Show/Hide Menu
Hide/Show Apps
Logout
Türkçe
Türkçe
Search
Search
Login
Login
OpenMETU
OpenMETU
About
About
Open Science Policy
Open Science Policy
Open Access Guideline
Open Access Guideline
Postgraduate Thesis Guideline
Postgraduate Thesis Guideline
Communities & Collections
Communities & Collections
Help
Help
Frequently Asked Questions
Frequently Asked Questions
Guides
Guides
Thesis submission
Thesis submission
MS without thesis term project submission
MS without thesis term project submission
Publication submission with DOI
Publication submission with DOI
Publication submission
Publication submission
Supporting Information
Supporting Information
General Information
General Information
Copyright, Embargo and License
Copyright, Embargo and License
Contact us
Contact us
Kazuo Ishiguro in a Global Context
Date
2015-05-01
Author
Yıldız Bağçe, Hülya
Metadata
Show full item record
This work is licensed under a
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License
.
Item Usage Stats
117
views
0
downloads
Cite This
URI
https://www.routledge.com/Kazuo-Ishiguro-in-a-Global-Context/Wong-Yldz/p/book/9781472446695
https://hdl.handle.net/11511/70391
Collections
Department of Foreign Language Education, Book / Book chapter
Suggestions
OpenMETU
Core
Kazuo ishiguro’s postmodern hypertexts: generic reconfigurations in the remains of the day, when we were orphans, and the buried giant
Sönmez Demir, Yağmur; Öztabak Avcı, Elif; Department of English Language Teaching (2020-10-15)
This study explores to what extent, how, and why “hypertextuality” is employed in Kazuo Ishiguro’s novels The Remains of the Day (1989), When We Were Orphans (2000), and The Buried Giant (2015). These novels will be analysed as postmodern “hypertexts” reconfiguring various atavistic literary genres that were once predominant in British literature. Gérard Genette’s concept of the “hypertext” as discussed in Palimpsests: Literature in the Second Degree and Linda Hutcheon’s theory of parody will constitu...
Kakutani-Krein compact space of the CDw(X)-space in terms of X x {0,1}
Ercan, Z; Onal, S (Elsevier BV, 2006-01-15)
The Unital AM-spaces (AM-spaces with strong order unit) CDw(X) are introduced and studied in [Y.A. Abramovich, A.W. Wickstead, Remarkable classes of unital AM-spaces, J. Math. Anal. Appl. 180 (1993) 398-411] for quasi-Stonean spaces X without isolated points. The isometries between these spaces are studied in [Y.A. Abramovich, A.W. Wickstead, A Banach-Stone theorem for new class of Banach spaces, Indiana Univ. Math. J. 45 (1996) 709-7201. In this paper for a compact Hausdorff space X we give a description o...
Karatsuba-like formulae and their associated techniques
Cenk, Murat (2018-09-01)
Efficient polynomial multiplication formulae are required for cryptographic computation. From elliptic curve cryptography to homomorphic encryption, many cryptographic systems need efficient multiplication formulae. The most widely used multiplication formulae for cryptographic systems are the Karatsuba-like polynomial multiplication formulae. In this paper, these formulae and Montgomery's work yielding more efficient such formulae are introduced. Moreover, recent efforts to improve these results are discus...
Taguchi Design of Internal Stress and Friction Measurements during Electrodeposition
SARALOĞLU GÜLER, EBRU; Karakaya, İshak (2017-01-01)
The electroplating method is a promising alternative to produce composite plating by using dispersed fine particles in the metal plating bath. The process can be either called electro-deposition or composite deposition. The particles are trapped in the deposit during the process. Internal stress is a common problem in plated deposits that affect the performance of the coatings and may even result in adhesion problems. Hence, the amount and type (compressive or tensile) of the internal stress must be control...
Tadao Ando’s Architecture in the Light of Japanese Aesthetics
Erzen , Jale Nejdet (Middle East Technical University, Faculty of Architecture, 2004)
1992’de Seville Dünya Fuarı’nda gezdiğim Japon Pavyonu ve 2001’de Kyoto’da gördüğüm toprak altına gömülü küçük daire müze, bana Tadao Ando’yu yakından tanıttı. Daha sonra Japon estetiği üzerine araştırma yapmaya gittiğimde, Ando’yu anlamamı sağlayan özellikleri Japonya’nın geleneksel mimarisinden çok, orada yaşadığım gündelik yaşam estetiğinde buldum. Bu açıdan Tadao Ando’nun mimarisinin ‘öteki’ ile özel bir ilişki kurduğunu ve katılımcı bir estetiği olduğunu anladım. Bu metinde incelediğim yapılara özellik...
Citation Formats
IEEE
ACM
APA
CHICAGO
MLA
BibTeX
H. Yıldız Bağçe,
Kazuo Ishiguro in a Global Context
. 2015.