Show/Hide Menu
Hide/Show Apps
Logout
Türkçe
Türkçe
Search
Search
Login
Login
OpenMETU
OpenMETU
About
About
Open Science Policy
Open Science Policy
Communities & Collections
Communities & Collections
Help
Help
Frequently Asked Questions
Frequently Asked Questions
Guides
Guides
Thesis submission
Thesis submission
MS without thesis term project submission
MS without thesis term project submission
Publication submission with DOI
Publication submission with DOI
Publication submission
Publication submission
Supporting Information
Supporting Information
General Information
General Information
Copyright, Embargo and License
Copyright, Embargo and License
Contact us
Contact us
The Relation between metaphysics and art in Nietzsche’s philosophy
Download
index.pdf
Date
2015
Author
Karahan Balya, Gülizar
Metadata
Show full item record
Item Usage Stats
80
views
23
downloads
Cite This
The purpose of this dissertation is to investigate the significance and relative positions of two central themes in Nietzsche’s philosophy, namely metaphysics and art. The perspective of life and the thought of will to power are located at the core of this investigation since they are considered to function as the organising ideas in Nietzsche’s overall philosophy. This perspective and thought require existence to be viewed as groundless and excessive and particularly as a constant flux of becoming that is devoid of any pre-given meaning, value and purpose. In this study such a view of existence is seen as the basis of the emergence of metaphysics and art and in this line of thinking metaphysics and art are considered as offering distinct ways of “misunderstanding” existence, or mastering the excess, particularly in the face of the grim realities of life, such as suffering, decay and death. The dissertation aims to provide first of all a comparison of metaphysics and art as different ways of confronting reality by way of delineating their differences. Secondly, and perhaps more importantly, it aims to point at the proximity between the two through an enquiry about the broader sense of art that is found in Nietzsche’s thinking. It is argued that showing this complex relation between metaphysics and art can contribute to making sense of Nietzsche’s confrontation with, or rather overcoming of, metaphysical thinking and this is achieved by focusing on an aspect of it that is relatively less considered in the Nietzsche literature, that is, art.
Subject Keywords
Art and philosophy.
,
Metaphysics in art.
URI
http://etd.lib.metu.edu.tr/upload/12619443/index.pdf
https://hdl.handle.net/11511/25239
Collections
Graduate School of Social Sciences, Thesis
Suggestions
OpenMETU
Core
The problem of freedom in the context of the law of causality in Kant's critique of pure reason
Özdoyran, Güven; İnam, Ahmet; Department of Philosophy (2005)
The main concern of the thesis is the problem of reconciliation of freedom and natural causality and to investigate how Kant makes a room for freedom. Kant, firstly, in أAnalyticؤ, constitutes the conditions of knowledge upon which the objective validity of the law of causality entirely rests. This process of constitution also determines the limits of experience. On the other hand, Kant, in أDialecticؤ, postulates freedom as a noumenal cause together with the law of causality. Transcendental freedom, in thi...
Ending the exile of desire in Spinoza and Hegel
Cengiz, Övünç; Çırakman, Elif; Department of Philosophy (2007)
The main objective of this master’s thesis is to analyze the place assigned to the phenomenon of desire by Hegel and Spinoza, and to show that the main difference between two philosophers in terms of their understanding of desire and human phenomenon consists in their understanding of the relation between the substance and particulars. In order to fulfill the requirements of this objective, what is focused on is, as different from a certain philosophical thought excluding desire from a true account of human...
A study of the self in Nietzsche's fatalistic universe of eternal recurrence
Canbolat, Argun Abrek; Parkan, Barış; Department of Philosophy (2009)
The doctrine of eternal recurrence is not only an aspect of Nietzsche’s philosophy, but a notion that structures the base of his philosophy. The doctrine is analyzed by many interpreters in various ways. The cosmological and the ethical-existential approaches to the doctrine are at the very base wrong. The doctrine’s impact cannot be adequately understood in these terms. Besides, the doctrine of eternal recurrence has multiple problems within it, problems which can be solved if the doctrine is understood an...
The role of human nature in Hume's ethics
Arslanoğlu Çelik, Şengül; İnam, Ahmet; Department of Philosophy (2008)
This dissertation aims to determine the role of human nature in Hume's philosophy. It will examine how moral motivation arises when one takes human nature as the basis of moral philosophyWhat is maintained here is that Hume approaches his rival rationalist philosophers whom he criticised for drawing on metaphysics and rational methods in building the foundation of their ethics. Hume’s “science of man” attempts to isolate the basis of ethics from metaphysical and rational elements. However, this paper demons...
Revisiting immanence and conatus in Spinoza
Yaylım, Berk; İnam, Ahmet; Department of Philosophy (2015)
This thesis focuses on the concept of immanence in Spinoza’s philosophy and its importance in explicating theory of knowledge and conatus. While accounting for immanence, it will seek not only his metaphysics but also a critical discussion of transcendence and emanation. After the metaphysical system behind his philosophy is explained, his defense of necessitarianism will be emphasized. In this study, under the light of these, a coherent interpretation of Spinoza’s solutions, how these relate to his theory ...
Citation Formats
IEEE
ACM
APA
CHICAGO
MLA
BibTeX
G. Karahan Balya, “The Relation between metaphysics and art in Nietzsche’s philosophy,” Ph.D. - Doctoral Program, Middle East Technical University, 2015.