Show/Hide Menu
Hide/Show Apps
Logout
Türkçe
Türkçe
Search
Search
Login
Login
OpenMETU
OpenMETU
About
About
Open Science Policy
Open Science Policy
Open Access Guideline
Open Access Guideline
Postgraduate Thesis Guideline
Postgraduate Thesis Guideline
Communities & Collections
Communities & Collections
Help
Help
Frequently Asked Questions
Frequently Asked Questions
Guides
Guides
Thesis submission
Thesis submission
MS without thesis term project submission
MS without thesis term project submission
Publication submission with DOI
Publication submission with DOI
Publication submission
Publication submission
Supporting Information
Supporting Information
General Information
General Information
Copyright, Embargo and License
Copyright, Embargo and License
Contact us
Contact us
Light and darkness images in relation to emotions in John Milton’s paradise lost /
Download
index.pdf
Date
2014
Author
Doğan, Sadenur
Metadata
Show full item record
Item Usage Stats
276
views
130
downloads
Cite This
This thesis studies John Milton's Paradise Lost in terms of light and darkness images and connects this imagery to the emotional states of the characters. The recurrent images of light and darkness prove to reveal the emotional situations of the three main characters of the epic, Satan, Adam and Eve. Seventeenth century theories of emotions serve as background for this emotional analysis. The principles of the four influential philosophers of the era, Descartes, Malebranche, Hobbes and Spinoza about emotions help to deepen the investigation of the emotional states of these three main characters. Descartes' theory is used for the definition and classification of Satan's emotions. The violent and tender passions of Satan are explored in line with the Cartesian principles that emphasise the passivity and externality in the working of emotions. For illustrating and analysing Adam and Eve's emotions at different stages in the epic, Malebranche's, Hobbes' and Spinoza's theories are employed. The positive and negative emotions of Adam and Eve are examined under the light of these three philosophers' theories of emotions as they offer insights into the human couple's differing emotional states before and after the Fall.
Subject Keywords
English literature
URI
http://etd.lib.metu.edu.tr/upload/12617618/index.pdf
https://hdl.handle.net/11511/23789
Collections
Graduate School of Social Sciences, Thesis
Suggestions
OpenMETU
Core
Dialectical oscillations in Keats: a Kristevan reading of endymion, hyperion and the fall of hyperion
Albayrak, Gökhan; Sönmez, Margaret Jeanne M.; Department of English Literature (2019)
By deploying Kristevan theory, this thesis argues that Keats's poetry oscillates between the semiotic and the symbolic and it asserts that the semiotic threatens to overwhelm the symbolic in Endymion while the poet strives to repress the semiotic in Hyperion poems but it returns and causes the poet to leave these poems as fragments. The poet is immersed in the semiotic in Endymion, a romance, while attempts are made to repress this immersion in the epicscape of Hyperion and in the allegorical vision of The ...
The analysis of the theme of anger in john Osborne's: The analysis of the theme of anger in John Osborne's : look back in anger, inadmissible evidence, watch it come down
Tecimer, Emine; Çileli, Fatma Meral; Department of English Literature (2005)
This thesis analyses the theme of anger in John Osborne̕s plays, namely Look Back in Anger, Inadmissible Evidence and Watch it Come Down, in terms of frustration-aggression hypothesis and psychoanalytic theory. It investigates the reasons for the protagonists̕ rage and the ways the characters reflect their anger onto other people.
Absurdity of the human condition in the Novels by Albert Camus and Samuel Beckett
Zileli, Bilge Nihal; İçöz, Nursel; Department of English Literature (2005)
This study carries out both a technical and a thematic analysis of the novels by Albert Camus, L̕Etranger, La Peste, and La Chute, and Samuel Beckett, Molloy, Malone Dies, and The Unnamable. In the technical analysis of the novels, the study explores the differences in characterization and narrative technique. It argues that the differences in these two issues mainly emerge from the difference in the two authors̕ views of art. In the thematic analysis, on the other hand, the study focuses on the recurring t...
Nomad thought in Peter Reading’s Perduta gente and Evagatory and Maggie O’sullivan’s In the house of the shaman and Palace of reptiles
Türe Abacı, Özlem; Birlik, Nurten; Department of English Literature (2015)
This study aims to explore the processes of becoming in Peter Reading’s Perduta Gente and Evagatory and Maggie O’Sullivan’s In the House of the Shaman and Palace of Reptiles by concentrating on the spatial, corporeal and performative politics in their poetry within a theoretical framework based on Deleuze and Guattari’s nomad thought and their revisionary ideas on the politics of body, space and subjectivity. This study also investigates how nomadism as a critical category enables an exploration of the form...
A comparative analysis of sense of belonging as a part of identity of the colonizer and the colonized in the grass is singing and my place
Göktan, Cansu; Doyran, Feyza; Department of English Language Teaching (2010)
This thesis investigates how two loosely autobiographical works unveil the effects of colonization on their major characters in terms of their identities and senses of belonging. The Grass Is Singing by Doris Lessing, a second-generation member of the colonizer, and My Place by Sally Morgan, a third-generation hybrid Australian Aborigine, are selected because both novels essentially deal with colonial issues by depicting their major characters in a process of maturation within a colonial and post-colonial f...
Citation Formats
IEEE
ACM
APA
CHICAGO
MLA
BibTeX
S. Doğan, “Light and darkness images in relation to emotions in John Milton’s paradise lost /,” M.S. - Master of Science, Middle East Technical University, 2014.