A study of existentialproblems faced by kafkaesque and pinteresque characters

Download
2010
Yapar, Seda
The aim of this thesis is to discuss the similarities between Kafka’s The Trial, “The Metamorphosis” and “The Judgement”, and Pinter’s plays namely, The Birthday Party, Old Times, Ashes to Ashes and The Dumb Waiter, in terms of their characters’ problems concerning their existence and their manners of dealing with these issues. The thesis argues that, as a consequence of being thrown into a meaningless world, characters created by Kafka and Pinter have to deal with existential problems like being alienated, having a limited freedom due to their facticity, and being subject to menace, the source of which is beyond their knowledge. It is also discussed that the characters of these writers apply similar methods; such as dominating the others and resorting to inauthentic existence, concerning their manner of dealing with the problems they face. In other words, this study intends to highlight the fact that both Kafka and Pinter reflect the situation of man, looking for a meaningful, secure existence in an absurd world, filled with disillusionment, loss of faith and failure of communication.

Suggestions

A comparative analysis of sense of belonging as a part of identity of the colonizer and the colonized in the grass is singing and my place
Göktan, Cansu; Doyran, Feyza; Department of English Language Teaching (2010)
This thesis investigates how two loosely autobiographical works unveil the effects of colonization on their major characters in terms of their identities and senses of belonging. The Grass Is Singing by Doris Lessing, a second-generation member of the colonizer, and My Place by Sally Morgan, a third-generation hybrid Australian Aborigine, are selected because both novels essentially deal with colonial issues by depicting their major characters in a process of maturation within a colonial and post-colonial f...
A bakhtinian analysis of William Golding’s rites of passage: heteroglossia, polyphony and the carnivalesque in the novel
Tuğlu, Utku; Sönmez, Margaret Jeanne M.; Department of English Literature (2011)
This thesis analyzes William Golding’s Rites of Passage using a detailed examination of the Bakhtinian concepts of heteroglossia, polyphony and the carnivalesque to investigate the points of mutual illumination and confirmation between Bakhtin’s ideas and Golding’s novel. Therefore the method of analysis is divided between a close study of Rites of Passage and an equally close examination of Bakhtin’s ideas. The Bakhtinian concepts studied in this thesis are central to his idea of language and theory of the...
Features of renaissance individualism and references yo Machiavellian politics in Christopher Marlowe's the new of Malta, the tragical history of doctor Faustus and Tamburlaine, the great
Eryılmaz, Ayşe Pırıl; Alpakın Martınez Caro, Dürrin; Department of Foreign Language Education (2007)
This thesis analyses the Machiavellian concepts of cunning, cruelty and opportunism as well as self-determination and individualism with regard to the major characters in Christopher Marlowe's plays, The Jew of Malta, The Tragical History of Doctor Faustus and Tamburlaine, Parts 1 and 2. The thesis then examines these characters' scales of achievement as individuals who challenge the established order. Finally, the thesis clarifies whether these characters are theatrical representatives of the Renaissance i...
The analysis of the theme of anger in john Osborne's: The analysis of the theme of anger in John Osborne's : look back in anger, inadmissible evidence, watch it come down
Tecimer, Emine; Çileli, Fatma Meral; Department of English Literature (2005)
This thesis analyses the theme of anger in John Osborne̕s plays, namely Look Back in Anger, Inadmissible Evidence and Watch it Come Down, in terms of frustration-aggression hypothesis and psychoanalytic theory. It investigates the reasons for the protagonists̕ rage and the ways the characters reflect their anger onto other people.
Endless pursuit realitythrough metadramatic devices in Tom Stoppard's plays Rosencrantz and Guildenstern are Dead, The Real İnspector Hound and Travesties
Yedekçi, Esra; Arslan, Yedekçi; Department of English Literature (2010)
This thesis aims to investigate the question of reality in Tom Stoppard’s plays Rosencrantz and Guildenstern are Dead, The Real Inspector Hound, and Travesties. Each of these plays closely examines the nature of reality and certainty and shows Stoppard as the critique of grand narratives of Reality, Truth, and Art. By deconstructing these master narratives, Stoppard attempts to invalidate the convictions that reality is fixed and that art should faithfully reproduce the material world in which reality is pe...
Citation Formats
S. Yapar, “A study of existentialproblems faced by kafkaesque and pinteresque characters,” M.A. - Master of Arts, Middle East Technical University, 2010.