Changing context of Olympic victor statues in Greece and Rome

Download
2012
Köseoğlu, Ayça
The aim of the thesis is to investigate the standing of Olympic victor statues in Greece and Rome. The major focus is on how the meaning and the perception of the statues become transformed in different contexts. Throughout the study the reception alongside the location and meaning of athletic sculpture are primary points of concern. The standing of the patron and the viewer with respect to transformed models and their perception in relation to context constitute a significant part while formal details of artistic creativity and workmanship are dealt with only as necessary. It is known that Roman victor sculptures go back to Greek models; however remarkable change is revealed in the context and meaning of display – such as the emergence of statues for the decoration of private villas or public baths – rather than major stylistic changes in the statues themselves. So, the goal of the study is to understand how the Romans looked to the past and to Greeks in particular. An attempt is made to understand how Romans used their own values to appropriate and transform earlier Greek models, by focusing especially on the display and context.

Suggestions

The British Museum, Muze-i Humayun and the travelling "Greek ideal" in the nineteenth century
Özkaya, Ayşe Belgin (2014-03-01)
In standard architectural history surveys, the British Museum is portrayed as an example of nineteenth-century "neoclassicism": or the "Greek revival:" Usually cited as among the motive factors in this revival are the writings about European travels and archaeological explorations in the then Ottoman lands of ancient Greece, as well as a general interest in Hellenic culture. Yet the cultural and architectural appropriation of the Hellenic is not analyzed in relation to the possible ties and tensions between...
Readİng the mausoleum of augustus İn rome
Ödengiz Başak, Meral; Güven, Suna Naziyet; Department of History of Architecture (2020)
This thesis focuses on the Mausoleum of the first Roman Emperor Augustus in Rome. It studies the Mausoleum as a Roman monument highly laden with symbolic meanings and functions. Built at the age of transition from Republic to Empire, the symbolic meanings and functions of the Mausoleum evolved and expanded within time. The thesis exposes and highlights the formation, evolution and expansion of the symbolic meanings and functions of the Mausoleum in parallel to the transformation of the Roman Republic to the...
Archaeometrical study on marble forgery
Songül, Güneş; Günal Türkmenoğlu, Asuman; Demirci, Şahinde; Department of Archaeometry (2012)
This thesis focuses on the detection of marble sculpture forgery made of cultured marble. Cultured marble is a mixture of marble dust, polyester and accelerators. Thus chemical analysis of cultured marble would give declined levels of calcium when compared to authentic sculptures. Since sample removal is a problem when dealing with archaeological heritage, the instrument used was portable X-Ray Fluorescence device which provides in situ analysis of the samples. Device has been used to analyze six authentic ...
Historical contuinity: three modernist masters, their precedents and descendants
Mollazadeh, Aslı; Balamir, Aydan; Department of Architecture (2014)
The aim of this thesis is to uncover the relation between the concept of historical continuity and architectural modernism. Modernism in architecture has often been conceived as a movement that rejects history. The buildings of modernist masters have been seen alien to their environments and the cultural values of the society. Although there have been many studies disproving this widespread opinion, the continuing effects of modernist works on today's architectural environment haven't been fully understood....
Improved methodology for identification of Goktepe white marble and the understanding of its use: A comparison with Carrara marble
Wielgosz-Rondolino, Dagmara; Antonelli, Fabrizio; Bojanowski, Maciej J.; Gladki, Marcin; Göncüoğlu, Mehmet Cemal; Lazzarini, Lorenzo (2020-01-01)
The provenance of marbles used for ancient statuary and architecture is of utmost importance for archaeologists, art historians and archaeometrists. The aim of this paper is to provide a comprehensive characterisation of the white marble exploited in antiquity in Goktepe (Mugla Province, Turkey) to increase the reliability for identifying this marble in ancient artefacts. A campaign of interdisciplinary archaeological and geological fieldwork undertaken by the Marmora Asiatica project is based on a multi-me...
Citation Formats
A. Köseoğlu, “Changing context of Olympic victor statues in Greece and Rome,” M.A. - Master of Arts, Middle East Technical University, 2012.