Modernli̇k Söylemi̇: Endi̇şeli̇ Bakışlarda Modern Bi̇rey

Download
141-171.pdf
2010
Talu, Nilüfer
Show full item record
Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
267
views
272
downloads
Modernity and modern life met with critique starting from the last quarter of the nineteenth century and continuing to the present through countless texts including classical theoretical writings, images, cultural objects, architectural practices, works of art, literary works, scientific and unscientific articles, reviews, movies, letters, lectures, etc. Regardless of whether they are discursive or not, these texts construct a point of view and a particular meaning concerning the mental health of the modern individual. In other words, the general domain of all these texts has produced a 'discourse' that says that the conditions of modern life and of the metropolis/megalopolis return to the modern individual as negative dialectics between 'the subject and the object', 'the self and the other', 'freedom and security', 'standardization and individualization' and 'individual and social'. This study aims to analyse modernity as a discourse focusing on its modern individual. Discourse is here meant the notion that takes central part in Michel Foucault's (1926-1984) fundamental theoretical argument. In the Foucauldian sense, discourse means an identifiable group of statements that is comprised of all utterances, actions, practices and texts which have meaning and which have some effect in the real world that consider the 'modern individual as standardized, individualized, alienated, homeless, etc.' In order to illustrate the general domain of all statements, the study emphasizes classical theoretical texts of modernity clarifying social changes that played important roles in the rationalization and standardization of the modern individual as 'utterances or written/spoken things'. The study claims that these discursive utterances/texts that are produced than in the rules and structures which produce particular utterances and texts. Here, art works as 'invisible things' are produced by the classical theoretical texts. These heterogeneous kinds of art works (visual texts), which make up not only an individualizable group of statements but also constitute -discursive formation of modernity- the particular structure of this discourse, are regulated with the titles as 'subject-object, 'place-homeland-home', 'standardization-individuality-freedom' referring to the classical theoretical (written) texts -Baudelaire's, Simmel's, Benjamin's, Berman'S, Sennet's- in intertextual relationships. The aim of this analysis is not only to clarify the visions along with the statements through various written texts (utterances) directed/produced for modern individul from the capitalist modernity to the global capitalist modernity of today but also illustrates these all abstract through art works that are accepted as images, visual texts (invisible things) knowing that visions are important source of imagery. The texts as utterances or invisible things, are considered as visions along with themes and statements rather than reality or truth. So this study does not try to proof a reality, tries to display a perception that has power to convince society bombarded with the utterances and images. Critical writings of modernity render modern individual in the images of rationalization, alienation, isolation, standardization, individualization, and homelessness. So, beside the writings of modernity, the argument is presented through discursive art objects/things taken as the texts that have the power to visualize anxious visions on/of modern individual embodying not only rhetorical metaphors, tropes and motifs concerning modernity. And lastly, this study rightly observes and claims dominance of an anxious gaze that could transform into a single utterance: 'modern individual is unhappy / traumatic'. In other words, one may identify the characteristics of a discourse of a 'modern' culture in a single utterance.
Modernity, Modern individual, Modern life, Alienation, Homesickness, Homelessness, Foucaudian discourse, Discourse analysis, Modernlik, Modern birey, Modern hayat, Yersizlik-yurtsuzluk evsizlik, Foucaultgil söylem, Söylem analiz
http://jfa.arch.metu.edu.tr/archive/0258-5316/2010/cilt27/sayi_2/141-171.pdf
https://hdl.handle.net/11511/50916
Department of Architecture, Article

Suggestions

The memory of time : virtuality in Deleuze’s philosophy
İsmet, Burçak; Ceylan, Yasin; Department of Philosophy (2007)
The main objective of this master’s thesis is to examine the concept of difference according to French philosophers Gilles Deleuze and Henri Bergson. In order to explicate this crucial concept and its emphasis in these thinkers’ philosophies, this dissertation is focused on the notion of time and memory. Through the thesis, first Deleuze’s critical attitude towards representational and dialectical approachs for difference is elucidated. After the comprehensive examination for the meaning of difference accor...
Historical contuinity: three modernist masters, their precedents and descendants
Mollazadeh, Aslı; Balamir, Aydan; Department of Architecture (2014)
The aim of this thesis is to uncover the relation between the concept of historical continuity and architectural modernism. Modernism in architecture has often been conceived as a movement that rejects history. The buildings of modernist masters have been seen alien to their environments and the cultural values of the society. Although there have been many studies disproving this widespread opinion, the continuing effects of modernist works on today's architectural environment haven't been fully understood....
Art(s) of becoming: performative encounters in contemporary political art
Akkın, İbrahim Okan; Parkan, Barış; Department of Philosophy (2017)
This thesis analyses Deleuze & Guattari’s notion of becoming through certain performative encounters in contemporary political art, and re-conceptualizes them as “art(s) of becoming”. Art(s) of becoming are actualizations of a non-representational –minoritarian– mode of becoming and creation as well as the political actions of fleeing quanta. The theoretical aim of the study is, on the one hand, to explain how Platonic Idealism is overturned by Deleuze’s reading of Nietzsche and Leibniz, and on the other ha...
The Russian Avant-Garde, and Radikal Modernism (Book Review)
Pamir Dietrich, Ayşe (2017-01-01)
This book is a collection of articles on the Russian Avant-Garde and Radical Modernism which give the reader a historical perspective on the last phase of the modernist creative history of the Russian Avant-Garde. Divided into six chapters, this collaborative work begins with a section that provides background information on the Russian Avant-Garde and Radical Modernism. In the first two decades of the 20th century developments in Russia created a climate favorable to revolutionary ideas which, in turn, he...
The analysis of alienation [Entfremdung] in being time from a Marxist perspective
Keskin, Eda; İnam, Ahmet; Department of Philosophy (2010)
In this thesis, the problem of human being’s alienation from its own Self, society, species-being, objects (products) and labour, which occurs in capitalist modernity through the formation of mass cultures, is analyzed in the conceptual context of Being and Time. In this respect, it is discussed that Heideggerian philosophy is not at odds with Marxism in contrast to Theodor W. Adorno’s arguments in The Jargon of Authenticity. Additionally, the claim of this study is that Heidegger’s ontologico-existential p...
Citation Formats
N. Talu, “Modernli̇k Söylemi̇: Endi̇şeli̇ Bakışlarda Modern Bi̇rey,” ODTÜ Mimarlık Fakültesi Dergisi, vol. 27, no. 2, pp. 141–171, 2010, Accessed: 00, 2020. [Online]. Available: http://jfa.arch.metu.edu.tr/archive/0258-5316/2010/cilt27/sayi_2/141-171.pdf.
METU IIS - Integrated Information Service open@metu.edu.tr