“Wine in Old and New Bottles’: Critical Paradigms for Joseph Conrad, “Conrad: Eastern and Western Perspectives

Date

2013-01-01

Author

Doğan, Buket

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In “The Lagoon,” as Saidobserves, Arsat’s reflection upon his past tries to illuminate what has been souncomfortably mysterious to him (89). From Bhabha’s viewpoint, Arsat’s odysseycan best be explained with the help of the terms unhomely and/or uncanny. ForBhabha, to be unhomed does not necessarily mean to be literally homeless; onthe contrary, the unhomely or uncanny moment can take over you at any momentstealthily. Although Arsat physically has home, he feels unhomed being exiledfrom his familiar surroundings after he betrays his own brother and his Malayanfellows. He finds himself dominated by this uncanny feeling. Seeing himself in theeyes of Arsat, who has acted like a colonizer, Tuan, too, notices his uncannydouble in this Malayan man. According to George Panichas, Conrad’s works“explore and make known what takes place when the physical and metaphysicalregions of intellect and emotion intersect and interconnect” (viii). Both Arsatand Tuan have faced the unhomely moment seeing their uncanny doubles in eachother. In the end, it becomes evident that the boundaries of the notions ofcolonizer and colonized have been blurred uncannily in “The Lagoon.”

Subject Keywords

Joseph Conrad, "The Lagoon", Homi Bhabha, uncanny, postcolonial discourse

URI

https://hdl.handle.net/11511/78056

Collections

Department of Modern Languages, Book / Book chapter

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Citation Formats

B. Doğan, “Wine in Old and New Bottles’: Critical Paradigms for Joseph Conrad, “Conrad: Eastern and Western Perspectives. 2013.