On the possibility of a parallelism between Wittgenstein’s understanding of language and music

Download

index.pdf

Date

2019

Author

Durukan, Burcu

Metadata

Show full item record

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Item Usage Stats

294
views

88
downloads

In my thesis, my main aim is to examine the parallelism between Ludwig Wittgenstein’s understanding of language and music. I will explain my ideas about the similarity between language and music with the linguistic concepts of Wittgenstein. Then, I will compare music and language in terms of their resemblance regarding the issue of meaning. Lastly, I will conclude that musical understanding is shaped through being a part of a particular social context just as in the case of understanding a language, and the value of music cannot be uttered by words.

Subject Keywords

Philosophy, Modern., Wittgenstein, Music, Language, Understanding

URI

http://etd.lib.metu.edu.tr/upload/12623466/index.pdf
https://hdl.handle.net/11511/43711

Collections

Graduate School of Social Sciences, Thesis

Suggestions

OpenMETU
Core

Nietzsche on the Relation Between Language and Philosophy Yıldız, Necdet; İnam, Ahmet; Department of Philosophy (2013) This thesis analyzes the relation between language and philosophy in the thought of Nietzsche. Nietzsche criticized philosophy as traditional metaphysics mainly because he thinks that it denies life. What in language is life-denying for Nietzsche? In this study, an answer to this question is attempted, and Nietzsche’s usage of language is claimed to be consistent with his criticism of the metaphysics of language.
Understanding of music in the philosophy of Wittgenstein Canlar, Simay; Turan, Şeref Halil; Department of Philosophy (2019) In this thesis, Samkhyakarika, which is one of the most important texts of the Indian Philosophy, is analyzed. Moreover, it is argued that Samkhya Philosophy could be examined within the framework of Hadot’s observations and comments on philosophical tradition of Ancient Greek and Roma. Firstly, the main lines of the philosophical-spiritual tradition of Ancient Greek and Roma are shared with the findings and analysis of Hadot. Hadot thinks that Ancient Greek philosophy provides a way of life to the person. ...
Heideggerian way-making to language Sezgi, Damla; Karademir, Aret; Department of Philosophy (2016) The main concern of the present thesis is ‘language’ in Heidegger. Beginning with a discussion of the place of the Heideggerian thought within the context of the history of philosophy, which at that time witnessed a shift which is called ‘linguistic turn’, the question ‘What is language?’ is scrutinized to show the dilemma which arises from the fact that this question itself is in language. After, from the Heideggerian perspective, the interrogation of the whatness of language is shown to be inadequate, req...
Thinking without the subject: Nietzsche‘s critique of Cartesian and Kantian subjectivity İlbaşı, Kıvılcım; Çırakman, Elif; Department of Philosophy (2015) In this M.A. thesis, I investigate Nietzsche‘s critique of subjectivity with regard to the subject-thought relationship as has been conceptualised in modern philosophy. Firstly, I attempt to elucidate the constitution of the subject and the modern image of thinking by focusing on the ideas of two major figures of modernity, namely, Descartes and Kant. Then, I problematize the concept of the subject with respect to Nietzsche‘s genealogical critique, and try to show that the subjectivist interpretation of the...
An Inquiry into the nature of aesthetic theory in its relation to theory of knowledge in Kant’s critical philosophy Özdoyran, Güven; İnam, Ahmet; Department of Philosophy (2013) The main concern of the dissertation is to investigate Kant’s aesthetic theory and its problematic relation to theory of knowledge in his transcendental philosophy. In the Critique of Judgment, Kant constructs his aesthetic theory by arguing that the aesthetic experience is based on a certain type of feeling, namely, the feeling of pleasure, rather than a concept. He grounds such a feeling on the aesthetic judgment of reflection. In spite of its non-conceptual and subjective characteristic, an aesthetic ref...

Citation Formats

B. Durukan, “On the possibility of a parallelism between Wittgenstein’s understanding of language and music,” Thesis (M.S.) -- Graduate School of Social Sciences. Philosophy., Middle East Technical University, 2019.