Show/Hide Menu
Hide/Show Apps
Logout
Türkçe
Türkçe
Search
Search
Login
Login
OpenMETU
OpenMETU
About
About
Open Science Policy
Open Science Policy
Open Access Guideline
Open Access Guideline
Postgraduate Thesis Guideline
Postgraduate Thesis Guideline
Communities & Collections
Communities & Collections
Help
Help
Frequently Asked Questions
Frequently Asked Questions
Guides
Guides
Thesis submission
Thesis submission
MS without thesis term project submission
MS without thesis term project submission
Publication submission with DOI
Publication submission with DOI
Publication submission
Publication submission
Supporting Information
Supporting Information
General Information
General Information
Copyright, Embargo and License
Copyright, Embargo and License
Contact us
Contact us
THE SUBVERSIVE FUNCTIONS OF TRICKSTER DISCOURSE IN ANGELA CARTER’S NIGHTS AT THE CIRCUS, AND SHERMAN ALEXIE’S THE LONE RANGER AND TONTO FISTFIGHT IN HEAVEN AND RESERVATION BLUES
Download
index-pdf .pdf
Date
2021-10
Author
Bakır, Cahit
Metadata
Show full item record
This work is licensed under a
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License
.
Item Usage Stats
513
views
801
downloads
Cite This
This dissertation serves to examine one novel by the English writer Angela Carter and a collection of short stories and a novel by the Native American writer Sherman Alexie with regard to trickster discourse, these texts being Carter’s Nights at the Circus (1984), and Alexie’s The Lone Ranger and Tonto Fistfight in Heaven (1993) and Reservation Blues (1995). The study attempts to trace the presence of contradictory, paradoxical and peripheral figures of tricksters and trickster-like liminal figures in the selected texts in order to divulge how the dominant patriarchal and colonial discourses in Carter’s and Alexie’s texts are challenged and undermined, and how Foucauldian reverse discourses are created from within through the subversive means of trickster discourse. The study aims to make a comparative analysis of the trickster figures in the selected texts and identify their similar as well as different characteristics, roles and functions within two quite different cultures. By analysing sample narratives that use trickster figures (as defined in the thesis) from two distant cultures, this study identifies twentieth- century tricksters in English and North American Native literature as cross-cultural and cross-gendered figures who, authorized to engage in transgressive acts with immunity due to their outcast status, serve to subvert the dominant discourses on behalf of disenfranchised factions.
Subject Keywords
trickster(s)
,
trickster discourse
,
disenfranchised factions
,
Angela Carter
,
Sherman Alexie
URI
https://hdl.handle.net/11511/93075
Collections
Graduate School of Social Sciences, Thesis
Suggestions
OpenMETU
Core
The Lemon Table as a Collection of Stories of Absence
Doğan, Buket (2018-12-13)
In his collection of short stories, Julian Barnes mainly focuses on the themes of loss and death. Through their stories, Barnes’ characters are depicted in glimpses in their long journey which is from their early life to their very old age. Starting from the very first story titled “A Short History of Hairdressing,” the main character’s kind of metamorphosis into an old man is narrated with ruptures and gaps which seem to be loopholes to be completed for the reader. That the narrator leaves these means of ...
The theme of loneliness and lack of communication in A Summer Bird Cage (1963) by Margaret Drabble and The Particular Sadness of Lemon Cake (2010) by Aimee Bender
Alpakın Martınez Caro, Dürrin (2013-06-01)
This paper aims to look at two novels A Summer Bird Cage, (1963) by Margaret Drabble and The Particular Sadness of Lemon Cake (2010) by Aimee Bender which were written in two distinct periods and which thematise the idea that despite the progress in the society and in technology, human relations remain fragmented and people, while living in a crowd, are pushed towards isolation and loneliness against their own will in both periods. Both of the novels testify to the idea that, the more the society is advance...
The economic adventures of Robinson Crusoe : an institutionalist critique and reinterpretation
Karagöz, Ufuk; Özveren, Eyüp; Department of Economics (2011)
In 1719, Daniel Defoe wrote his first fiction The Life and Strange Surprizing Adventures of Robinson Crusoe without knowing that the protagonist of the novel, Robinson Crusoe, would be liberated from his cultural matrix and deployed as a dominant economic metaphor with the advent of the so-called marginalist revolution in the second half of the nineteenth century. This thesis intends to: i) with reference to an habits of thought approach, unearth the institutional nature of the metamorphosis of Crusoe from ...
The reconstruction of authorial identity in contemporary author fictions: A.S Byatt’s Possession, David Lodge’s Author, Author and Maggie Gee’s Virginia Woolf in Manhattan
Koç, Nesrin; Öztabak Avcı, Elif; Department of English Literature (2021-8)
This study analyses Possession (1990) by A.S Byatt, Author, Author (2004) by David Lodge and Virginia Woolf in Manhattan (2014) by Maggie Gee as examples of contemporary author fictions. By revisiting historical authors such as Victorian poets, Henry James and Virginia Woolf and juxtaposing these authors with contemporary author figures, these novels present a multi-layered discussion of authorship practices across centuries. The three novels analysed here all deal with the anxiety governing the work of the...
The function of magical realism in contemporary women’s fiction: Jeanette Winterson's The Passion, Laura Esquivel's Like Water for Chocolate and Isabel Allende's The House of the Spirits
İnanç, Zeynep; Alpakın Martınez Caro, Dürrin; Department of English Literature (2020)
This thesis aims to discuss the function of magical realism as an emancipatory literary mode worldwide to make the voices of the oppressed heard with reference to the novels of three contemporary women writers from different geographies, The Passion by the British Jeanette Winterson, Like Water for Chocolate by the Mexican Laura Esquivel and The House of the Spirits by the Chilean Isabel Allende. Magical realism embodies oxymoronic concepts such as the ordinary and extraordinary and displays them as a whole...
Citation Formats
IEEE
ACM
APA
CHICAGO
MLA
BibTeX
C. Bakır, “THE SUBVERSIVE FUNCTIONS OF TRICKSTER DISCOURSE IN ANGELA CARTER’S NIGHTS AT THE CIRCUS, AND SHERMAN ALEXIE’S THE LONE RANGER AND TONTO FISTFIGHT IN HEAVEN AND RESERVATION BLUES,” Ph.D. - Doctoral Program, Middle East Technical University, 2021.