Show/Hide Menu
Hide/Show Apps
Logout
Türkçe
Türkçe
Search
Search
Login
Login
OpenMETU
OpenMETU
About
About
Open Science Policy
Open Science Policy
Open Access Guideline
Open Access Guideline
Postgraduate Thesis Guideline
Postgraduate Thesis Guideline
Communities & Collections
Communities & Collections
Help
Help
Frequently Asked Questions
Frequently Asked Questions
Guides
Guides
Thesis submission
Thesis submission
MS without thesis term project submission
MS without thesis term project submission
Publication submission with DOI
Publication submission with DOI
Publication submission
Publication submission
Supporting Information
Supporting Information
General Information
General Information
Copyright, Embargo and License
Copyright, Embargo and License
Contact us
Contact us
Putting "New Wine in Old Bottles": Subversion of the Symbolic
Date
2021-01-01
Author
Birlik, Nurten
Metadata
Show full item record
This work is licensed under a
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License
.
Item Usage Stats
241
views
0
downloads
Cite This
Angela Carter's The Magic Toyshop tells the story of the claustrophobic lives of six characters who find themselves stuck in the house of Uncle Philip, who demands absolute submission from them and who isolates them from the wider world. Uncle Philip acts like the Freudian Primordial Father who feels free to act in any way he likes disregarding any restrictions. By forcing the household members to work in his toyshop all day, he creates a solipsistic universe, which is cut off from the network of the symbolic in Lacanian terms. In this world, their living practice deviates from the norms of traditional discourse as there is incest between the siblings, or as they heavily engage in pre- or extra-linguistic representation of reality such as drawing, dancing, making music and toys. Aunt Margaret becomes dumb on her wedding night, or Uncle Philip does not send the siblings to school, which, in Lacanian terms, is a codifying space of the Law. For these reasons, Uncle Philip's house embodies the heterogeneity of the imaginary residues rather than submission to the organising principles of the symbolic. Theirs becomes an alternative site of being to the one outside. This essay aims to explore the psychodynamics of the characters' relations to one another, the unconventional intrasubjectivity created between them in this unconventional space and the implications of imaginary residues in their living practice using Lacanian ideas as my conceptual back-cloth.
URI
https://hdl.handle.net/11511/92545
Journal
INTERLITTERARIA
DOI
https://doi.org/10.12697/il.2021.26.1.19
Collections
Department of Foreign Language Education, Article
Suggestions
OpenMETU
Core
The Shattering Symmetries between the Imaginary and the Symbolic in Carter's The Magic Toyshop
Birlik, Nurten (2021-01-01)
The Magic Toyshop tells the story of three siblings (Melanie, Jonathan and Victoria) and what they go through in Uncle Philip's house, where they find themselves in a totally different psychic space which is characterised by the resonances of the imaginary and in which images function differently. Among these images, animal imagery is central to Melanie's depiction of both the inhabitants of the house and the house itself. Through its emphasis on the images, along with the hard facts of life, the novel give...
The Shattering Symmetries between the Imaginary and the Symbolic in Carter’s The Magic Toyshop
Birlik, Nurten (2021-06-01)
The Magic Toyshop tells the story of three siblings (Melanie, Jonathan and Victoria) and what they go through in Uncle Philip’s house, where they find themselves in a totally different psychic space which is characterised by the resonances of the imaginary and in which images function differently. Among these images, animal imagery is central to Melanie’s depiction of both the inhabitants of the house and the house itself. Through its emphasis on the images, along with the hard facts of life, the novel give...
Features of renaissance individualism and references yo Machiavellian politics in Christopher Marlowe's the new of Malta, the tragical history of doctor Faustus and Tamburlaine, the great
Eryılmaz, Ayşe Pırıl; Alpakın Martınez Caro, Dürrin; Department of Foreign Language Education (2007)
This thesis analyses the Machiavellian concepts of cunning, cruelty and opportunism as well as self-determination and individualism with regard to the major characters in Christopher Marlowe's plays, The Jew of Malta, The Tragical History of Doctor Faustus and Tamburlaine, Parts 1 and 2. The thesis then examines these characters' scales of achievement as individuals who challenge the established order. Finally, the thesis clarifies whether these characters are theatrical representatives of the Renaissance i...
Psychological bisexuality and otherness in the novels of angela carter, virginia woolf, marge piercy and ursula le guin : a study from the perspective of ecriture feminine
Pekşen Yanıkoğlu, Seda; İçöz, Nursel; Department of English Literature (2008)
This study analyses The Passion of New Eve by Angela Carter, Orlando by Virginia Woolf, Woman on the Edge of Time by Marge Piercy and The Left Hand of Darkness by Ursula Le Guin from the perspective of écriture féminine. After a thorough discussion of the roots of écriture féminine, the theory of the French feminists is put into practice in the analysis of the novels. The study asserts that the concepts of bisexuality, the other and the voice are common elements in novels of écriture féminine, thereby the n...
Endless pursuit realitythrough metadramatic devices in Tom Stoppard's plays Rosencrantz and Guildenstern are Dead, The Real İnspector Hound and Travesties
Yedekçi, Esra; Arslan, Yedekçi; Department of English Literature (2010)
This thesis aims to investigate the question of reality in Tom Stoppard’s plays Rosencrantz and Guildenstern are Dead, The Real Inspector Hound, and Travesties. Each of these plays closely examines the nature of reality and certainty and shows Stoppard as the critique of grand narratives of Reality, Truth, and Art. By deconstructing these master narratives, Stoppard attempts to invalidate the convictions that reality is fixed and that art should faithfully reproduce the material world in which reality is pe...
Citation Formats
IEEE
ACM
APA
CHICAGO
MLA
BibTeX
N. Birlik, “Putting “New Wine in Old Bottles”: Subversion of the Symbolic,”
INTERLITTERARIA
, vol. 26, no. 1, pp. 281–294, 2021, Accessed: 00, 2021. [Online]. Available: https://hdl.handle.net/11511/92545.