Show/Hide Menu
Hide/Show Apps
anonymousUser
Logout
Türkçe
Türkçe
Search
Search
Login
Login
OpenMETU
OpenMETU
About
About
Açık Bilim Politikası
Açık Bilim Politikası
Frequently Asked Questions
Frequently Asked Questions
Browse
Browse
By Issue Date
By Issue Date
Authors
Authors
Titles
Titles
Subjects
Subjects
Communities & Collections
Communities & Collections
Analysis of alternative rock scene through feminist standpoint
Download
index.pdf
Date
2020
Author
Bostancı Kutlu, Elif Cere
Metadata
Show full item record
This work is licensed under a
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License
.
Item Usage Stats
11
views
13
downloads
Music, as a social field, is affected by the patriarchal practices which are relevant in society. As an outcome of these practices: the knowledge regarding women’s experiences is being transmitted either insufficiently or distorted, which harms the gender equality both in the music scene and society. This study, fundamentally asks an overarching question such as: How do women’s experiences get constituted in the alternative rock scene? Additionally, with subquestions study examines that: How do women’s experiences contribute to the feminist progress in the scene, which is consisted of consciousness-raising, forming solidarity, and creating politics? With the contribution of Feminist Standpoint Theory, the study aims to reach true knowledge by producing knowledge on women’s experiences from women’s social positions. Sexist practices exists in the scene such as; assigning rock music and instruments to men, alienation of women, sexual objectification of women, harassment, representing women over men, keeping women’s musician identity in the background and putting their sexual identity forward. Women who share their experiences are willing to form solidarity against sexist practices. However, due to the lack of knowledge regarding each other’s experiences and communication, a strong bond of solidarity could not be observed in the scene. Approaches such as staying neutral to the gender issues appear to be weak to ensure feminist progress in the scene while expressing powerful statements that are derived from women’s socially ‘powerful alternative’ positions, appears to be promising on making serious contributions to the feminist progress in the scene.
Subject Keywords
Feminist.
,
Women’s Experiences
,
Musician Women
,
Alternative Rock Scene
,
Feminist Progress
,
Feminist Standpoint Theory
URI
http://etd.lib.metu.edu.tr/upload/12625411/index.pdf
https://hdl.handle.net/11511/46153
Collections
Graduate School of Social Sciences, Thesis