Show/Hide Menu
Hide/Show Apps
Logout
Türkçe
Türkçe
Search
Search
Login
Login
OpenMETU
OpenMETU
About
About
Open Science Policy
Open Science Policy
Open Access Guideline
Open Access Guideline
Postgraduate Thesis Guideline
Postgraduate Thesis Guideline
Communities & Collections
Communities & Collections
Help
Help
Frequently Asked Questions
Frequently Asked Questions
Guides
Guides
Thesis submission
Thesis submission
MS without thesis term project submission
MS without thesis term project submission
Publication submission with DOI
Publication submission with DOI
Publication submission
Publication submission
Supporting Information
Supporting Information
General Information
General Information
Copyright, Embargo and License
Copyright, Embargo and License
Contact us
Contact us
On the concept of irony in Rorty
Download
index.pdf
Date
2010
Author
Erdoğan, Alper
Metadata
Show full item record
Item Usage Stats
212
views
86
downloads
Cite This
Irony has for long been on the boundary between philosophy and arts owing to its both verbal/logical character and its aesthetic appeal. Recently, Rorty proposed irony as the main discursive attitude in a liberal society. In this study, I investigate liberal irony from a philosophical perspective. More specifically, I demonstrate that irony is representative of a certain view of subjectivity and an ethical stance, a critical tool that is of special importance in a coherence view of truth and a rhetorical form that appeals both to the rational and irrational.
Subject Keywords
Philosophy.
,
Irony.
URI
http://etd.lib.metu.edu.tr/upload/12611610/index.pdf
https://hdl.handle.net/11511/19368
Collections
Graduate School of Social Sciences, Thesis
Suggestions
OpenMETU
Core
The Relationship of art and truth in the philosophy of Heidegger /
Kurt, Fikret; Ceylan, Yasin; Department of Philosophy (2014)
Revolutionary vision of Heidegger’s philosophy is rooted into the unthinking of the history of philosophy, and his extraordinary endeavor is to unravel whatever remained ignored under the courses of traditional philosophy: The meaning of the question of Being. By interrogating the meaning of the question of Being, Heidegger traces back to reveal the essential horizons related to the origin of thought and truth. Heidegger criticizes the traditional understanding of truth based on correspondence theory of tru...
An investigation of strengthening of historical masonry constructions by steel skeleton
Küçükdoğan, Bilge; Akkar, Sinan; Department of Building Science in Architecture (2007)
Historical masonry structures are important cultural assets which reveal the social, archaeological, aesthetic, economical, political, architectural and technical features of their times. Within the course of the time, the structures have been exposed to the destructive effects of the nature and the man. Some has been able to survive somehow and others were totally ruined. Most of the remained structures are in vulnerable condition to upcoming effects and for the continuity of their presence, structural str...
ON VARIETIES OF ARCHITECTURAL UTOPIANISM A CRITICAL READING OF THE TWENTIETH CENTURY UTOPIAN ARCHITECTURE
Güneri Söğüt, Gizem Deniz (University of Zagreb, Faculty of Architecture, 2019-01-01)
This text dwells on and manifests the methodological significance of utopianism for the practices of the urban, and specifically architecture, building upon the core definitions made by Ruth Levitas in delineating utopia as method. It surveys various manners of architectural utopianisms - but not architectural utopias themselves - in their broadest sense, to identify the main tendencies of this methodology throughout the twentieth century.
The relation of aesthetic experience to the truth and the good in Kant
Avcı, Nil; İnam, Ahmet; Department of Philosophy (2009)
This thesis aims to explore the role and significance of the aesthetic experience in Kant’s philosophy. To accomplish this aim; firstly, the role of aesthetic power of judgment is discovered in subject’s production of truths about the sensible world which is attributed to the cognitive power of understanding. Secondly, the role of aesthetic power of judgment in subject’s representation of the good and in formation of moral judgments is demonstrated. Aesthetic power of judgment which enables both the recepti...
Constructed Revolutions: Cinematic Representation of the Spaces of Politics-Ankara: Serdce Tureckii
Sargın, Güven Arif (Wiley, 2013-01-01)
The intricate relationship between the cinematic representation of modernist ideologies and their spatial attributes is part of any political program and finds its concrete manifestation in Modern historiography. The new capital city of the Turkish Revolution renders a similar trajectory through which the city itself, Ankara, becomes almost an instrument of that ideological construction through the gaze of revolutionary cinema. However, what is most striking in this historical remaking is the intrusion of t...
Citation Formats
IEEE
ACM
APA
CHICAGO
MLA
BibTeX
A. Erdoğan, “On the concept of irony in Rorty,” M.S. - Master of Science, Middle East Technical University, 2010.