Show/Hide Menu
Hide/Show Apps
Logout
Türkçe
Türkçe
Search
Search
Login
Login
OpenMETU
OpenMETU
About
About
Open Science Policy
Open Science Policy
Open Access Guideline
Open Access Guideline
Postgraduate Thesis Guideline
Postgraduate Thesis Guideline
Communities & Collections
Communities & Collections
Help
Help
Frequently Asked Questions
Frequently Asked Questions
Guides
Guides
Thesis submission
Thesis submission
MS without thesis term project submission
MS without thesis term project submission
Publication submission with DOI
Publication submission with DOI
Publication submission
Publication submission
Supporting Information
Supporting Information
General Information
General Information
Copyright, Embargo and License
Copyright, Embargo and License
Contact us
Contact us
Intuitive Generation: Rationalizing the "Irrational"
Date
2016-11-30
Author
Mennan, Zeynep
Metadata
Show full item record
Item Usage Stats
152
views
0
downloads
Cite This
In the early 20th century, the organic paradigm has invariably been recorded as an individualistic, subjective and intuitionist process that escapes systematic analysis and rationalization, further banishing the organic from the realm of the rational and the objective. Today, the once hermetic processes of organic form are seen to become increasingly transparent as studies in complexity and computation develop. The historical unfolding of the organic tradition increasingly yields towards rationalization and formalization, as the formalist methodologies used in computational design research ease the understanding and control of complex forms and provide for a rigorous discussion of once intuitive topics.Against this theoretical background, the paper presentsa research undertaken at a graduate experimental design studio at METU, Department of Architecture (2014, 2016), consisting in testing a possible rationalization/formalization of the so-called “irrational” organic forms in modern art by the introduction of a computational content adding to their original biological content. To this end, the studio scrutinizes artworks that are deemed to be produced in the organic paradigm through intuitive approaches, testing them in the formal medium of the mathematical, considering various aspects concerning the Gestalt principles of visual perception. Focusing specifically on Isamu Noguchi’s “Leda” (1942), various conceptualizations of form logic are produced through cognitive and mathematical reverse engineering aiming to aid the understanding of formalist aspects in organic and intuitive methodologies that challenge the very formal approaches mandated by generative design methodologies.
Subject Keywords
Organic
,
Irrational
,
Rational
,
Formal
,
Intuitive
URI
https://hdl.handle.net/11511/83384
Conference Name
XIX Generative Art Conference 2016 (15 - 17 Aralık 2016)
Collections
Department of Architecture, Conference / Seminar
Suggestions
OpenMETU
Core
Rational choice theory: its merits and limits in explaining and predicting cultural behavior
Kılınç Adanalı, Yurdagül; Turan, Şeref Halil; Department of Philosophy (2016)
The main goal of this dissertation is to examine whether instrumental rationality can predict and explain successfully human behavior in all walks of life. I have chosen Rational Choice Theory and Public Choice Theory as the focus of my investigation, since they are considered as the best models of instrumental rationality in philosophy and social sciences, and in particular in economics and politics. To see their merits and to determine their limits, I have applied Rational Choice Theory and Public Choice ...
HABITUS AS A CRITIQUE OF THE SUBJECT-OBJECT DICHOTOMY: A CASE OF ANKARA MUSICIANS
Altay, Ulaş Murat; Kuymulu, Mehmet Barış; Department of Sociology (2021-10-05)
This thesis is a critique of the presupposition of the subject-object dichotomy that is prevalent in the methodologies of art theories. It conducts its critique by utilizing Pierre Bourdieu’s notion of habitus in the analysis of its empirical data. The empirical data that this thesis presents consists of the interviews with Ankara musicians. Through the analysis of these interviews, the thesis demonstrates that art theories relying on the subject-object dichotomy fall short in explaining the empirical varie...
Agency, Causation, and Empiricism
Davoody Benı, Majıd (2021-03-01)
Price claims that the agency theory of causation could be understood as a sophisticated form of either realism or empiricism (but not a simple-minded form of any of them). In this paper, I argue that the agency theory could find a more congenial ally in constructive empiricism (rather than realism) and show that this new alliance would be profitable to both constructive empiricism and the agency theory of causation.
The theory of passions in cartesian philosophy
Aksoy, Işıl; Turan, Şeref Halil; Department of Philosophy (2006)
The aim of this thesis is to investigate the passions in Cartesian philosophy. It analyses the nature, characteristics and the causes of passions as discussed by Descartes in his correspondence with Princess Elizabeth and his last book The Passions of the Soul (Les passions de l’âme). This thesis purports to explain Descartes’ ethical view by examining the physical mechanism of the passions and their relation to the soul. The reason, will and their essential roles in Cartesian ethics are discussed.
Application of the theory of constraints to an elective course registration system
Üstün, Pınar; Onay, Lamia Zeynep; Department of Business Administration (2010)
The Theory of Constraints (TOC) is a holistic management philosophy put forward by Eliyahu Goldratt in 1984. The thinking process and improvement tools discussed in this theory are mainly geared to manufacturing environments, however their applicability to service environments has also been shown for private professional service organizations. This study demonstrates that the steps and principles of the TOC can also be applied to non-profit services, such as the elective course registration process describe...
Citation Formats
IEEE
ACM
APA
CHICAGO
MLA
BibTeX
Z. Mennan, “Intuitive Generation: Rationalizing the “Irrational”,” presented at the XIX Generative Art Conference 2016 (15 - 17 Aralık 2016), Floransa, Roma, 2016, Accessed: 00, 2021. [Online]. Available: https://hdl.handle.net/11511/83384.