Endless pursuit realitythrough metadramatic devices in Tom Stoppard's plays Rosencrantz and Guildenstern are Dead, The Real İnspector Hound and Travesties

Download

index.pdf

Date

2010

Author

Yedekçi, Esra

Metadata

Show full item record

Item Usage Stats

261
views

758
downloads

This thesis aims to investigate the question of reality in Tom Stoppard’s plays Rosencrantz and Guildenstern are Dead, The Real Inspector Hound, and Travesties. Each of these plays closely examines the nature of reality and certainty and shows Stoppard as the critique of grand narratives of Reality, Truth, and Art. By deconstructing these master narratives, Stoppard attempts to invalidate the convictions that reality is fixed and that art should faithfully reproduce the material world in which reality is perceived as permanent. His challenge creates a realization in the audience and makes them question the issues they previously took for granted. To divest the audience of certainty and to display the endless pursuit of reality both in life and in art, Stoppard, in his plays, makes use of some metadramatic devices. Stoppard’s distinctive use of the metadramatic devices which reveal the unaccountable nature of reality and the limits of knowledge is the core of this study

Subject Keywords

English literature.

URI

http://etd.lib.metu.edu.tr/upload/12612847/index.pdf
https://hdl.handle.net/11511/20281

Collections

Graduate School of Social Sciences, Thesis

Suggestions

OpenMETU
Core

Parody in Stoppard’s Rosencrantz and Guildenstern are Dead, the real inspector hound, and Dogg’s Hamlet, Cahoot’s Macbeth Sadrian, Mohammad Reza; İçöz, Nursel; Department of English Literature (2009) This study scrutinizes parody in Stoppard’s Rosencrantz and Guildenstern Are Dead, The Real Inspector Hound, and Dogg’s Hamlet, Cahoot’s Macbeth. After a historical survey of the definitions of parody with a stress on its definitions in our era, this study puts forward its definition of parody which is mainly based on Bakhtin’s dialogic criticism. Parody then can be defined as a deliberate imitation or transformation of a socio-cultural product that takes a stance towards its original subject of imitation. ...
Absurdity of the human condition in the Novels by Albert Camus and Samuel Beckett Zileli, Bilge Nihal; İçöz, Nursel; Department of English Literature (2005) This study carries out both a technical and a thematic analysis of the novels by Albert Camus, L̕Etranger, La Peste, and La Chute, and Samuel Beckett, Molloy, Malone Dies, and The Unnamable. In the technical analysis of the novels, the study explores the differences in characterization and narrative technique. It argues that the differences in these two issues mainly emerge from the difference in the two authors̕ views of art. In the thematic analysis, on the other hand, the study focuses on the recurring t...
Features of renaissance individualism and references yo Machiavellian politics in Christopher Marlowe's the new of Malta, the tragical history of doctor Faustus and Tamburlaine, the great Eryılmaz, Ayşe Pırıl; Alpakın Martınez Caro, Dürrin; Department of Foreign Language Education (2007) This thesis analyses the Machiavellian concepts of cunning, cruelty and opportunism as well as self-determination and individualism with regard to the major characters in Christopher Marlowe's plays, The Jew of Malta, The Tragical History of Doctor Faustus and Tamburlaine, Parts 1 and 2. The thesis then examines these characters' scales of achievement as individuals who challenge the established order. Finally, the thesis clarifies whether these characters are theatrical representatives of the Renaissance i...
Jungian archetypes in samuel beckett's trilogy Kızılcık, Hale; Sönmez, Margaret Jeanne M.; Department of English Literature (2005) This thesis analyses the Jungian archetypes employed in Beckett's trilogy. It begins with an overview of Jungian archetypes and the relation of these archetypes to the fundamental themes dealt with in Beckett's work. The thesis then asserts that some archetypal features occur almost obsessively and are further clearly implicated in the main themes of the trilogy. The central archetypal patterns that frequently appear in the novel are the hero's quest, return to paradise and rebirth. This dissertation is the...
Dickens’s Bleak house and The Old curiosity shop: a reading through things Eratalay, Etkin Bilen; Sönmez, Margaret Jeanne M.; Department of English Literature (2015) This thesis analyzes Dickens' Bleak House and The Old Curiosity Shop from the perspective of thing theory as expounded by Bill Brown to explore how objects and other material entities are represented, and what kinds of meanings and values they take upon themselves within the narratives. In addition to making use of insights of thing theory, this thesis also makes references to the concepts of the carnivalesque, the grotesque and the uncanny since they are integral parts of Dickens' portrayal of the material...

Citation Formats

E. Yedekçi, “Endless pursuit realitythrough metadramatic devices in Tom Stoppard’s plays Rosencrantz and Guildenstern are Dead, The Real İnspector Hound and Travesties,” M.S. - Master of Science, Middle East Technical University, 2010.