Show/Hide Menu
Hide/Show Apps
Logout
Türkçe
Türkçe
Search
Search
Login
Login
OpenMETU
OpenMETU
About
About
Open Science Policy
Open Science Policy
Open Access Guideline
Open Access Guideline
Postgraduate Thesis Guideline
Postgraduate Thesis Guideline
Communities & Collections
Communities & Collections
Help
Help
Frequently Asked Questions
Frequently Asked Questions
Guides
Guides
Thesis submission
Thesis submission
MS without thesis term project submission
MS without thesis term project submission
Publication submission with DOI
Publication submission with DOI
Publication submission
Publication submission
Supporting Information
Supporting Information
General Information
General Information
Copyright, Embargo and License
Copyright, Embargo and License
Contact us
Contact us
Yeats and the white goddess:A study of the female imagery in the works of William Butler yeats
Download
140269.pdf
Date
2002
Author
Çomak, Evrim Yalçin
Metadata
Show full item record
Item Usage Stats
226
views
0
downloads
Cite This
The thesis presents an investigation of the plays and pre-1917 poems of William Butler Yeats. Taking Robert Graves's classification of the aspects of the White Goddess in The White Goddess as a starting point and analytical tool, important links between this figure and Yeats' s interests in ancient beliefs and mythology, the occult, the Irish Nationalist cause, and his personal life are identified. His near obsession with figures of beautiful and destructive women is shown to belong to a complex of ideas for which the Goddess and her attributes are seen to provide a pivot. The thesis identifies that, for Yeats, the enticing destroyer is a more important aspect of the Goddess than that of the creating mother.
Subject Keywords
Yeats
,
Graves
,
Goddess
,
Archetype
,
Ireland
,
Female
URI
https://hdl.handle.net/11511/12942
Collections
Graduate School of Social Sciences, Thesis
Suggestions
OpenMETU
Core
Imagination, metaphor and mythopoeia the poetry of three major English romantic poets
Karadaş, Fırat; Sönmez, Margaret Jeanne M.; Department of English Literature (2007)
This thesis studies metaphor, myth and their imaginative aspects in the poetry of William Wordsworth, Percy Bysshe Shelley and John Keats. The thesis argues that a comprehensive understanding of metaphor and myth cannot be done in the works of these poets without seeing them as faces of the same coin, and taking into consideration the role of the creating subject and its imagination in their production. Relying on Kantian, Romantic, and modern Neo-Kantian ideas of imagination, metaphor and myth, the study t...
The portrayal of universal harmony and order in Edmund Spenser’s Fowre Hymnes
Tekin, Burcu; Sönmez, Margaret Jeanne M.; Department of English Literature (2010)
This thesis analyses Edmund Spenser’s Fowre Hymnes in light of the holistic Renaissance world view and poet’s collection of various tradition of ideas. Spenser’s treatment of love is explored as the cosmic principle of harmony. Universal order is examined with an emphasis on the position of man in the ontological hierarchy. Thus, this thesis investigates Spenser’s own suggestions to imitate macrocosmic harmony and order in the microcosmic level.
Reading Backwards An Advance Retrospective on Russian Literature (Book Review)
Pamir Dietrich, Ayşe (2022-01-01)
This collaborative work is an anthology of writings by Gogol, Dostoevsky and Tolstoy and a retrospective analysis of their works. They focus on anticipatory plagiarism in Russian literature by using an ‘advance retrospective’ approach. In the first part, there are two articles dedicated to Gogol. In the first article, Langen argues that Gogol borrowed ideas from the Irish writer Flann O’Brien and the Russian experimentalist Sigizmund Krzhizhanovsky. He discusses Gogol’s Testament, his visual secretics that...
An analysis of the concepts of good and evil in Henry James's The Wings of the Dove and The Golden Bowl
Keskin, Hatice; İçöz, Nursel; Department of Foreign Language Education (2003)
The aim of this thesis is to analyse the concepts of good and evil in Henry James̕s two novels, The Wings of the Dove and The Golden Bowl. The main argument, which is supported with evidence from the novels and several articles and books, is that the conceps of good and evil permeate the novels, that Henry James̕s use of symbolism and imagery reinforces the illustration of these concepts, that the contextual understanding of these terms cannot be separated from the environmental, financial and contextual fa...
"The Poet of the Flag" and more: re-reading the poetry of Arif Nihat Asya
Güneş, Sıla; Göçer Akder, Derya; Yüksel, Metin; Department of Middle East Studies (2020-9)
This thesis attempts to reread the poetry of Arif Nihat Asya in its particular political and historical context. The research question in this critical study is as follows: to what extent can the poetry of Arif Nihat Asya help students of social sciences in an understanding of Turkish-Islamic nationalist ideological discourse and mobilization from the transition to multi-party politics to the present-day political life in Turkey? This thesis makes an original contribution to the existing scholarship on thre...
Citation Formats
IEEE
ACM
APA
CHICAGO
MLA
BibTeX
E. Y. Çomak, “Yeats and the white goddess:A study of the female imagery in the works of William Butler yeats,” Middle East Technical University, 2002.