Nomad thought in Peter Reading’s Perduta gente and Evagatory and Maggie O’sullivan’s In the house of the shaman and Palace of reptiles

Download

index.pdf

Date

2015

Author

Türe Abacı, Özlem

Metadata

Show full item record

Item Usage Stats

354
views

822
downloads

This study aims to explore the processes of becoming in Peter Reading’s Perduta Gente and Evagatory and Maggie O’Sullivan’s In the House of the Shaman and Palace of Reptiles by concentrating on the spatial, corporeal and performative politics in their poetry within a theoretical framework based on Deleuze and Guattari’s nomad thought and their revisionary ideas on the politics of body, space and subjectivity. This study also investigates how nomadism as a critical category enables an exploration of the formal and linguistic experimentalism in Peter Reading and Maggie O’Sullivan’s poetry. The analysis of poems is preceded by an introductory chapter about the ‘poetry wars’ in the post-war British poetry between the mainstream and marginalised camps of poets in order to unravel the key debates surrounding the reception and features of experimental poetries in Britain, and a theoretical chapter on the concepts such as nomadic subject, smooth/striated spaces, affect, explored throughout the study. A close reading of the poems reveals that the thematic, linguistic and formal concerns in Reading and O’Sullivan’s poems foreground a trans-corporeal and nomadic aesthetics, displacing the anthropocentric assumptions about self and space, and challenging poetic conventions by rendering language itself a poetic material. In conclusion, this study mainly argues that Reading and O’Sullivan’s nomadic subjects in the poems are constantly reproduced in relation to non-human forces in urban spaces or landscapes. Furthermore, linguistic and formal innovations in Peter Reading and Maggie O’Sullivan’s poetry, including lexical experiments, inventive syntax, neologizing and use of visual materials, metamorphose into sites where the nomadic trajectory of their poetry is discovered.

Subject Keywords

English literature, English literature

URI

http://etd.lib.metu.edu.tr/upload/12619673/index.pdf
https://hdl.handle.net/11511/25411

Collections

Graduate School of Social Sciences, Thesis

Suggestions

OpenMETU
Core

A bakhtinian analysis of William Golding’s rites of passage: heteroglossia, polyphony and the carnivalesque in the novel Tuğlu, Utku; Sönmez, Margaret Jeanne M.; Department of English Literature (2011) This thesis analyzes William Golding’s Rites of Passage using a detailed examination of the Bakhtinian concepts of heteroglossia, polyphony and the carnivalesque to investigate the points of mutual illumination and confirmation between Bakhtin’s ideas and Golding’s novel. Therefore the method of analysis is divided between a close study of Rites of Passage and an equally close examination of Bakhtin’s ideas. The Bakhtinian concepts studied in this thesis are central to his idea of language and theory of the...
Dickens’s Bleak house and The Old curiosity shop: a reading through things Eratalay, Etkin Bilen; Sönmez, Margaret Jeanne M.; Department of English Literature (2015) This thesis analyzes Dickens' Bleak House and The Old Curiosity Shop from the perspective of thing theory as expounded by Bill Brown to explore how objects and other material entities are represented, and what kinds of meanings and values they take upon themselves within the narratives. In addition to making use of insights of thing theory, this thesis also makes references to the concepts of the carnivalesque, the grotesque and the uncanny since they are integral parts of Dickens' portrayal of the material...
Dialectical oscillations in Keats: a Kristevan reading of endymion, hyperion and the fall of hyperion Albayrak, Gökhan; Sönmez, Margaret Jeanne M.; Department of English Literature (2019) By deploying Kristevan theory, this thesis argues that Keats's poetry oscillates between the semiotic and the symbolic and it asserts that the semiotic threatens to overwhelm the symbolic in Endymion while the poet strives to repress the semiotic in Hyperion poems but it returns and causes the poet to leave these poems as fragments. The poet is immersed in the semiotic in Endymion, a romance, while attempts are made to repress this immersion in the epicscape of Hyperion and in the allegorical vision of The ...
A Julia Kristevan analysis of Emily Dickinson and John Milton Sarıkaya, Merve; Sönmez, Margaret Jeanne M.; Department of Foreign Language Education (2007) This thesis aims to analyze poems by Emily Dickinson and John Milton according to Julia Kristeva’s theories of poetic language and abjection, and to see the extent to which these concepts are applicable to two such different poets and also to see how the poets compare within such analytic framework. Kristeva adapts a psychoanalytic approach to poststructuralist theory. Psychoanalytic criticism with its two leading figures, Sigmund Freud and Jacques Lacan, has been analyzed to see its reflections on Kristeva...
Jungian archetypes in samuel beckett's trilogy Kızılcık, Hale; Sönmez, Margaret Jeanne M.; Department of English Literature (2005) This thesis analyses the Jungian archetypes employed in Beckett's trilogy. It begins with an overview of Jungian archetypes and the relation of these archetypes to the fundamental themes dealt with in Beckett's work. The thesis then asserts that some archetypal features occur almost obsessively and are further clearly implicated in the main themes of the trilogy. The central archetypal patterns that frequently appear in the novel are the hero's quest, return to paradise and rebirth. This dissertation is the...

Citation Formats

Ö. Türe Abacı, “Nomad thought in Peter Reading’s Perduta gente and Evagatory and Maggie O’sullivan’s In the house of the shaman and Palace of reptiles,” Ph.D. - Doctoral Program, Middle East Technical University, 2015.