Show/Hide Menu
Hide/Show Apps
Logout
Türkçe
Türkçe
Search
Search
Login
Login
OpenMETU
OpenMETU
About
About
Open Science Policy
Open Science Policy
Open Access Guideline
Open Access Guideline
Postgraduate Thesis Guideline
Postgraduate Thesis Guideline
Communities & Collections
Communities & Collections
Help
Help
Frequently Asked Questions
Frequently Asked Questions
Guides
Guides
Thesis submission
Thesis submission
MS without thesis term project submission
MS without thesis term project submission
Publication submission with DOI
Publication submission with DOI
Publication submission
Publication submission
Supporting Information
Supporting Information
General Information
General Information
Copyright, Embargo and License
Copyright, Embargo and License
Contact us
Contact us
The roles of male sexual predators in the novels of austen, charlotte and anne brontë, and gaskell
Download
index.pdf
Date
2007
Author
Kuglin, Ayşegül
Metadata
Show full item record
Item Usage Stats
343
views
120
downloads
Cite This
In this thesis the roles of the sexually preadtory male character in Jane Austen's Sense and Sensibility, Charlotte Bronte's Jane Eyre, Anne Bronte's The Tenant of Wildfell Hall and Elisabeth Gaskell's Ruth and Mary Barton are analyzed, based on the theory of psychiatrist Karen Horney and the reader-response theory of Wolfgang Iser. The hypothesis is that the male sexual predator represents a reflection of the pursued heroine's idealized image, an unrealistically idealized and preferred self-image in Horney's terms, and makes the education and vindication patterns of the novels possible.
Subject Keywords
English literature.
,
Reader response.
URI
http://etd.lib.metu.edu.tr/upload/12608971/index.pdf
https://hdl.handle.net/11511/17179
Collections
Graduate School of Social Sciences, Thesis
Suggestions
OpenMETU
Core
The changing portrayal of women in the novels of Anne Bronte, Charlotte Bronte, George Eliot and D.H. Lawrence
Korkmaz, Ayşegül; Coşkunoğlu Bear, Ayten; Department of English Language Teaching (2009)
This thesis analyses the women characters in four novels, The Tenant of Wildfell Hall, Shirley, The Mill on the Floss and Sons and Lovers. The first chapter gives information on the historical background of the Victorian period and early 20th century in England in which the novels were written, on the biography of the authors of the novels and clarifies the aim and methodology of the study. The following chapters analyse the women charaters - Helen Huntingdon, Shirley Keeldar, Maggie Tulliver and Clara Dawe...
Absurdity of the human condition in the Novels by Albert Camus and Samuel Beckett
Zileli, Bilge Nihal; İçöz, Nursel; Department of English Literature (2005)
This study carries out both a technical and a thematic analysis of the novels by Albert Camus, L̕Etranger, La Peste, and La Chute, and Samuel Beckett, Molloy, Malone Dies, and The Unnamable. In the technical analysis of the novels, the study explores the differences in characterization and narrative technique. It argues that the differences in these two issues mainly emerge from the difference in the two authors̕ views of art. In the thematic analysis, on the other hand, the study focuses on the recurring t...
Features of renaissance individualism and references yo Machiavellian politics in Christopher Marlowe's the new of Malta, the tragical history of doctor Faustus and Tamburlaine, the great
Eryılmaz, Ayşe Pırıl; Alpakın Martınez Caro, Dürrin; Department of Foreign Language Education (2007)
This thesis analyses the Machiavellian concepts of cunning, cruelty and opportunism as well as self-determination and individualism with regard to the major characters in Christopher Marlowe's plays, The Jew of Malta, The Tragical History of Doctor Faustus and Tamburlaine, Parts 1 and 2. The thesis then examines these characters' scales of achievement as individuals who challenge the established order. Finally, the thesis clarifies whether these characters are theatrical representatives of the Renaissance i...
Mythmaking in progress: plays by women on female writers and literary characters
Uçar Özbirinci, Pürnur; Çileli, Fatma Meral; Department of English Literature (2007)
This thesis analyzes the process of women’s mythmaking in the plays written by female playwrights. Through writing the lives of female writers and rewriting the literary characters, which have been created by male writers, the women playwrights assume the role of a mythmaker. A mythmaker possesses the power to use the ‘word,’ thereby possesses the power to control ‘reality.’ However, for centuries, women have been debarred from generating their own myths, naming their own experiences, and controlling their ...
Psychological bisexuality and otherness in the novels of angela carter, virginia woolf, marge piercy and ursula le guin : a study from the perspective of ecriture feminine
Pekşen Yanıkoğlu, Seda; İçöz, Nursel; Department of English Literature (2008)
This study analyses The Passion of New Eve by Angela Carter, Orlando by Virginia Woolf, Woman on the Edge of Time by Marge Piercy and The Left Hand of Darkness by Ursula Le Guin from the perspective of écriture féminine. After a thorough discussion of the roots of écriture féminine, the theory of the French feminists is put into practice in the analysis of the novels. The study asserts that the concepts of bisexuality, the other and the voice are common elements in novels of écriture féminine, thereby the n...
Citation Formats
IEEE
ACM
APA
CHICAGO
MLA
BibTeX
A. Kuglin, “The roles of male sexual predators in the novels of austen, charlotte and anne brontë, and gaskell,” Ph.D. - Doctoral Program, Middle East Technical University, 2007.