An Architectural history of the movie theaters in Ankara

Download

index.pdf

Date

2019

Author

Kaymaz, Elif

Metadata

Show full item record

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Item Usage Stats

686
views

258
downloads

The purpose of this work is to study the movie theater as a product of the architectural culture of the 20th century and to develop a comprehensive discourse which allows for an understanding and discussion of such spaces, their social and spatial conditions and meanings in different times and places. Starting from the very experience of the spectator, touching the topics of the historical and architectural formation of the space of public exhibition and the practice of moviegoing, finally a conversation between modernity, cinema and architecture is established in relation to the movie theater, looking specifically at three distinct periods of movie theater construction in the city of Ankara. The ‘space as a stage’ is introduced as a theoretical comprehensive approach which allows us to recognize the inherent agencies of the movie theater: the owner/manager, governance, the architect, architecture itself, the cinema industry, and the audience. By adopting this perspective, this case study undertakes the task of understanding how those elements intersected, gelled and mutated in the local case of Ankara.

Subject Keywords

Motion picture theaters., Movie Theaters, Architectural History, Ankara, Modernity.

URI

http://etd.lib.metu.edu.tr/upload/12624036/index.pdf
https://hdl.handle.net/11511/44274

Collections

Graduate School of Social Sciences, Thesis

Suggestions

OpenMETU
Core

On critique of architectural image : reading Jean Baudrillard through Jean Nouvel Uslu, İrem; Sargın, Güven Arif; Department of Architecture (2011) The aim of this study is to question the relationality between conception of image, social condition of an era and architecture. With acceptance of a transition to a new kind of relationality in contemporary era, a trialectical analysis is carried on, in order to understand changes in this relationality and its effects on contemporary architecture. Image, mainly depicted as the tool for communication, loses its transcendental and ideal status and degrades to an artificial and tricky state under the contempo...
Exhibition-scapes from mise-en-scene to mise-en-cadre Önertürk, Cemre; Serin, Ufuk; Department of Architecture (2020) The aim of this study is to acknowledge the twofold condition of exhibition spaces regarding the measure of integration it holds with the moving visitor and reread the arising architectural experiences. The two distant relational dynamics exhibitions imply, which transpire with reference to the absence/presence of a moving visitor, have been a point of discussion in the architectural discourse, but they have only been recognized through the limited agenda of the “containing box”. Accordingly, understanding ...
The conceptualization of a new semiological/semiotic model for the understanding of the matters of the causality and the meaningfulness in/of the built environment Eren, Ebru; Barlas, Mehmet Adnan; Department of City and Regional Planning (2022-11-09) Built environment, consisting of urban spaces and architectures, manifests behaviors, thoughts and feelings, and experiences of all the social-individuals of a society living in itself, through all kinds of its urban and architectural things, that is, its objects, spaces, and components, which bear very significant meanings, that is, denotative,connotative, and also deep meanings, in terms of the daily lives of these people in the environment. Therefore, each of them could be considered as a sign associated...
An Ontological inquiry on potentials of criticality and conceptualization of program in architecture Kızıl, Sinan Cem; Sargın, Güven Arif; Department of Architecture (2017) The relation between architecture and social change is one of the key themes in historical discourse of architectural theory. The tradition of criticality has been consolidated after enlightenment and it caused distrust towards norms of architecture. Even though this tradition of criticality eventually turns to its roots and criticises the ideals of enlightenment in postmodern discourses, it is clear that namely postmodern architectures still subjected to criticism similar to their modernist predecessors. I...
Reconsidering architectural program within the framework of conjectures and refutations: the design studies journal Özten, Ülkü; Özkar, Mine; Department of Architecture (2014) The discussion of program in the field of history and theory of the Modern Movement in architecture enters a new period in the 1960s and 70s under the influence of the strong embodiment of science and technology in the field of design research. Beginning with this period, the idea of program arises both in a series of generations parallel to a specialized, sophisticated understanding of design and as an autonomous professional area of study. While the concept was being largely developed under the influence ...

Citation Formats

E. Kaymaz, “An Architectural history of the movie theaters in Ankara,” Thesis (M.A.) -- Graduate School of Social Sciences. History of Architecture., Middle East Technical University, 2019.