Show/Hide Menu
Hide/Show Apps
Logout
Türkçe
Türkçe
Search
Search
Login
Login
OpenMETU
OpenMETU
About
About
Open Science Policy
Open Science Policy
Open Access Guideline
Open Access Guideline
Postgraduate Thesis Guideline
Postgraduate Thesis Guideline
Communities & Collections
Communities & Collections
Help
Help
Frequently Asked Questions
Frequently Asked Questions
Guides
Guides
Thesis submission
Thesis submission
MS without thesis term project submission
MS without thesis term project submission
Publication submission with DOI
Publication submission with DOI
Publication submission
Publication submission
Supporting Information
Supporting Information
General Information
General Information
Copyright, Embargo and License
Copyright, Embargo and License
Contact us
Contact us
The object of art, which exists ‘presently’: Performance art
Date
2021-03-01
Author
Işıtman, Ödül
Metadata
Show full item record
This work is licensed under a
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License
.
Item Usage Stats
142
views
0
downloads
Cite This
AbstractThe break between object and image was added to the perception of reality and truth which changed with the Internet, social networks and the like in the 1990s. The possibilities that technology provides completed the effort of the postmodernist discourse in art to destroy tradition. All values are being reconstructed. While art is rapidly being digitised, Performance Art has taken its places in art’s agenda. In this article, performance art will be elaborated and analysed with a focus on ceramic art. Performance art is the life itself, it is not repetitive, and it is what happens presently. It communes with the audience. As the object of art that exists at the moment, it cannot be bought, sold or moved. It is a way of transmitting the artist’s ideas in an unusual, striking and unmediated way that is different from the traditional art forms. In the performances, it is mostly seen that breaking traditional forms, using the clay in raw form rather than firing it, reflecting the plasticity of the clay and revitalising it are used as assets. Performance art is a model of rebellion against the era in which we are imprisoned in mass communication and distanced from reality under the image bombardment. It is necessary to see the performance art as an experiment or suggestion, as the object of art which exists presently, rather than as a show to meet expectations.Keywords: Present time, art, performance art, ceramics, process, audience.
URI
https://un-pub.eu/ojs/index.php/pntsbs/article/view/5789
https://hdl.handle.net/11511/100176
Journal
New Trends and Issues Proceedings on Humanities and Social Sciences
Collections
Department of Music and Fine Arts, Article
Suggestions
OpenMETU
Core
The Object of Art, Which Exists ‘Presently’: Performance Art
Işıtman, Ödül (2021-06-04)
The break between object and image was added to the perception of reality and truth which changed with the Internet, social networks and the like in the 1990s. The possibilities that technology provides completed the effort of the postmodernist discourse in art to destroy tradition. All values are being reconstructed. While art is rapidly being digitised, Performance Art has taken its places in art’s agenda. In this article, performance art will be elaborated and analysed with a focus on ceramic art. Perfor...
The object of art, which exists ‘presently’: Performance art
Işıtman, Ödül (2021-06-04)
The object of art, which exists ‘presently’: Performance artOdul IsitmanMiddle East Technical University (ODTU), Ankara, TurkeyAbstractThe object of art, which exists ‘presently’: Performance artThe break between object and image was added to the perception of reality and truth which changed with the Internet, social networks and the like in the 1990s. The possibilities that technology provides completed the effort of the postmodernist discourse in art to destroy tradition. All values are being reconstructe...
Double network superresolution
Tarhan, Cem; Bozdağı Akar, Gözde.; Department of Electrical and Electronics Engineering (2019)
As the social platforms became widespread, the image and video based materials are being shared continuously and increasingly each day. This not only brings an issue of storage but also internet bandwidth usage. In order for a user to effectively run a superresolution (SR) algorithm on a mobile device, a light-weight but good performing algorithm must be designed. In recent years, convolutional neural networks (CNNs) have been widely used for SR. Although their indisputable success, CNNs lack proper mathema...
The Spread of Fake News in Turkey: Predictors of Fake News Questioning and Sharing
Bayrak, Fatih; Çoksan, Sami; Akarsu, Albina Sıla; Sezer, Bengisu; Sayılan, Gülden (2020-07-15)
The phenomena that have emerged with a dramatic increase in the speed of technologicaldevelopment have affected many aspects of social and political life. One of these facts is theextraordinary growth in the amount and access to information. However, this informationmay not always reflect reality in life. With the development of technology, especially insocial media, it has become easier to spread fake information. In the literature, fake news hasbeen mostly studied in the media field. However, it is crucia...
Loneliness, Mindfulness, Daily Online Social Networking Time and Duration of Romantic Relationship with regard to Problematic Internet Use
Ulu Yalçınkaya, Ayşe; Kurşuncu, Mustafa Alperen; Demir, Ayhan Gürbüz; Demir, Ayçin (null; 2018-08-01)
The Internet has been part of our lives for almost three decades and it is not surprising that some individuals demonstrate problematic internet use behaviours. Problematic or excessive internet use is considered as one of the dysfunctional ways of avoiding social relations and using communication skills. The purpose of the study was to investigate the relationship between Internet addiction, loneliness, mindfulness, duration of romantic relationships and daily social networking time in university students....
Citation Formats
IEEE
ACM
APA
CHICAGO
MLA
BibTeX
Ö. Işıtman, “The object of art, which exists ‘presently’: Performance art,”
New Trends and Issues Proceedings on Humanities and Social Sciences
, vol. 8, no. 1, pp. 35–42, 2021, Accessed: 00, 2022. [Online]. Available: https://un-pub.eu/ojs/index.php/pntsbs/article/view/5789.