Show/Hide Menu
Hide/Show Apps
Logout
Türkçe
Türkçe
Search
Search
Login
Login
OpenMETU
OpenMETU
About
About
Open Science Policy
Open Science Policy
Open Access Guideline
Open Access Guideline
Postgraduate Thesis Guideline
Postgraduate Thesis Guideline
Communities & Collections
Communities & Collections
Help
Help
Frequently Asked Questions
Frequently Asked Questions
Guides
Guides
Thesis submission
Thesis submission
MS without thesis term project submission
MS without thesis term project submission
Publication submission with DOI
Publication submission with DOI
Publication submission
Publication submission
Supporting Information
Supporting Information
General Information
General Information
Copyright, Embargo and License
Copyright, Embargo and License
Contact us
Contact us
Construction and deconstruction of the nation and nationality in Kazuo Ishiguro’s an artist of the floating world and the remains of the day /
Download
index.pdf
Date
2014
Author
Doğru Bakar, Hilal
Metadata
Show full item record
Item Usage Stats
524
views
173
downloads
Cite This
This thesis focuses in a comparative manner on the ways in which the nation and nationality are foregrounded as constructs in Kazuo Ishiguro’s An Artist of the Floating World (1986) and The Remains of the Day (1989). The ways in which Ishiguro’s novels construct and deconstruct “Japaneseness” and “Englishness” will be explored in the light of the theories of Benedict Anderson and Homi K. Bhabha. The thesis will also focus on imperial national identity formation of the unreliable narrators in these novels, both of which conclude by the narrators’ disillusionment as a result of alterations in the ways in which the national community is imagined.
Subject Keywords
English literature
,
Country homes in literature.
,
Social values in literature.
,
Nationalism
URI
http://etd.lib.metu.edu.tr/upload/12618324/index.pdf
https://hdl.handle.net/11511/24338
Collections
Graduate School of Social Sciences, Thesis
Suggestions
OpenMETU
Core
A comparative analysis of sense of belonging as a part of identity of the colonizer and the colonized in the grass is singing and my place
Göktan, Cansu; Doyran, Feyza; Department of English Language Teaching (2010)
This thesis investigates how two loosely autobiographical works unveil the effects of colonization on their major characters in terms of their identities and senses of belonging. The Grass Is Singing by Doris Lessing, a second-generation member of the colonizer, and My Place by Sally Morgan, a third-generation hybrid Australian Aborigine, are selected because both novels essentially deal with colonial issues by depicting their major characters in a process of maturation within a colonial and post-colonial f...
Features of renaissance individualism and references yo Machiavellian politics in Christopher Marlowe's the new of Malta, the tragical history of doctor Faustus and Tamburlaine, the great
Eryılmaz, Ayşe Pırıl; Alpakın Martınez Caro, Dürrin; Department of Foreign Language Education (2007)
This thesis analyses the Machiavellian concepts of cunning, cruelty and opportunism as well as self-determination and individualism with regard to the major characters in Christopher Marlowe's plays, The Jew of Malta, The Tragical History of Doctor Faustus and Tamburlaine, Parts 1 and 2. The thesis then examines these characters' scales of achievement as individuals who challenge the established order. Finally, the thesis clarifies whether these characters are theatrical representatives of the Renaissance i...
‘Fabulation’ of metanarratives in julian barnes’s novels metroland, flaubert’s parrot, a history of the world in 10 ½ chapters, and england, England
Salman, Volhan; İçöz, Nursel; Department of English Literature (2009)
The present thesis argues that the present era of post-postmodernism experiences a revival of revised metanarratives through ‘fabulation’, the process masterfully depicted in Julian Barnes’s novels Metroland (1980), Flaubert’s Parrot (1984), History of the World in 10 ½ Chapters (1989) and England, England (1998). The age of postmodernism with its undermining irony, hopelessness, pessimism and the sense of the looming end could not but leave the world in a state of despair, characterised by a propagated rul...
Nomad thought in Peter Reading’s Perduta gente and Evagatory and Maggie O’sullivan’s In the house of the shaman and Palace of reptiles
Türe Abacı, Özlem; Birlik, Nurten; Department of English Literature (2015)
This study aims to explore the processes of becoming in Peter Reading’s Perduta Gente and Evagatory and Maggie O’Sullivan’s In the House of the Shaman and Palace of Reptiles by concentrating on the spatial, corporeal and performative politics in their poetry within a theoretical framework based on Deleuze and Guattari’s nomad thought and their revisionary ideas on the politics of body, space and subjectivity. This study also investigates how nomadism as a critical category enables an exploration of the form...
Power relations as the consequence and mimicry of British Imperialism in Vikram Seth's A Suitable Boy
Pekşen, Seda; İçöz, Nursel; Department of English Literature (2003)
This thesis analyzes the westernization of Indians as portrayed through the juxtaposition of the power relations between the Western and Third world cultures, and the power relations between the characters of the novel. Indians had become so 'Anglicized' that some of them took the place of the British rulers after Independence. In the novel the relations between parents and children, elders and youngsters, employers and employees are seen to be quite similar to the power relations that exist between the col...
Citation Formats
IEEE
ACM
APA
CHICAGO
MLA
BibTeX
H. Doğru Bakar, “Construction and deconstruction of the nation and nationality in Kazuo Ishiguro’s an artist of the floating world and the remains of the day /,” M.S. - Master of Science, Middle East Technical University, 2014.