“The Concept of Beauty from Plotinus to St. Augustine and Ghazzali, and Art of Abstraction in Medieval Eastern Mediterranean”

Date

2008-01-31

Author

Peker, Ali Uzay

Metadata

Show full item record

Item Usage Stats

154
views

0
downloads

This paper is going to venture the established notion of “Islamic aesthetics” understood as a non-historical and distinct cultural entity. Scholars of Islamic aesthetics occasionallyrefer to Greek art theory as a precursor but there has been no stimulating attempt todemonstrate the continuity from ancient to medieval art theory in eastern Mediterranean.

Subject Keywords

Eastern Mediterranean

URI

https://www.sanart.org.tr/en/congresses/ica/
https://hdl.handle.net/11511/71337

Conference Name

XVII. Congress of Aesthetics: Aesthetics Bridging Cultures, 9 - 13 Temmuz 2007

Collections

Department of Architecture, Conference / Seminar

Suggestions

OpenMETU
Core

Reading Friday Sermons as Pragmatic Politics: Sermons in Turkey in 2016-2022 Falay Toda, Kübra Nur; Hande, Sözer; Political Science and International Relations (2022-9-03) The literature tends to interpret the last few decades of transformation in public sphere as the Islamization of Turkey. Similarly, it presents the discourse and practices of the Presidency of Religious Affairs (PRA) as instrumentalization for this purpose considering the subject and content of the Friday sermons. However, whether the public sphere in Turkey moving away from secularism to a more religious and particularly Islamist direction needs to be carefully analyzed. This thesis examines the broader d...
“The Ankara Tumuli: Lasting urban remnants of a historical landscape” Aral, Hacer Ela; Güneri Söğüt, Gizem Deniz (2021-08-30) Evidence shows that Ankara was first founded as a Phrygian city beneath today’s traditional city center. Phrygians migrated from Thrace to Anatolia around 1200 BCE , settled in the northern and western Black Sea regions and then moved to Central Anatolia where they established their own cities. The Phrygian cultural zone covered extensive lands in the middle-western Anatolian plateau. Ankara was part of a system of Phrygian settlements located along the water courses in the Inner Anatolia. As the characteri...
Islam and the West: conflict or cooperation? Polat, Necati (2003-10-01) A broad-ranging assessment of relations between the Muslim and Western worlds in the contemporary era set in the context of the way these have evolved historically. Arguing that the relations have been marked by long periods of peaceful coexistence, but also by many instances of tension, hostility and mutual recrimination, Amin Saikal assesses the impact of the continuing Arab-Israeli conflict, the consequences of the Iranian revolution and of the wars in the Gulf and Afghanistan, and charts a course for fu...
Making art in the early Turkish Republic : The Academy of Fine Arts in İstanbul and The Art-Craft Department in Ankara Becker, Martina; Altan, Tomris Elvan; Department of History of Architecture (2013) This dissertation studies creative practices in the early Turkish Republic alongside their conceptualisation as art, as a means of transcending the epistemic confines of traditional art historiography while addressing phenomena that themselves had little agency in establishing those confines. The study centres on the Academy of Fine Arts in Istanbul and the Art-Craft Department in Ankara. The two schools were not the exclusive sites of creative practices in Turkey, yet, as the only public institutions of pr...
Veiling and Headscarf-Skepticism in Turkey Saktanber, Ayşe Nur (2008-12-01) This paper is an attempt to analyze the transformation of the Islamic headscarf from being a private question of piety to a public question of freedom of religious expression. It argues that such a transformation constitutes not only the foundations of the emergence of the headscarf issue but also what we call headscarf-skepticism. The long-lasting headscarf issue has reached a point of deadlock once again due to the reactions of the secular sections of society to the recent efforts of the government to lif...

Citation Formats

A. U. Peker, ““The Concept of Beauty from Plotinus to St. Augustine and Ghazzali, and Art of Abstraction in Medieval Eastern Mediterranean”,” presented at the XVII. Congress of Aesthetics: Aesthetics Bridging Cultures, 9 - 13 Temmuz 2007, Ankara, Türkiye, 2008, Accessed: 00, 2021. [Online]. Available: https://www.sanart.org.tr/en/congresses/ica/.