The relation of aesthetic experience to the truth and the good in Kant

Download

index.pdf

Date

2009

Author

Avcı, Nil

Metadata

Show full item record

Item Usage Stats

218
views

90
downloads

This thesis aims to explore the role and significance of the aesthetic experience in Kant’s philosophy. To accomplish this aim; firstly, the role of aesthetic power of judgment is discovered in subject’s production of truths about the sensible world which is attributed to the cognitive power of understanding. Secondly, the role of aesthetic power of judgment in subject’s representation of the good and in formation of moral judgments is demonstrated. Aesthetic power of judgment which enables both the reception and production of the beauty as a necessary harmony and unity brings an aesthetic and intuitive determinability to the acknowledged transcendent field for knowledge. The thesis is concluded by the affirmation that aesthetic power of judgment as an orienting interpretative power is a necessary condition for the subject, who is limited in knowledge and sensibly conditioned in the realization of moral purposes, in order to know and to have a moral life.

Subject Keywords

Philosophy., Schematism.

URI

http://etd.lib.metu.edu.tr/upload/3/12611291/index.pdf
https://hdl.handle.net/11511/19159

Collections

Graduate School of Social Sciences, Thesis

Suggestions

OpenMETU
Core

The significance of time in Kant’s Critique of Pure Reason Çifteci, Volkan; Çırakman, Elif; Department of Philosophy (2011) The purpose of this thesis is to give an account of the significance of time in Kant’s Critique of Pure Reason by discussing its role in the unification of sensibility and understanding. I primarily investigate the role that time plays in the constitution of objective knowledge. I discuss that since time is the necessary condition for objects to be given to our sensibility, without it any representation would be without a temporal order and perhaps would not make any sense at all. Kant claims that it is ima...
The Relationship of art and truth in the philosophy of Heidegger / Kurt, Fikret; Ceylan, Yasin; Department of Philosophy (2014) Revolutionary vision of Heidegger’s philosophy is rooted into the unthinking of the history of philosophy, and his extraordinary endeavor is to unravel whatever remained ignored under the courses of traditional philosophy: The meaning of the question of Being. By interrogating the meaning of the question of Being, Heidegger traces back to reveal the essential horizons related to the origin of thought and truth. Heidegger criticizes the traditional understanding of truth based on correspondence theory of tru...
The Relation between metaphysics and art in Nietzsche’s philosophy Karahan Balya, Gülizar; Parkan, Barış; Department of Philosophy (2015) The purpose of this dissertation is to investigate the significance and relative positions of two central themes in Nietzsche’s philosophy, namely metaphysics and art. The perspective of life and the thought of will to power are located at the core of this investigation since they are considered to function as the organising ideas in Nietzsche’s overall philosophy. This perspective and thought require existence to be viewed as groundless and excessive and particularly as a constant flux of becoming that is ...
Revisiting immanence and conatus in Spinoza Yaylım, Berk; İnam, Ahmet; Department of Philosophy (2015) This thesis focuses on the concept of immanence in Spinoza’s philosophy and its importance in explicating theory of knowledge and conatus. While accounting for immanence, it will seek not only his metaphysics but also a critical discussion of transcendence and emanation. After the metaphysical system behind his philosophy is explained, his defense of necessitarianism will be emphasized. In this study, under the light of these, a coherent interpretation of Spinoza’s solutions, how these relate to his theory ...
Reconsidering the Kantian concept of genius through the questions of nature, freedom and creativity Ertene, Merve; Çırakman, Elif; Department of Philosophy (2012) In this thesis, the role and the significance of the Kantian theory of art and concept of genius in Kant’s system is examined. In this examination, it is aimed to answer the question of the meaning of being human in Kant’s system through art and artist. To this end, Kant’s consideration of art from the spectator’s standpoint and ignorance of artist’s perspective are criticized. In conformity with this criticism, throughout the thesis, depending on Kant’s conceptualization of the genius, the artist’s perspec...

Citation Formats

N. Avcı, “The relation of aesthetic experience to the truth and the good in Kant,” M.S. - Master of Science, Middle East Technical University, 2009.