Printed architectures: architects’ auto-monographs in Turkey 1950s-1980s

Download

index.pdf

Date

2016

Author

Bancı, Selda

Metadata

Show full item record

Item Usage Stats

322
views

187
downloads

This dissertation examines architecture in Turkey from the 1950s to the 1980s through printed mediums and focuses on the auto-monographs prepared by practising architects, one of the genres of printed mediums in architecture. These books retrospectively display architects’ complete œuvre via images and texts and provide a place for architects to structure their own architectural production and to develop an understanding of architecture itself as a practice. The monographs live longer than the buildings and their architects by housing architectural practice for many years and thus providing a basis for architectural history and theory, and for the conceptualization of architecture itself in discursive terms. In the studies carried out so far, architectural historiography has usually focused on the building or its creator architect. On the other hand, this dissertation approaches architects’ auto-monographs and hence printed architectures both as research subject and research object, and subject-matter of its historiography. In this manner, focusing on the genesis of architects’ auto-monographs in Turkey, the dissertation attempts to reveal the issues hitherto untouched or undervalued, and addressed a shift in the cultural and historical context of architecture in the country. Each of the monographs examined in this study only generates meanings in relation to the others as a node in the network of the contemporary architectural context. Therefore, this dissertation tries to understand the roles of the monographs in the network through the concepts of “exhibition,” “archive” and “narrative” rather than to analyze them as individual cases. The three concepts, following a chronology from the 1950s to the 1980s, provide the ground to discuss how architects displayed architectural products, structured architectural production and understood architecture through their auto-monographs in their attempts to conceptualize their architectures and (re)produce them for public recognition; hence, these three concepts produce clues for similar analyses of contemporary and future cases.

Subject Keywords

Architecture, Architecture, Architecture, Architecture

URI

http://etd.lib.metu.edu.tr/upload/12619945/index.pdf
https://hdl.handle.net/11511/25616

Collections

Graduate School of Social Sciences, Thesis

Suggestions

OpenMETU
Core

Analysis of the limits of representation of architectural photographic images in periodicals Bakht, Nazlı; Güzer, Celal Abdi; Department of Architecture (2007) This study aims to analyze the limits of representation of architectural photographic images in periodicals within architectural media that shape today’s architectural production. This aim is accomplished in three sections; “examining the power of image in architecture”; “examining architectural media” and “examining the periodicals’ attitudes towards using architectural photography”. A case study is done to uncover the relationship between the photograph and the medium that it takes place on and determine ...
Awarding architecture in Turkey: national architecture exhibition and awards program Durmaz, Nur; Balamir, Aydan; Department of Architecture (2009) The establishment of the National Architecture Exhibition and Awards (NAEA) program in 1987, by Chamber of Architects, coincides with the period of dissolving modernist paradigm and rising pluralist influences in Turkey. The program, as a critical medium, is expected to reflect “national” architectural practice and contribute in the “contemporary” architectural practice in Turkey. In order to evaluate the consistencies with these objectives, firstly the program identity and then the participations are analy...
Hands-on building practices in architectural education : METU summer construction practices Turgay, Özce; Gür, Berin Fatma; Department of Architecture (2005) This thesis explores the position of hands-on building practices in architectural education by focusing on METU Summer Construction Practices (ARCH190), which has been conducted in the rural sites of Turkey since 1958. It is believed that the summer construction practice is a tool of education to acquire knowledge of architecture by building 1-to-1 scale constructions. METU Summer Construction Practices are examined by asking the questions of أwhat is learnedؤ and أhow is learnedؤ in order to understand bot...
"The citadel of Ankara": Aspects of visual documentation and analysis regarding material use Sülüner, Hasan Sinan; Bakırer, Ömür; Department of Architecture (2005) This thesis examines the history, written sources and physical aspects of the citadel at Ankara with respect to building materials, masonry styles, design and topography. The distribution of different types of building materials in selected areas are analyzed and documented by using modern methods.
Authentication of space: the photograph as a raw material for architectural production Koca, Aslı; Savaş Sargın, Ayşen; Department of Architecture (2009) This thesis is a critical reconsideration of the relationship of architectural production with its unique mode of representation: “photography.” Photography has been interpreted essentially as a technique and a visual medium to document architecture in general. The “photograph,” in this sense, is regarded as a representational form of documentation and an artistic and material expression of architecture. Besides this conventional value, this study argues that photography not only provides a new medium for t...

Citation Formats

S. Bancı, “Printed architectures: architects’ auto-monographs in Turkey 1950s-1980s,” Ph.D. - Doctoral Program, Middle East Technical University, 2016.