Representations of the intellectuals in 1980s Turkish cinema

Download
index.pdf
2014
Ertem, Yiğitalp
Show full item record
266
views
91
downloads
This study aims to analyze the representations of the intellectual identity in 1980s Turkish Cinema in the context of the socio-political transformation that took place during this period. Employing a thematic analysis based on the common and distinctive themes regarding the representations of intellectual figure, this study examines the mental states and political orientations of the protagonists in a group of films that are exclusively about the lives of intellectual characters. What this study offers is that the cinematic representations of intellectual in the 1980s are charged with decisive depoliticization and emotional/intellectual depression with only exceptional cases where intellectuals take critical stances to the military coup and socio-political transformation that took place afterwards.
Motion pictures, Intellectuals in motion pictures.
http://etd.lib.metu.edu.tr/upload/12618070/index.pdf
https://hdl.handle.net/11511/24132
Graduate School of Social Sciences, Thesis

Suggestions

Social change in Turkey: an analysis through selected films
Coşkun, Çiçek; Şen, Mustafa; Department of Sociology (2014)
This study aims to contribute to the research literature through the comparative examination of selected field studies and cinema films on social change in Turkey between 1950 and 1980. The study derives from the argument that it is possible to develop an alternative/contribution to the current research methods through the use of visual sources by means of the suggestions of the ‘sociological imagination’ and ‘sociology of affect’. Depending on sociological imagination and sociology of affects, it is claime...
Contextual analysis of nationalism discourse in Turkish historical adventure movies (1965-1980)
Çakır, Dilek; Şen, Mustafa; Department of Sociology (2019)
This study aims to present a contextual analysis of nationalism discourse in Turkish historical adventure movies which were made as film series (Tarkan, Karaoğlan, Malkoçoğlu, Kara Murat and Battal Gazi) between 1965 and 1980. To provide the necessary theoretical basis, Gramsci’s theory of ideology together with critical discourse methodology is applied. As such, this study conceptualizes a non-reductionist and contextual understanding of ideology in order to show the dynamic relation between cinema, politi...
The Reflections of urban poor in social realist films of Turkey
Uysal, Yıldırım; Ecevit, Mehmet Cihan; Department of Sociology (2015)
This dissertation is analyzing the reflections of urban poor in social realist films in Turkey, within a perspective that begins at the beginning of 1960s and finishes at the end of 1980s. The study is examining this phase with three different dimensions: the change of urban poor since 1960s to 1980s, the change of social realist films since 1960s to 1980s, and mutual interaction of urban poor and social realist films. Besides, thesis is also focusing on the phase since the end of 1980s to today, to underst...
On critique of architectural image : reading Jean Baudrillard through Jean Nouvel
Uslu, İrem; Sargın, Güven Arif; Department of Architecture (2011)
The aim of this study is to question the relationality between conception of image, social condition of an era and architecture. With acceptance of a transition to a new kind of relationality in contemporary era, a trialectical analysis is carried on, in order to understand changes in this relationality and its effects on contemporary architecture. Image, mainly depicted as the tool for communication, loses its transcendental and ideal status and degrades to an artificial and tricky state under the contempo...
A Generic analysis of turkish social realist cinema: 1960-1965
Yalın, Alkım; Avcı, Özgür; Department of Media and Cultural Studies (2017)
This study is devoted to a generic analysis of social realist films made in Turkey between 1960 and 1965. This cinematic tendency emerged in the period following the coup of May 27th and started to fade away after 1965. Most notable filmmakers who contributed to social realist cinema of the period were Halit Refiğ, Ertem Göreç, Metin Erksan and Duygu Sağıroğlu. This study attempts to analyze a group of chosen social realist films, according to their common generic features both in terms of content and form,...
Citation Formats
Y. Ertem, “Representations of the intellectuals in 1980s Turkish cinema,” M.S. - Master of Science, Middle East Technical University, 2014.
METU IIS - Integrated Information Service open@metu.edu.tr