Intersection of architecture and music as Gesamtkunstwerk in Iannis Xenakis' selected works

Download
2013
Özcan, Zeynep
This thesis focuses on the two selected works of the architect/engineer/composer Iannis Xenakis (1922-2001); Philips Pavilion (1956-58) and Le Diatope (1978). It places these works at the intersection of architecture and music by showing how they combine spatial, musical and visual performances. Accordingly, it discusses them as exceptional twentieth-century examples of Gesamtkunstwerk; “total work of art.”

Suggestions

Architecture, revolution and temporality: the Soviet avant-garde and the politics of modernism
Demirok, Görkem; Sargın, Güven Arif; Department of Architecture (2017)
This study aims to present a political re-reading of modernism and the Soviet Avant-garde through their conceptualizations of temporality. To that end, affirmative and negative characteristics of modernism and the avant-garde in their relation to modernity and the capitalist mode of production are examined, and their over-identification with capitalism is questioned. Thereafter, the Soviet context of modernism and the avant-garde are analyzed through the temporal conception of Bolshevism. The study claims t...
The restoration project of Cin Kule in Payas, Antakya.
Işık, Bora; Gökce, Fuat; Restoration in Department of Architecture (2004)
The subject of this thesis is the restoration project of Cin Kule in Payas. The building is one of the unique examples of watch towers dating to 16th century -Classical Ottoman period.
Transformation of architectural space with the aid of artistic production
Özden, Başak; Savaş Sargın, Ayşen; Department of Architecture (2011)
The goal of this thesis is to study the transformation of architectural space with the aid of artistic production. By questioning architectural production as a non-static process open to alteration and intervention, this condition is claimed to enlarge the frontiers of architecture in terms of interdisciplinary contributions and new design methods. Inspired by the course ARCH 524, conducted by Assoc. Prof. Dr. Ayşen Savaş in the METU Department of Architecture, this study aims to understand the possible way...
Environmental aesthetics of the rural architectural tradition in the Mediterranean highlander settlement: the case study of Ürünlü
Kavas, Kemal Reha; Erzen, Jale Adile; Department of History of Architecture (2009)
This thesis formulates a conceptual framework to account for the rural architectural traditions. The proposal is presented by referring to Ürünlü, a Mediterranean highland settlement in Southwestern Turkey. The thesis' basic assumption is the environmental coherence of the traditional rural culture. Environmental aesthetics provides the conceptual basis through which architectural elements of the environmental coherence are investigated. Environmental aesthetics enhances the inclusive conceptions of "enviro...
Tracing literary architecture: spatial in-betweenness in Virginia Woolf’s between the acts (1941)
Özcan, Seçil; Enginsoy Ekinci, Ayşe Sevil; Department of History of Architecture (2015)
This thesis aims to analyze Virginia Woolf’s final novel Between the Acts, published posthumously in 1941, by tracing its literary representation of architecture. Accordingly, it follows the spatial movement in the novel by recreating in-between spaces as private/ public, indoor/ outdoor, and associated with femininity/ masculinity. While doing this, it discusses the novel in relation to the issue of domesticity and within the context of country houses during the interwar years, corresponding to the so-call...
Citation Formats
Z. Özcan, “Intersection of architecture and music as Gesamtkunstwerk in Iannis Xenakis’ selected works,” M.A. - Master of Arts, Middle East Technical University, 2013.