Show/Hide Menu
Hide/Show Apps
Logout
Türkçe
Türkçe
Search
Search
Login
Login
OpenMETU
OpenMETU
About
About
Open Science Policy
Open Science Policy
Open Access Guideline
Open Access Guideline
Postgraduate Thesis Guideline
Postgraduate Thesis Guideline
Communities & Collections
Communities & Collections
Help
Help
Frequently Asked Questions
Frequently Asked Questions
Guides
Guides
Thesis submission
Thesis submission
MS without thesis term project submission
MS without thesis term project submission
Publication submission with DOI
Publication submission with DOI
Publication submission
Publication submission
Supporting Information
Supporting Information
General Information
General Information
Copyright, Embargo and License
Copyright, Embargo and License
Contact us
Contact us
The portrayal of universal harmony and order in Edmund Spenser’s Fowre Hymnes
Download
index.pdf
Date
2010
Author
Tekin, Burcu
Metadata
Show full item record
Item Usage Stats
228
views
85
downloads
Cite This
This thesis analyses Edmund Spenser’s Fowre Hymnes in light of the holistic Renaissance world view and poet’s collection of various tradition of ideas. Spenser’s treatment of love is explored as the cosmic principle of harmony. Universal order is examined with an emphasis on the position of man in the ontological hierarchy. Thus, this thesis investigates Spenser’s own suggestions to imitate macrocosmic harmony and order in the microcosmic level.
Subject Keywords
English literature.
,
Cosmology.
URI
http://etd.lib.metu.edu.tr/upload/12612468/index.pdf
https://hdl.handle.net/11511/20258
Collections
Graduate School of Social Sciences, Thesis
Suggestions
OpenMETU
Core
The ostracising of the unlike in H.G.Wells’s "The Time Machine", "The Island of Dr. Moreau" and "The Invisible Man" based on a pessimistic interpretation of T.H.Huxley’s "evolution and ethics"
İnci, Orkun; Alpakın Martınez Caro, Dürrin; Department of English Language Teaching (2009)
This thesis analyses the ostracising of the unlike as social criticism in H.G.Wells’s The Time Machine, The Island of Dr. Moreau and The Invisible Man against a background of T.H.Huxley’s cosmic pessimism in his work Evolution and Ethics. The thesis claims that Wells puts mankind’s future on an ever darkening line of evolution, or in other words devolution. Wells, although he is an admirer of Huxley, shows a more sceptical and cynical attitude in the assessment of the capabilities and nature of mankind. The...
Othering and Hybridity in Joseph Conrad's Almayer's Folly
Turasan Çiğdem, Ferruh; Sönmez, Margaret Jeanne M.; Department of English Literature (2013)
This thesis studies Joseph Conrad’s Almayer’s Folly in terms of two theoretical concepts; othering and hybridity. The first theoretical concept, othering, is analysed from various perspectives for three main reasons: 1) The question of “Who is other to whom?” cannot be answered thoroughly because there is a continuous power struggle between the European and the non-European characters. 2) The theme of othering in the novel is based on a view of humanity and its conflicts that is radically ambivalent, and th...
Theatricality and the chronotope in "The Magus" by J. Fowles and "England, England" by J. Barnes
Filimonova, Alexandra; Sönmez, Margaret Jeanne M.; Department of English Language Teaching (2009)
The thesis reveals the main principles of the theatrical chronotope and examines the ways in which it is embodied in the novels of two postmodern authors – The Magus by John Fowles and England, England by Julian Barnes. These are analyzed as presenting two different variants of texts that employ the theatrical chronotope to exploit its different possible semantic implications. The thesis argues that in The Magus theatricality is employed to convey the author’s philosophical and aesthetical thoughts. The mai...
The outsiders as reflected in the novels of Albert Camus, John Wain and Yusuf Atilgan
Bay, Hatice; Coşkunoğlu Bear, Ayten; Department of English Literature (2008)
This thesis studies the alienated characters of Albert Camus’s The Outsider, John Wain’s Hurry On Down and Yusuf Atılgan’s Aylak Adam, respectively. It argues that each of the protagonists of these novels experiences alienation. That is, Camus’s character is an alienated man because he has the characteristics of an absurd man; Wain’s character is an estranged man due to his social discontentment and Atılgan’s C. is an outsider owing to his psychological problems. The works are analyzed with philosophical, s...
A bakhtinian analysis of William Golding’s rites of passage: heteroglossia, polyphony and the carnivalesque in the novel
Tuğlu, Utku; Sönmez, Margaret Jeanne M.; Department of English Literature (2011)
This thesis analyzes William Golding’s Rites of Passage using a detailed examination of the Bakhtinian concepts of heteroglossia, polyphony and the carnivalesque to investigate the points of mutual illumination and confirmation between Bakhtin’s ideas and Golding’s novel. Therefore the method of analysis is divided between a close study of Rites of Passage and an equally close examination of Bakhtin’s ideas. The Bakhtinian concepts studied in this thesis are central to his idea of language and theory of the...
Citation Formats
IEEE
ACM
APA
CHICAGO
MLA
BibTeX
B. Tekin, “The portrayal of universal harmony and order in Edmund Spenser’s Fowre Hymnes,” M.S. - Master of Science, Middle East Technical University, 2010.