The object of art, which exists ‘presently’: Performance art

Download

index.pdf

Date

2021-06-04

Author

Işıtman, Ödül

Metadata

Show full item record

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Item Usage Stats

286
views

131
downloads

The object of art, which exists ‘presently’: Performance artOdul IsitmanMiddle East Technical University (ODTU), Ankara, TurkeyAbstractThe object of art, which exists ‘presently’: Performance artThe break between object and image was added to the perception of reality and truth which changed with the Internet, social networks and the like in the 1990s. The possibilities that technology provides completed the effort of the postmodernist discourse in art to destroy tradition. All values are being reconstructed. While art is rapidly being digitised, Performance Art has taken its places in art’s agenda. In this article, performance art will be elaborated and analysed with a focus on ceramic art. Performance art is the life itself, it is not repetitive, and it is what happens presently. It communes with the audience. As the object of art that exists at the moment, it cannot be bought, sold or moved. It is a way of transmitting the artist’s ideas in an unusual, striking and unmediated way that is different from the traditional art forms. In the performances, it is mostly seen that breaking traditional forms, using the clay in raw form rather than firing it, reflecting the plasticity of the clay and revitalising it are used as assets. Performance art is a model of rebellion against the era in which we are imprisoned in mass communication and distanced from reality under the image bombardment. It is necessary to see the performance art as an experiment or suggestion, as the object of art which exists presently, rather than as a show to meet expectations.

URI

https://hdl.handle.net/11511/93590

Conference Name

9th World Conference on Design and Arts (WCDA 2020)

Collections

Department of Music and Fine Arts, Conference / Seminar

Suggestions

OpenMETU
Core

The Object of Art, Which Exists ‘Presently’: Performance Art Işıtman, Ödül (2021-06-04) The break between object and image was added to the perception of reality and truth which changed with the Internet, social networks and the like in the 1990s. The possibilities that technology provides completed the effort of the postmodernist discourse in art to destroy tradition. All values are being reconstructed. While art is rapidly being digitised, Performance Art has taken its places in art’s agenda. In this article, performance art will be elaborated and analysed with a focus on ceramic art. Perfor...
The object of art, which exists ‘presently’: Performance art Işıtman, Ödül (2021-03-01) AbstractThe break between object and image was added to the perception of reality and truth which changed with the Internet, social networks and the like in the 1990s. The possibilities that technology provides completed the effort of the postmodernist discourse in art to destroy tradition. All values are being reconstructed. While art is rapidly being digitised, Performance Art has taken its places in art’s agenda. In this article, performance art will be elaborated and analysed with a focus on ceramic art...
On critique of architectural image : reading Jean Baudrillard through Jean Nouvel Uslu, İrem; Sargın, Güven Arif; Department of Architecture (2011) The aim of this study is to question the relationality between conception of image, social condition of an era and architecture. With acceptance of a transition to a new kind of relationality in contemporary era, a trialectical analysis is carried on, in order to understand changes in this relationality and its effects on contemporary architecture. Image, mainly depicted as the tool for communication, loses its transcendental and ideal status and degrades to an artificial and tricky state under the contempo...
Criticism of contemporary art initiatives in arts from feminist standpoint theory: the case of Ankara / Turkey. Akbıyık, Merv; Ecevit, Mehmet Cihan; Department of Gender and Women's Studies (2020) The purpose of this thesis is based on to claim that in paradigmatic problematization of art, contemporary art and specificities of subjectivities of contemporary art initiatives which is in contemporary art should be understood on the basis of knowledge and politics. The approach to contemporary art initiatives through Feminist Standpoint Theory will also bring the understanding of contemporary art that is critical to capitalist understanding of contemporary art. The institutionalized capitalist contempora...
THE Lord of The Postmodernity Plagiarism, Postmodernitenin efendisi İntihal Işıtman, Ödül (2017-06-29) Today’s art, which is dominated by postmodernism, evolves into a completely different sense of art that reverses the system over its own weapon and changes all the known values of art. While the limits of perception are pushed in a timeless and spaceless language, answers are sought to the questions which are posed in almost all areas of real and virtual. In this process, the problems of imitation, appropriation or plagiarism have taken their place in the center of positive or negative art thought. With...

Citation Formats

Ö. Işıtman, “The object of art, which exists ‘presently’: Performance art,” Lefkoşa, Kıbrıs (Kktc), 2021, vol. 8, Accessed: 00, 2021. [Online]. Available: https://hdl.handle.net/11511/93590.