Show/Hide Menu
Hide/Show Apps
Logout
Türkçe
Türkçe
Search
Search
Login
Login
OpenMETU
OpenMETU
About
About
Open Science Policy
Open Science Policy
Open Access Guideline
Open Access Guideline
Postgraduate Thesis Guideline
Postgraduate Thesis Guideline
Communities & Collections
Communities & Collections
Help
Help
Frequently Asked Questions
Frequently Asked Questions
Guides
Guides
Thesis submission
Thesis submission
MS without thesis term project submission
MS without thesis term project submission
Publication submission with DOI
Publication submission with DOI
Publication submission
Publication submission
Supporting Information
Supporting Information
General Information
General Information
Copyright, Embargo and License
Copyright, Embargo and License
Contact us
Contact us
Sentimental Discipline - A Narratological Analysis of Susan Warner s The Wide Wide World
Date
2017-12-01
Author
Öztabak Avcı, Elif
Metadata
Show full item record
This work is licensed under a
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License
.
Item Usage Stats
198
views
0
downloads
Cite This
The narrative strategies that Susan Warner uses in her evangelical, sentimental novel The Wide, Wide World (1850) to develop sympathy in the reader have mainly been analyzed at the level of the “story” whereas the role the narrator plays in the production of sympathy has not received as much attention. The aim of this paper is to examine the sympathetic relationship between the narrator and the novel's heroine, Ellen Montgomery, as well as to show how such a relationship contributes to the novel's sentimental rhetoric. Richard Brodhead's theory of “disciplinary intimacy” that he develops in Cultures of Letters (1993) and Gérard Genette's Narrative Discourse (1972) will constitute the theoretical framework of the study.
Subject Keywords
Susan Warner
,
The Wide, Wide World
,
Sentimental novel
,
Sentimental discipline
,
Narrative
,
Theory
,
Sentimental roman
,
Sentimental disiplin
,
Anlatı kuramı
URI
https://hdl.handle.net/11511/49052
Journal
Dil ve Tarih-Coğrafya Fakültesi Dergisi
DOI
https://doi.org/10.1501/dtcfder_0000001540
Collections
Department of Foreign Language Education, Article
Suggestions
OpenMETU
Core
History of the novel in stories of femininity: Moll flanders, Evelina and Fordyce’s sermons /
Kaya, Tuğba Billur; Yıldız Bağçe, Hülya; Department of English Literature (2015)
In this study the rise of the English novel is investigated from the perspective of Nancy Armstrong’s Desire and Domestic Fiction which put forward that the novel genre emerged out of the conduct books of seventeenth and eighteenth centuries. Within this scope two of the first English novels Moll Flanders (1742) by Daniel Defoe and Evelina (1778) by Frances Burney will be studied side-by-side by comparing their plots with one of the most popular conduct books of the era: Fordyce’s Sermons. The study aims to...
Mythmaking in progress: plays by women on female writers and literary characters
Uçar Özbirinci, Pürnur; Çileli, Fatma Meral; Department of English Literature (2007)
This thesis analyzes the process of women’s mythmaking in the plays written by female playwrights. Through writing the lives of female writers and rewriting the literary characters, which have been created by male writers, the women playwrights assume the role of a mythmaker. A mythmaker possesses the power to use the ‘word,’ thereby possesses the power to control ‘reality.’ However, for centuries, women have been debarred from generating their own myths, naming their own experiences, and controlling their ...
Structural and functional analysis of Henry James's novel the Portrait of a Lady with a comparison of Jane Campion's adaptation of the novel
Çelebi, Hatice; Içöz, Nursel; Program in English Literature (2003)
The aim this thesis is to analyse the narrative structure of the novel, The Portrait of A Lady, with the aim of revealing how meaning is made and to show how certain elements are transferred to the film version and the consequent changes in meaning and emphasis. The structural analysis of The Portrait will chiefly rely on Shlomith Rimmon- Kenan̕s scheme she draws in her book Narrative Fiction. The functional analysis to show the consequent changes in meaning and emphasis, on the other hand, will rely on Rol...
Hopeless Romantics: Reality versus Imagination in Gustave Flaubert’s Madame Bovary and Joseph Conrad’s Lord Jim
Korkut Naykı, Nil (2017-03-01)
Although Gustave Flaubert’s Madame Bovary (1856) and Joseph Conrad’s Lord Jim (1900) are highly distinct novels in many respects, they are strikingly similar in the way they portray their protagonists. Both Emma Bovary and Lord Jim are hopeless romantics with a major tendency to set up highly unrealistic dream worlds for themselves. Both novels are widely interpreted as seriously critical of their protagonists, whose wide capacity for imagination eventually causes their ruin. This paper acknowledges the val...
GOTHIC SPACE IN DAPHNE DU MAURIER'S JAMAICA INN, REBECCA AND MY COUSIN RACHEL
Erdem, Özge; Birlik, Nurten; Department of English Literature (2022-2-28)
This dissertation argues that the gothic space in Daphne du Maurier’s novels Jamaica Inn, Rebecca, and My Cousin Rachel displays non-Cartesian and non-Newtonian qualities, which makes it possible to adopt a Thirdspace epistemology to read the novels and discuss the spatial experiences that destabilise Firstspace and Secondspace epistemologies that underlie traditional conceptions of space. This dissertation treats the Gothic as a mode of writing which dealt with the repressed material in the discourse and c...
Citation Formats
IEEE
ACM
APA
CHICAGO
MLA
BibTeX
E. Öztabak Avcı, “Sentimental Discipline - A Narratological Analysis of Susan Warner s The Wide Wide World,”
Dil ve Tarih-Coğrafya Fakültesi Dergisi
, pp. 822–837, 2017, Accessed: 00, 2020. [Online]. Available: https://hdl.handle.net/11511/49052.