Show/Hide Menu
Hide/Show Apps
Logout
Türkçe
Türkçe
Search
Search
Login
Login
OpenMETU
OpenMETU
About
About
Open Science Policy
Open Science Policy
Open Access Guideline
Open Access Guideline
Postgraduate Thesis Guideline
Postgraduate Thesis Guideline
Communities & Collections
Communities & Collections
Help
Help
Frequently Asked Questions
Frequently Asked Questions
Guides
Guides
Thesis submission
Thesis submission
MS without thesis term project submission
MS without thesis term project submission
Publication submission with DOI
Publication submission with DOI
Publication submission
Publication submission
Supporting Information
Supporting Information
General Information
General Information
Copyright, Embargo and License
Copyright, Embargo and License
Contact us
Contact us
Criticism of contemporary art initiatives in arts from feminist standpoint theory: the case of Ankara / Turkey.
Download
index.pdf
Date
2020
Author
Akbıyık, Merv
Metadata
Show full item record
This work is licensed under a
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License
.
Item Usage Stats
364
views
135
downloads
Cite This
The purpose of this thesis is based on to claim that in paradigmatic problematization of art, contemporary art and specificities of subjectivities of contemporary art initiatives which is in contemporary art should be understood on the basis of knowledge and politics. The approach to contemporary art initiatives through Feminist Standpoint Theory will also bring the understanding of contemporary art that is critical to capitalist understanding of contemporary art. The institutionalized capitalist contemporary art is criticized by contemporary art initiatives both in their art practices and in their way of ‘organizations’. Feminist Standpoint methodology, through interactions allows one to acquire the specificities of the subjectivities of contemporary art initiatives that portray their differences. These differences are crucial in the sense that identifying the subjectivities of these art initiatives that are critical to paradigmatically modernist based art groups. Furthermore, the differences of these initiatives produce different knowledge and politics. In this study, the contemporary art initiatives in Ankara in Turkey are tried v to be understood on the basis of knowledge and politics productions. What was found is that Ankara contemporary art initiatives, in general, do not effectively produce critical knowledge and politics to capitalist contemporary art. Moreover, some of the ‘members’ of these initiatives try to participate in capitalist contemporary art scene. However, the video based contemporary art initiatives in Ankara produces critical knowledge and politics contrary to plastic arts based or music-based initiatives. In that sense, different initiatives produce different knowledge and politics, yet, it is crucial to criticize capitalist formations of art.
Subject Keywords
Women's studies
,
Women's studies
,
Contemporary art initiatives
,
feminist standpoint theory
,
contemporary art
,
Turkey
,
Ankara .
URI
http://etd.lib.metu.edu.tr/upload/12625017/index.pdf
https://hdl.handle.net/11511/46120
Collections
Graduate School of Social Sciences, Thesis
Suggestions
OpenMETU
Core
Autonomy of artistic field : the case study of İstanbul
Aydın, Ceren Can; Mücen, Barış; Department of Sociology (2013)
This thesis critically analyzes the dynamics wherein the artistic field- the art world per se possessing both 'glocal' and 'universal' attributes- has been constructed as an autonomous field within the discourses produced about art. The research focuses on some of the moments during which the field, as becoming an 'institution' inside the framework of modern state paradigm, has been imbricated and freed from social history by designating some of the fundamental arguments about its epistemological, historica...
Art as a social process : hybrid constitution of new media art form
Hasdemir, Bilge; Mücen, Barış; Department of Sociology (2013)
This thesis attempts to analyze the formation of art as social process by focusing on hybrid constitution of new media art form. Hybridization in new media art is taken into account as intersection of different spheres by which limitations of different spheres transcend and new possiblities arise. Accordingly, not only new media art form is established via various types of relationings but also it leads to formation of different types of social relations.
The Concept of disinterestedness in modern philosophy of art: Kant, Schopenhauer, Nietzsche, and Heidegger
Akkökler Karatekeli, Büşra; Turan, Şeref Halil; Department of Philosophy (2016)
This thesis aims to investigate the concept of disinterestedness in the modern philosophy of art. To this end, I firstly attempt to elucidate how this concept is described and gained its specific meaning in Kant. Then, I focus on Schopenhauer’s salient contribution to the discussion of aesthetic disinterestedness – thought along with his metaphysics –, namely the body, and attempt to bring into view the relation between the body and aesthetic disinterestedness. In the following, I investigate how Nietzsche’...
Making art in the early Turkish Republic : The Academy of Fine Arts in İstanbul and The Art-Craft Department in Ankara
Becker, Martina; Altan, Tomris Elvan; Department of History of Architecture (2013)
This dissertation studies creative practices in the early Turkish Republic alongside their conceptualisation as art, as a means of transcending the epistemic confines of traditional art historiography while addressing phenomena that themselves had little agency in establishing those confines. The study centres on the Academy of Fine Arts in Istanbul and the Art-Craft Department in Ankara. The two schools were not the exclusive sites of creative practices in Turkey, yet, as the only public institutions of pr...
Transformation of architectural space with the aid of artistic production
Özden, Başak; Savaş Sargın, Ayşen; Department of Architecture (2011)
The goal of this thesis is to study the transformation of architectural space with the aid of artistic production. By questioning architectural production as a non-static process open to alteration and intervention, this condition is claimed to enlarge the frontiers of architecture in terms of interdisciplinary contributions and new design methods. Inspired by the course ARCH 524, conducted by Assoc. Prof. Dr. Ayşen Savaş in the METU Department of Architecture, this study aims to understand the possible way...
Citation Formats
IEEE
ACM
APA
CHICAGO
MLA
BibTeX
M. Akbıyık, “Criticism of contemporary art initiatives in arts from feminist standpoint theory: the case of Ankara / Turkey.,” Thesis (M.S.) -- Graduate School of Social Sciences. Gender and Women’s Studies., Middle East Technical University, 2020.