Show/Hide Menu
Hide/Show Apps
Logout
Türkçe
Türkçe
Search
Search
Login
Login
OpenMETU
OpenMETU
About
About
Open Science Policy
Open Science Policy
Open Access Guideline
Open Access Guideline
Postgraduate Thesis Guideline
Postgraduate Thesis Guideline
Communities & Collections
Communities & Collections
Help
Help
Frequently Asked Questions
Frequently Asked Questions
Guides
Guides
Thesis submission
Thesis submission
MS without thesis term project submission
MS without thesis term project submission
Publication submission with DOI
Publication submission with DOI
Publication submission
Publication submission
Supporting Information
Supporting Information
General Information
General Information
Copyright, Embargo and License
Copyright, Embargo and License
Contact us
Contact us
OTTOMAN MUSICAL TRADITION AND WESTERN EAR
Date
2016-01-01
Author
Çakmur, Barış
Metadata
Show full item record
This work is licensed under a
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License
.
Item Usage Stats
231
views
0
downloads
Cite This
This study, by examining the travel books and diaries of Western travelers and/or musicians in their visit to greater Ottoman cities from the Seventeenth and Eighteenth centuries, presents how they described the music they heard in Ottoman lands as well as how they drew the picture of the musical life in the cities they visited. These narratives, irrespective of their aesthetic value judgments, provide important information about the musical practice of the age. Examining these narratives from a sociological and historical perspective, the study focuses on the conditions of production and reproduction of "Ottoman/Turkish art-music", and argues that for a quite long period of time Ottoman/Turkish art-music tradition remained stable and isolated from the current material contradictions, and in it one may find the traces of a superstructural formation of an older mode of production.
Subject Keywords
Classical Turkish music
,
Fasil music
,
Memoirs
,
Mesk
,
Ottoman art music
,
Production and reproduction of music
,
Travel books
,
Travelers
URI
https://hdl.handle.net/11511/55907
Journal
REVISTA DE ETNOGRAFIE SI FOLCLOR-JOURNAL OF ETHNOGRAPHY AND FOLKLORE
Collections
Department of Political Science and Public Administration, Article
Suggestions
OpenMETU
Core
On the pursuit of a nation: The construction of folk and folk music in the founding decades of the Turkish Republic
Degirmenci, Koray (2006-06-01)
This paper largely investigates the dynamics of cultural policy in the founding years of the Turkish Republic (1923-1940s) by looking at a particular cultural form, Turkish folk music. The reconstruction of Turkish folk music and the development of the term 'folk' reflect certain cultural and political aspects of the formation of the nation-state and of Turkish nationalism. The paper also attempts to understand the inspirational sources of the founding cadres' cultural policy by looking at the genealogy of ...
Batılılaşma Döneminde Osmanlı Sağlık Kuruluşları
Yavuz, Yıldırım (Middle East Technical University, Faculty of Architecture, 1988)
Üçüncü Selim'in 1789'da tahta geçmesiyle başlayan Batılılaşma dönemine kadar Osmanlı sağlık kuruluşları hem tıp uygulamaları, hem sağlık koşulları, hem de hastane yapılan açısından ortaçağda geçerli olan ilkel görünümlerini korumuşlardır. Kendinden önceki Selçuklu tıp uygulamalarına dayanan Osmanlı sağlık kuruluşları, biçimsel olarak da Selçuklu sağlık yapılarını yinelemişler, bu nedenle, Osmanlı hastaneleri, medrese planlarını anımsatan, bir orta avlu çevresine dizili odalardan oluşmuş geleneksel formların...
Weighing Diverse Theoretical Models on Turkish Maqam Music Against Pitch Measurements: A Comparison of Peaks Automatically Derived from Frequency Histograms with Proposed Scale Tones
Bozkurt, Baris; Yarman, Ozan; Karaosmanoglu, M. Kemal; Akkoc, Can (Informa UK Limited, 2009-01-01)
Since the early 20th century, various theories have been advanced in order to mathematically explain and notate modes of Traditional Turkish music known as maqams. In this article, maqam scales according to various theoretical models based on different tunings are compared with pitch measurements obtained from select recordings of master Turkish performers in order to study their level of match with analysed data. Chosen recordings are subjected to a fully computerized sequence of signal processing algorith...
Travel, civilization and the east : Ottoman Travellers’ perception of “the east” in the late Ottoman Empire
Palabıyık, Mustafa Serdar; Yurdusev, Ahmet Nuri; Department of International Relations (2010)
This thesis analyzes the Ottoman travellers’ perception of “the East” in the late Ottoman Empire. In doing that, it links the Ottoman intellectual debates on the concept of civilization to their perceptions on the non-European lands and peoples. It mainly argues that the Ottoman intellectuals’ attempt to create a synthesis between the material elements of Western civilization and their own morality resulted in a perception of the East different from the Western perceptions. While the Western perceptions env...
Turkish rap music within the grip of popular culture
Elbir, İrem; Çakmur, Barış; Department of Media and Cultural Studies (2021-6)
Hip-hop has become one of the omnipresent and popular form of cultures in the present-day, which spreads across the world and the most known elements of this culture has always been rap music. This music becomes a way of expression to raise a voice against the social problems throughout its history. This study examines how the resistance in Turkish rap music has transformed within the grip of popular culture. In this context, the formation of Turkish rap music will be discussed and analyzed through the anal...
Citation Formats
IEEE
ACM
APA
CHICAGO
MLA
BibTeX
B. Çakmur, “OTTOMAN MUSICAL TRADITION AND WESTERN EAR,”
REVISTA DE ETNOGRAFIE SI FOLCLOR-JOURNAL OF ETHNOGRAPHY AND FOLKLORE
, pp. 11–37, 2016, Accessed: 00, 2020. [Online]. Available: https://hdl.handle.net/11511/55907.