Parody in Stoppard’s Rosencrantz and Guildenstern are Dead, the real inspector hound, and Dogg’s Hamlet, Cahoot’s Macbeth

Download
index.pdf
2009
Sadrian, Mohammad Reza
Show full item record
520
views
251
downloads
This study scrutinizes parody in Stoppard’s Rosencrantz and Guildenstern Are Dead, The Real Inspector Hound, and Dogg’s Hamlet, Cahoot’s Macbeth. After a historical survey of the definitions of parody with a stress on its definitions in our era, this study puts forward its definition of parody which is mainly based on Bakhtin’s dialogic criticism. Parody then can be defined as a deliberate imitation or transformation of a socio-cultural product that takes a stance towards its original subject of imitation. Based on the original subject of parody, three kinds of parody are distinguished: genre, specific, and discourse. Following determining the kinds of parody that each of the aforementioned plays exhibits, this study expounds how Stoppard applies parody of the characters, plots, and themes in relation to their original subjects of parody. Later, a close critical study of these parodies will be conducted to elaborate on their functions and significances in each of the plays, their relations with and efficacy in the thematic context of the plays, the techniques used to achieve them, and how far they are applied in line with or opposite to the post-modern’s ideas.
English literature.
http://etd.lib.metu.edu.tr/upload/3/12610471/index.pdf
https://hdl.handle.net/11511/18504
Graduate School of Social Sciences, Thesis

Suggestions

Endless pursuit realitythrough metadramatic devices in Tom Stoppard's plays Rosencrantz and Guildenstern are Dead, The Real İnspector Hound and Travesties
Yedekçi, Esra; Arslan, Yedekçi; Department of English Literature (2010)
This thesis aims to investigate the question of reality in Tom Stoppard’s plays Rosencrantz and Guildenstern are Dead, The Real Inspector Hound, and Travesties. Each of these plays closely examines the nature of reality and certainty and shows Stoppard as the critique of grand narratives of Reality, Truth, and Art. By deconstructing these master narratives, Stoppard attempts to invalidate the convictions that reality is fixed and that art should faithfully reproduce the material world in which reality is pe...
Features of renaissance individualism and references yo Machiavellian politics in Christopher Marlowe's the new of Malta, the tragical history of doctor Faustus and Tamburlaine, the great
Eryılmaz, Ayşe Pırıl; Alpakın Martınez Caro, Dürrin; Department of Foreign Language Education (2007)
This thesis analyses the Machiavellian concepts of cunning, cruelty and opportunism as well as self-determination and individualism with regard to the major characters in Christopher Marlowe's plays, The Jew of Malta, The Tragical History of Doctor Faustus and Tamburlaine, Parts 1 and 2. The thesis then examines these characters' scales of achievement as individuals who challenge the established order. Finally, the thesis clarifies whether these characters are theatrical representatives of the Renaissance i...
Absurdity of the human condition in the Novels by Albert Camus and Samuel Beckett
Zileli, Bilge Nihal; İçöz, Nursel; Department of English Literature (2005)
This study carries out both a technical and a thematic analysis of the novels by Albert Camus, L̕Etranger, La Peste, and La Chute, and Samuel Beckett, Molloy, Malone Dies, and The Unnamable. In the technical analysis of the novels, the study explores the differences in characterization and narrative technique. It argues that the differences in these two issues mainly emerge from the difference in the two authors̕ views of art. In the thematic analysis, on the other hand, the study focuses on the recurring t...
Betrayal in Under Western Eyes by Joseph Conrad, the painted veil by Somerset Maugham, and Bir Düğün Gecesi by Adalet Ağaoğlu
Bulut, Bilge; Coşkunoğlu Bear, Ayten; Department of English Language Teaching (2009)
This study examines the theme of betrayal in three different literary works.Betrayal is seen in different forms in the three novels. In the first chapter of the thesis, the protagonist’s betrayal to his friend in the English writer Joseph Conrad’s Under Western Eyes is evaluated in terms of the reasons, process, and results. Psychological analysis of the character that betrays is made. In the second chapter adultery is examined in The Painted Veil by Somerset Maugham, who is another English writer. The reas...
Mythmaking in progress: plays by women on female writers and literary characters
Uçar Özbirinci, Pürnur; Çileli, Fatma Meral; Department of English Literature (2007)
This thesis analyzes the process of women’s mythmaking in the plays written by female playwrights. Through writing the lives of female writers and rewriting the literary characters, which have been created by male writers, the women playwrights assume the role of a mythmaker. A mythmaker possesses the power to use the ‘word,’ thereby possesses the power to control ‘reality.’ However, for centuries, women have been debarred from generating their own myths, naming their own experiences, and controlling their ...
Citation Formats
M. R. Sadrian, “Parody in Stoppard’s Rosencrantz and Guildenstern are Dead, the real inspector hound, and Dogg’s Hamlet, Cahoot’s Macbeth,” Ph.D. - Doctoral Program, Middle East Technical University, 2009.
METU IIS - Integrated Information Service open@metu.edu.tr