An inquiry into the disputable position of imagination in Kant’s philosophy

Download
2012
Atala, Müge
My thesis aims to delve into Immanuel Kant’s formulation of the faculty of imagination in his Critique of Pure Reason and Critique of the Power of Judgment. In relation to the First Critique, it specifically concerns the relation of the “mysterious” function of imagination to the object and its representation as one of the fundamental steps of the emergence or production of theoretical knowledge. As regards the Third Critique, it scrutinizes the relation of imagination to reflective, as opposed to determinative, judgment and seeks to specify its role in aesthetic appreciation and artistic creativity. The thesis first provides us with a background to Kant’s philosophy, delineating the specific issues at hand and briefly introducing important Kantian fundaments, along with imagination, by making use of secondary literature. It then views imagination as has been theorized throughout the history of philosophy up until the age of Enlightenment and examines Kant’s two Critiques with a focus on imagination. Thirdly, it evaluates the aspects of Kantian imagination through the works of scholars whose differing interpretations are compared and disputed. Taking mainly the discussions of the previous chapter into account, the conclusion chapter constitutes my own interpretation of the disputes and possible solutions related to the imagination within the broader frame of Kantian philosophy.

Suggestions

The quiddity of knowledge in Kant's critical philosophy
Serin, İsmail; Ceylan, Yasin; Department of Philosophy (2004)
In this thesis the quiddity of knowledge in Kant's critical philosophy has been investigated within the historical context of the problem. In order to illustrate the origins of the subject-matter of the dissertation, the historical background of Kant's views on the theory of knowledge has been researched too. As a result of this research, it is concluded that Kant did not invent a new philosophical problem, but he tried to improve a decisive solution for one of the oldest question of history of philosophy i...
The formation of the self as mental unity and moral agency in hume’s philosophy
Neslioğlu, E. Funda; Grünberg, David; Department of Philosophy (2008)
This dissertation proposes to analyze the stages in the formation of the idea of self in Hume’s philosophy. According to Hume we have no a simple and individual impression that we can call the self where the self is the totality of conscious life of a person. Nevertheless, we do have an idea of personal identity that must be accounted for. He begins his explanation of this idea by noting that our perceptions are fleeting, and he concludes from this that all we are is a bundle of different perceptions. But ...
An Inquiry into the nature of aesthetic theory in its relation to theory of knowledge in Kant’s critical philosophy
Özdoyran, Güven; İnam, Ahmet; Department of Philosophy (2013)
The main concern of the dissertation is to investigate Kant’s aesthetic theory and its problematic relation to theory of knowledge in his transcendental philosophy. In the Critique of Judgment, Kant constructs his aesthetic theory by arguing that the aesthetic experience is based on a certain type of feeling, namely, the feeling of pleasure, rather than a concept. He grounds such a feeling on the aesthetic judgment of reflection. In spite of its non-conceptual and subjective characteristic, an aesthetic ref...
A Critical analysis of Kant’s discursivity principle
Okar, Sinan; Çırakman, Elif; Department of Philosophy (2019)
This thesis takes issue with the charge leveled against Kant, that the discursivity principle, which states knowledge of objects requires intuitions as well as concepts, remains unargued for in Kant’s Critique of Pure Reason, and therefore is an ungrounded presupposition underlying Kant’s Transcendental Idealism. I argue that Kant in the Introduction to the Critique Kant provides sufficient tools from which an argument for this principle can be reconstructed. Kant’s critique of metaphysics is taken as the f...
The role of imagination in Kant's first critique
Barın, Özlem; Ceylan, Yasin; Department of Philosophy (2003)
The purpose of this study is to examine the role of imagination in Immanuel Kant̕s Critique of Pure Reason by means of a detailed textual analysis and interpretation. In my systematic reading of the Kantian text, I analyse how the power of imagination comes to the foreground of Kant̕s investigation into the transcendental conditions of knowledge. This is to explain the mediating function of imagination between the two distinct faculties of the subject; between sensibility and understanding. Imagination achi...
Citation Formats
M. Atala, “An inquiry into the disputable position of imagination in Kant’s philosophy,” M.S. - Master of Science, Middle East Technical University, 2012.