Artist and Revolutionary: Panos Terlemezian as an Ottoman Armenian Painter

2015-12-01
Tongo Overfield Shaw, Gizem
Probably no painter in the late Ottoman Empire was at war with the ruling block more than the Ottoman Armenian artist Panos Terlemezian (1865-1941). Terlemezian was politically active against the Ottoman state’s periodic repressions of its Armenian subjects during the absolutist regime of Sultan Abdülhamid II (r. 1876-1909) and also during the Armenian Genocide of 1915. As such his early life was scarred by prison and exile. Yet neither his political commitments nor his constant displacements prevented him from becoming the most talented of painters, first, of modern Ottoman art, and then, of modern Armenian art. Focusing on the period 1885-1915, this paper explores Terlemezian’s “initial identity” as an Ottoman-Armenian painter; situating him within both the history of the late-Ottoman Empire in which he became a revolutionary and within the international art world with which he interacted as he was developing as an artist. This paper concludes that Terlemezian’s story points to a cosmopolitan and integrated art world in Ottoman Istanbul, but only in brief periods of historical opportunity, suggesting how the political agendas of a state can create extraordinary circumstance in an artist’s life.
Études arméniennes contemporaines

Suggestions

Turkic Cultural History: Early Postclassical (Pre-Islamic) Period
Dietrich, Richard (Humanities Institute, 2018-07-01)
The art of the Gök Türk empires and the subsequent Uighur states constitutes the earliest examples of art by Turkic peoples. Much of it exhibits a high level of sophistication in its execution and, unsurprisingly, shows the influence of neighboring cultures.
DEATH ON THE MARGIN: AN URBAN HISTORY OF LAND WALLS CEMETERIES IN ISTANBUL
Polat, Fatıma İkbal; Yoncacı Arslan, Pelin; Department of History of Architecture (2023-2-8)
Communal cemeteries of Istanbul were located outside the city’s borders in each historical period from Antiquity to the Byzantine and Ottoman times. In the 5th century, with the advent of the Theodosian walls, the burial topography shifted towards outside these walls, while the former burial grounds in the city’s former Constantinian walls remained untouched. In Ottoman period, the land outside the Theodosian walls was established as the city’s legitimate burial place and continues its function to this day....
Mimar Kemalettin Bey (1870-1927)
Yavuz , Yıldırım (Middle East Technical University, Faculty of Architecture, 1981)
The initial phase of nationalism in Turkish architecture is known to have covered those turbulent years between 1909-1930 that saw the fall of the Ottoman Empire as well as the dawn of the Turkish Republic. Locally known as; "The First Period of National Turkish Architecture", these two decades were to witness the fervent struggles of a set of young Turkish architects who opposed the western influences on traditional Ottoman architecture, monopolized by foreign and minority experts for the past hundred year...
Institutionalization of History in the Ottoman Empire
Ergut, Ferdan (Informa UK Limited, 2015-04-03)
This article examines the process within which history was institutionalized in the Ottoman Empire. Institutional space for history had begun to be constructed within the context of interstate rivalry during the mid-nineteenth century. History had the task of "proving" the fact that the Turks had been from the very beginning a part of the "Western civilization." The essential period for the institutionalization history was that of the regime of the Committee of Union and Progress in 1908-18, providing histo...
Bir Rumeli Kentinin Modernleşmesi: Üsküp 1839-1912
Bektaş, Gönül (Middle East Technical University, Faculty of Architecture, 2020)
Bu yazıda, 1839 Tanzimat Fermanı sonrasında, Balkan yarımadasının merkezinde bulunan Üsküp kentinin modernleşme sürecini incelenmektedir. Yazı kentin gelişmesini ve fiziksel değişim aşamalarını konu almaktadır. Yazıda önce Tanzimat Reformları’nın getirdiği yeniliklerin, Üsküp’ün toplum yapısını ne ölçüde etkilediği ve değişmenin ne yönde olduğu incelenmiş, bu bağlamda tarihsel, sosyo-ekonomik ve siyasal yapının değişimi ayrıntılı bir biçimde irdelenmiştir. Ardından, Üsküp’ün mekânsalyapısını değiştiren bu o...
Citation Formats
G. Tongo Overfield Shaw, “Artist and Revolutionary: Panos Terlemezian as an Ottoman Armenian Painter,” Études arméniennes contemporaines, no. 6, pp. 111–153, 2015, Accessed: 00, 2022. [Online]. Available: https://hdl.handle.net/11511/97092.