“Wine in Old and New Bottles’: Critical Paradigms for Joseph Conrad, “Conrad: Eastern and Western Perspectives

Date

2013-01-01

Author

Doğan, Buket

Metadata

Show full item record

Item Usage Stats

328
views

0
downloads

In “The Lagoon,” as Saidobserves, Arsat’s reflection upon his past tries to illuminate what has been souncomfortably mysterious to him (89). From Bhabha’s viewpoint, Arsat’s odysseycan best be explained with the help of the terms unhomely and/or uncanny. ForBhabha, to be unhomed does not necessarily mean to be literally homeless; onthe contrary, the unhomely or uncanny moment can take over you at any momentstealthily. Although Arsat physically has home, he feels unhomed being exiledfrom his familiar surroundings after he betrays his own brother and his Malayanfellows. He finds himself dominated by this uncanny feeling. Seeing himself in theeyes of Arsat, who has acted like a colonizer, Tuan, too, notices his uncannydouble in this Malayan man. According to George Panichas, Conrad’s works“explore and make known what takes place when the physical and metaphysicalregions of intellect and emotion intersect and interconnect” (viii). Both Arsatand Tuan have faced the unhomely moment seeing their uncanny doubles in eachother. In the end, it becomes evident that the boundaries of the notions ofcolonizer and colonized have been blurred uncannily in “The Lagoon.”

Subject Keywords

Joseph Conrad, "The Lagoon", Homi Bhabha, uncanny, postcolonial discourse

URI

https://hdl.handle.net/11511/78056

Collections

Department of Modern Languages, Book / Book chapter

Suggestions

OpenMETU
Core

The Burial of Ambivalence in Edgar Allan Poe's The Cask of Amontillado Gunday, Merve; Birlik, Nurten (2022-1-01) In Edgar Allan Poe's short story The Cask of Amontillado, Fortunato's captivity by Montresor in the middle of a carnival with no explanation amazes readers and leaves many unanswered questions in readers' minds, thereby leading to reductionist interpretations of the story. Each of these readings leaves some elements in the story in ambiguity, failing to integrate them into a totalizing interpretation of the story. The reading of the story in relation to the Freudian concept of the uncanny, however, helps us...
Psychic spaces in three plays by Samuel Beckettthe abjected semiotic intruding in to the symbolic DEMİR, Betül; Sönmez, Margaret Jeanne M.; Department of English Literature (2021-3-04) This thesis examines the intrusion of the abjected semiotic into the symbolic in Waiting for Godot, Endgame and Happy Daysby Samuel Beckett. A survey of studies in drama finds that the recent spatial turn has largely ignored spaces of drama, and that the current state of spatial criticism alone cannot adequately explain spaces in the drama of Beckett. Spatial binarism and the imagery of death, being relevant in these plays, are used as the initial steps for investigating psychic spatialityin the drama of Be...
The identity (re)construction of nonnative English teachers stepping into native Turkish teachers' shoes Mutlu Kaya, Sevcan (Informa UK Limited, 2016-01-01) The present study explored the identity (re)construction of five nonnative English teachers who went to the USA on a prestigious scholarship for one year to teach their native language, Turkish. In that sense, it investigated how this shift from being a nonnative English teacher to a native Turkish teacher influenced their self-image, self-efficacy, and beliefs about teaching/learning. The data were collected mainly through three different instruments: a personal data questionnaire, ongoing controlled journ...
Light and darkness images in relation to emotions in John Milton’s paradise lost / Doğan, Sadenur; Sönmez, Margaret Jeanne M.; Department of English Literature (2014) This thesis studies John Milton's Paradise Lost in terms of light and darkness images and connects this imagery to the emotional states of the characters. The recurrent images of light and darkness prove to reveal the emotional situations of the three main characters of the epic, Satan, Adam and Eve. Seventeenth century theories of emotions serve as background for this emotional analysis. The principles of the four influential philosophers of the era, Descartes, Malebranche, Hobbes and Spinoza about emotion...
Construction and deconstruction of the nation and nationality in Kazuo Ishiguro’s an artist of the floating world and the remains of the day / Doğru Bakar, Hilal; Öztabak Avcı, Elif; Department of English Literature (2014) This thesis focuses in a comparative manner on the ways in which the nation and nationality are foregrounded as constructs in Kazuo Ishiguro’s An Artist of the Floating World (1986) and The Remains of the Day (1989). The ways in which Ishiguro’s novels construct and deconstruct “Japaneseness” and “Englishness” will be explored in the light of the theories of Benedict Anderson and Homi K. Bhabha. The thesis will also focus on imperial national identity formation of the unreliable narrators in these novels, b...

Citation Formats

B. Doğan, “Wine in Old and New Bottles’: Critical Paradigms for Joseph Conrad, “Conrad: Eastern and Western Perspectives. 2013.