Urban Negotiations And Art Tactics

Download
179-196.pdf
2011
O'Kelly, Mick
Show full item record
Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
192
views
129
downloads
Urban Negotiations and Art Tactics are art strategies that find possibilities for art to engage in real life issues. Nomadic Kitchen is an interstitial transversal artwork that occupies a place between art and urban space. This work engages with issues of self-organization, in the process negotiating the urban environment with the residents of Vila Nova, a favela community in Sao Miguel Brazil. Vila Nova is in a process of regeneration but this does not sanitize the conflict of local conditions, it is within the contradictions of conflict that new ideas emerge for models for urbanity. Nomadic Kitchen is one urban practice among many in a collaborative and participatory action in the production of public and private space. The artwork operates as bricolage within and across the transversal field of operation that includes institution and post-institutional art practice. The emergent strategies for this artwork evolved through a series of workshops with residents of Vila Nova. The field of production creates a place of selforganisation between participants. The project embraces ‘informality’ as another kind of intelligence whose tactics bring a collective visibility to the project and other kinds of urban negotiations. The structure functions as a locus where residents self govern and develop flexible and creative ways of building a context for living. The transversal field of Nomadic Kitchen invests in a desiring production that is flexible, fluid, nomadic and adaptable to different occasions and contexts of informal urban practices. Urban decisions around producing public and social space are made while cooking eating and meeting in the Nomadic Kitchen. This interstitial sculptural structure becomes a place of dialogue while defining the circumstances that determine its situated conditions and public space. The consequences of Nomadic Kitchen explore the potential limits of art production as an urgent action in creating an aesthetic-ethical-spatialpolitics.
Negotiations, Art tactics, Collaboration, Transversal, Informality, Nomadic, Desire, Public space
http://jfa.arch.metu.edu.tr/archive/0258-5316/2011/cilt28/sayi_1/179-196.pdf
https://hdl.handle.net/11511/50812
Department of Architecture, Article

Suggestions

Mural as public art in urban fabric: An attempt to link configurational approach to perceptual morphology
Demir Türközü, Cansu; Çalışkan, Olgu (2021-12-01)
The intrinsic relationship between art and the public has changed as public art has greater visibility in contemporary urban space. Especially following the growing interest in placemaking in spatial planning and design, many cities in different countries tend to experience an unprecedented transformation of urban space displaying various modes of artistic performances open for the public. As a visual art, the mural could be considered one of the leading creative activities in the cities' public domain. The...
Art as a social process : hybrid constitution of new media art form
Hasdemir, Bilge; Mücen, Barış; Department of Sociology (2013)
This thesis attempts to analyze the formation of art as social process by focusing on hybrid constitution of new media art form. Hybridization in new media art is taken into account as intersection of different spheres by which limitations of different spheres transcend and new possiblities arise. Accordingly, not only new media art form is established via various types of relationings but also it leads to formation of different types of social relations.
Graffiti and urban space in Istanbul
Sarıyıldız, Hatice Özlem; Sargın, Güven Arif; Department of Media and Cultural Studies (2007)
The aim of this study is to uncover and discuss the spaces appropriated by graffiti writers and to reveal out the possible resistances involved in the act throughout the writers’ motivations, characteristics, spaces they produce and all over process they are entering into together with the specifications of graffiti in Turkey. It demands to unfold the possibilities sheltered in everyday practices looking through graffiti and subsequently revealing out possibilities in graffiti looking through everyday life....
Art(s) of becoming: performative encounters in contemporary political art
Akkın, İbrahim Okan; Parkan, Barış; Department of Philosophy (2017)
This thesis analyses Deleuze & Guattari’s notion of becoming through certain performative encounters in contemporary political art, and re-conceptualizes them as “art(s) of becoming”. Art(s) of becoming are actualizations of a non-representational –minoritarian– mode of becoming and creation as well as the political actions of fleeing quanta. The theoretical aim of the study is, on the one hand, to explain how Platonic Idealism is overturned by Deleuze’s reading of Nietzsche and Leibniz, and on the other ha...
Criticism of contemporary art initiatives in arts from feminist standpoint theory: the case of Ankara / Turkey.
Akbıyık, Merv; Ecevit, Mehmet Cihan; Department of Gender and Women's Studies (2020)
The purpose of this thesis is based on to claim that in paradigmatic problematization of art, contemporary art and specificities of subjectivities of contemporary art initiatives which is in contemporary art should be understood on the basis of knowledge and politics. The approach to contemporary art initiatives through Feminist Standpoint Theory will also bring the understanding of contemporary art that is critical to capitalist understanding of contemporary art. The institutionalized capitalist contempora...
Citation Formats
M. O’Kelly, “Urban Negotiations And Art Tactics,” ODTÜ Mimarlık Fakültesi Dergisi, vol. 28, no. 1, pp. 179–196, 2011, Accessed: 00, 2020. [Online]. Available: http://jfa.arch.metu.edu.tr/archive/0258-5316/2011/cilt28/sayi_1/179-196.pdf.
METU IIS - Integrated Information Service open@metu.edu.tr