible to adopt a Thirdspace epistemology to read the novels and discuss the spatial experiences that destabilise Firstspace and Secondspace epistemologies that underlie traditional conceptions of space. This dissertation treats the Gothic as a mode of writing which dealt with the repressed material in the discourse and c...
Absurdity of the human condition in the Novels by Albert Camus and Samuel Beckett
Zileli, Bilge Nihal; İçöz, Nursel; Department of English Literature (2005)
This study carries out both a technical and a thematic analysis of the novels by Albert Camus, L̕Etranger, La Peste, and La Chute, and Samuel Beckett, Molloy, Malone Dies, and The Unnamable. In the technical analysis of the novels, the study explores the differences in characterization and narrative technique. It argues that the differences in these two issues mainly emerge from the difference in the two authors̕ views of art. In the thematic analysis, on the other hand, the study focuses on the recurring t...
Psychological bisexuality and otherness in the novels of angela carter, virginia woolf, marge piercy and ursula le guin : a study from the perspective of ecriture feminine
Pekşen Yanıkoğlu, Seda; İçöz, Nursel; Department of English Literature (2008)
This study analyses The Passion of New Eve by Angela Carter, Orlando by Virginia Woolf, Woman on the Edge of Time by Marge Piercy and The Left Hand of Darkness by Ursula Le Guin from the perspective of écriture féminine. After a thorough discussion of the roots of écriture féminine, the theory of the French feminists is put into practice in the analysis of the novels. The study asserts that the concepts of bisexuality, the other and the voice are common elements in novels of écriture féminine, thereby the n...
History of the novel in stories of femininity: Moll flanders, Evelina and Fordyce’s sermons /
Kaya, Tuğba Billur; Yıldız Bağçe, Hülya; Department of English Literature (2015)
In this study the rise of the English novel is investigated from the perspective of Nancy Armstrong’s Desire and Domestic Fiction which put forward that the novel genre emerged out of the conduct books of seventeenth and eighteenth centuries. Within this scope two of the first English novels Moll Flanders (1742) by Daniel Defoe and Evelina (1778) by Frances Burney will be studied side-by-side by comparing their plots with one of the most popular conduct books of the era: Fordyce’s Sermons. The study aims to...
Citation Formats
IEEE
ACM
APA
CHICAGO
MLA
BibTeX
G. Tokdemir, “Worlds subverted: a generic analysis of the lion, the witch and the wardrobe, the subtle knife, and harry potter and the philosopher’s stone,” M.S. - Master of Science, Middle East Technical University, 2008.
