The Genre of architectural manifesto in the society of the spectacle

Download
index.pdf
2013
Turan, Oktay
Show full item record
435
views
207
downloads
This study embarks upon analyzing the relationship between the society of the spectacle and the genre of architectural manifesto and construes the transformation of the genre with the change occurred within the society of the spectacle. In order to understand this very relationship, the society of the spectacle has been considered as the raison d'etre of the genre due to the argument that the genre is a result of these culminations perpetuated to have been occurred within the spectacular society. In other words, the aim of this study is to analyze how the discipline of architecture generated itself within the realm of a sort of advanced capitalism by means of its discursive apparatuses released primarily as architectural manifestoes. Architectural manifestoes, in this sense, are regarded as relevant tools to analyze this occasion because they act an integral part of architecture’s discursive framework throughout the history. This study hints at the intimation that the genre of manifesto and its internal logic is strongly affiliated with an external logic in which the modernist premises of domination and power is strong. This interrelation is of importance to analyze the corpus of the genre and to understand whether it still operates today within this same circle of interrelation. Debordian critique of the advanced capitalistic society played an important role in the identification of the genre as a modern discursive form as well as an instrument of persuasion.
Architecture and society., Architecture, Modern.
http://etd.lib.metu.edu.tr/upload/12616044/index.pdf
https://hdl.handle.net/11511/22864
Graduate School of Natural and Applied Sciences, Thesis

Suggestions

Historical contuinity: three modernist masters, their precedents and descendants
Mollazadeh, Aslı; Balamir, Aydan; Department of Architecture (2014)
The aim of this thesis is to uncover the relation between the concept of historical continuity and architectural modernism. Modernism in architecture has often been conceived as a movement that rejects history. The buildings of modernist masters have been seen alien to their environments and the cultural values of the society. Although there have been many studies disproving this widespread opinion, the continuing effects of modernist works on today's architectural environment haven't been fully understood....
An Ontological inquiry on potentials of criticality and conceptualization of program in architecture
Kızıl, Sinan Cem; Sargın, Güven Arif; Department of Architecture (2017)
The relation between architecture and social change is one of the key themes in historical discourse of architectural theory. The tradition of criticality has been consolidated after enlightenment and it caused distrust towards norms of architecture. Even though this tradition of criticality eventually turns to its roots and criticises the ideals of enlightenment in postmodern discourses, it is clear that namely postmodern architectures still subjected to criticism similar to their modernist predecessors. I...
Construction of “physical” and “dream” spaces through things/objects in the selected works of Georges Perec and Orhan Pamuk
Özmen, Müge; Enginsoy Ekinci, Ayşe Sevil; Savaş Sargın, Ayşen; Department of Architecture (2014)
This thesis is an attempt to examine the construction of “physical” and “dream” spaces through things/objects of daily life belonging to the past and the present. As an interdisciplinary study, it focuses on Things by Georges Perec (1965) and The Museum of Innocence (novel/2008), The Museum of Innocence (museum/2012) and The Innocence of Objects (catalogue of the museum/2012) by Orhan Pamuk and looks comparatively into the dynamics between “physical” and “dream” spaces in these works, and the roles played b...
A typology of ancient theatres in modern Spain and Greece a geo-historical approach
Aktüre, Zeynep; Erder, Cevat; Department of Architecture (2005)
This study offers an inquiry into the historical context of the invention, consolidation, and on-going popularity of the ancient theatre typology based on the Greek-Roman ءbinarism̕, for a better understanding of its philosophical and theoretical foundations. It scrutinises those foundations in order to discover, in their limitations for an assessment and restitution of the architectural characteristics of extant ancient theatre remains, a new set of variables for devising an alternative method of classific...
A study on the 'creative act' in architecture through the attitude of M. Ziya Tanalı
Taşkın, Özlem; Cengizkan, Ali; Department of Architecture (2006)
In this thesis, analysis of the creative act in architecture and art is tried to be dwelled upon. The capacities of the 'creative mind'; personality and ethics are the fields that are focused on to elaborate the subjective qualities of the architect. Three aspects are designated in this framework through the literal works of architect M. Ziya Tanalı. Tanalı is a man of profession for the several years. He is not only contributed Turkish architecture with buildings, but also wrote extensively on art and arch...
Citation Formats
O. Turan, “The Genre of architectural manifesto in the society of the spectacle,” Ph.D. - Doctoral Program, Middle East Technical University, 2013.
METU IIS - Integrated Information Service open@metu.edu.tr