Show/Hide Menu
Hide/Show Apps
Logout
Türkçe
Türkçe
Search
Search
Login
Login
OpenMETU
OpenMETU
About
About
Open Science Policy
Open Science Policy
Communities & Collections
Communities & Collections
Help
Help
Frequently Asked Questions
Frequently Asked Questions
Guides
Guides
Thesis submission
Thesis submission
MS without thesis term project submission
MS without thesis term project submission
Publication submission with DOI
Publication submission with DOI
Publication submission
Publication submission
Supporting Information
Supporting Information
General Information
General Information
Copyright, Embargo and License
Copyright, Embargo and License
Contact us
Contact us
Nineteenth-century women’s place in George Eliot’s Middlemarch and Thomas Hardy’s the return of the native and tess of the d’urbervilles
Download
index.pdf
Date
2011
Author
Sünbül, Çiçek
Metadata
Show full item record
Item Usage Stats
183
views
92
downloads
Cite This
This thesis proposes to demonstrate the representation of women in the 19th-century fiction through an analysis of the characters in George Eliot’s Middlemarch and Thomas Hardy’s The Return of the Native and Tess of the D’Urbervilles. The study starts with an outline of the intellectual and industrial transformations shaping women’s position in the 19th century in addition to the already existing prejudices about men’s and women’s roles in the society. The decision of marriage and its consequences are placed earlier in these novels, which helps to lay bare the women’s predicaments and the authors’ treatment of the female characters better. Therefore, because of marriage’s centrality to the novels as a theme, the analysis focuses on the female subordination with its educational, vocational and social extensions, the women’s expectations from marriage, their disappointments, and their differing responses respectively. Finally, the analogous and different aspects of the attitudes of the two writers are discussed as regards their portrayal of the characters and the endings they create for the women in their novels.
Subject Keywords
Women
URI
http://etd.lib.metu.edu.tr/upload/12612905/index.pdf
https://hdl.handle.net/11511/20428
Collections
Graduate School of Social Sciences, Thesis
Suggestions
OpenMETU
Core
Oral poetry and weeping in the case of Dersimli women
Demir, Aylin; Erdemir, Aykan; Department of Gender and Women's Studies (2010)
This thesis analyzes the issue of performing self in the genres of oral poetry and weeping, which are performed by Dersimli women in the course of their everyday life practices. This study focuses on the case of Dersim (Tunceli) which is located in the east part of Turkey where Zazaki-speaking and Kurdish-speaking Alevi people constitute the majority of the population. I deal with these performances as repetitive actions, occurring in the course of everyday life. I focus on the narratives in the songs and i...
Patriarchal structures and practices in Turkey : the case of social realist and national films of 1960s
Yeşildal Şen, Hatice; Ecevit, Mehmet Cihan; Department of Sociology (2005)
This thesis highlights the significance of patriarchal structures and their reproduction in women̕s social position through the feminist perspective. Patriarchy is a dominant structure both on production and reproduction sphere. Patriarchy, which is a dominant structure in every sphere of social life has material basis and controls both women̕s labour and sexuality. With this framework some concepts such as the types of women̕s labour, paid and domestic labour, family, honour, violence and masculinity are u...
Myths of oppression revisited in Cherrie Moraga and Liz Lochhead's plays
Bilgin Tekin, İnci; Çileli, Fatma Meral; Department of English Literature (2010)
This study examines codes of oppression reflected in western myths and further analyzes the ways these myths are revisited in two contemporary British and American women playwrights', Liz Lochhead and Cherrie Moraga's, dramatic adaptations and rewritings. In this respect a postcolonial feminist approach and a comparative perspective are adopted in rereading signs of gender, ethnic or racial and hierarchical oppression through the challenging and revolutionary, feminist and Scottish, lesbian and Chicana repr...
A Study of a Female Character in a Male Dominated World in Margaret Drabble’s The Millstone
Alpakın Martınez Caro, Dürrin (2018-10-01)
This is a study of female characters in the novels of Margaret Drabble, focused mainly on what they have to say about the condition of women in our contemporary society. The author being English, and her stories taking place in Britain from the 1960's onwards, it has been considered relevant to start with an appraisal of British society and of the way it has evolved in recent years. Many of the points we make in a sober and descriptive manner have been taken up in a literary fashion by our author. This chap...
Realisms and working women in the novels of Gaskell and Brontë /
Kahveci, Rana; Sönmez, Margaret Jeanne M.; Department of English Literature (2014)
This thesis demonstrates the use of social realism in Mary Barton and Ruth by Elizabeth Gaskell and the use of psychological realism in Jane Eyre and Villette by Charlotte Brontë in the representation of working women in Victorian fiction. The study starts with a discussion of differing critical and philosophical definitions of the term “realism” in literature to point out the complexity of the term, that is based on its inherent apparent contradiction in referring to attempts to render “real” life through ...
Citation Formats
IEEE
ACM
APA
CHICAGO
MLA
BibTeX
Ç. Sünbül, “Nineteenth-century women’s place in George Eliot’s Middlemarch and Thomas Hardy’s the return of the native and tess of the d’urbervilles,” M.S. - Master of Science, Middle East Technical University, 2011.