The Relation between metaphysics and art in Nietzsche’s philosophy

Download

index.pdf

Date

2015

Author

Karahan Balya, Gülizar

Metadata

Show full item record

Item Usage Stats

203
views

143
downloads

The purpose of this dissertation is to investigate the significance and relative positions of two central themes in Nietzsche’s philosophy, namely metaphysics and art. The perspective of life and the thought of will to power are located at the core of this investigation since they are considered to function as the organising ideas in Nietzsche’s overall philosophy. This perspective and thought require existence to be viewed as groundless and excessive and particularly as a constant flux of becoming that is devoid of any pre-given meaning, value and purpose. In this study such a view of existence is seen as the basis of the emergence of metaphysics and art and in this line of thinking metaphysics and art are considered as offering distinct ways of “misunderstanding” existence, or mastering the excess, particularly in the face of the grim realities of life, such as suffering, decay and death. The dissertation aims to provide first of all a comparison of metaphysics and art as different ways of confronting reality by way of delineating their differences. Secondly, and perhaps more importantly, it aims to point at the proximity between the two through an enquiry about the broader sense of art that is found in Nietzsche’s thinking. It is argued that showing this complex relation between metaphysics and art can contribute to making sense of Nietzsche’s confrontation with, or rather overcoming of, metaphysical thinking and this is achieved by focusing on an aspect of it that is relatively less considered in the Nietzsche literature, that is, art.

Subject Keywords

Art and philosophy., Metaphysics in art.

URI

http://etd.lib.metu.edu.tr/upload/12619443/index.pdf
https://hdl.handle.net/11511/25239

Collections

Graduate School of Social Sciences, Thesis

Suggestions

OpenMETU
Core

The Relationship of art and truth in the philosophy of Heidegger / Kurt, Fikret; Ceylan, Yasin; Department of Philosophy (2014) Revolutionary vision of Heidegger’s philosophy is rooted into the unthinking of the history of philosophy, and his extraordinary endeavor is to unravel whatever remained ignored under the courses of traditional philosophy: The meaning of the question of Being. By interrogating the meaning of the question of Being, Heidegger traces back to reveal the essential horizons related to the origin of thought and truth. Heidegger criticizes the traditional understanding of truth based on correspondence theory of tru...
The problem of freedom in the context of the law of causality in Kant's critique of pure reason Özdoyran, Güven; İnam, Ahmet; Department of Philosophy (2005) The main concern of the thesis is the problem of reconciliation of freedom and natural causality and to investigate how Kant makes a room for freedom. Kant, firstly, in أAnalyticؤ, constitutes the conditions of knowledge upon which the objective validity of the law of causality entirely rests. This process of constitution also determines the limits of experience. On the other hand, Kant, in أDialecticؤ, postulates freedom as a noumenal cause together with the law of causality. Transcendental freedom, in thi...
The Concept of disinterestedness in modern philosophy of art: Kant, Schopenhauer, Nietzsche, and Heidegger Akkökler Karatekeli, Büşra; Turan, Şeref Halil; Department of Philosophy (2016) This thesis aims to investigate the concept of disinterestedness in the modern philosophy of art. To this end, I firstly attempt to elucidate how this concept is described and gained its specific meaning in Kant. Then, I focus on Schopenhauer’s salient contribution to the discussion of aesthetic disinterestedness – thought along with his metaphysics –, namely the body, and attempt to bring into view the relation between the body and aesthetic disinterestedness. In the following, I investigate how Nietzsche’...
THE CONCEPT OF AKRASIA IN ANCIENT GREEK PHILOSOPHY: PLATO, ARISTOTLE, AND THE STOICS Akkökler Karatekeli, Büşra; Turan, Şeref Halil; Department of Philosophy (2022-9) This thesis investigates the concept of akrasia, with particular attention given to its sundry interpretations in the philosophies of Plato, Aristotle, and the Stoics. In this inquiry, I argue that these philosophers agree on the lack of knowledge of the akratic person, while they differentiate from each other as to what this missing knowledge is. Irrespective of their rejection or acknowledgement of akrasia due to their conceptions of the soul, I argue that Plato, Aristotle and the Stoics share the common ...
The significance of time in Kant’s Critique of Pure Reason Çifteci, Volkan; Çırakman, Elif; Department of Philosophy (2011) The purpose of this thesis is to give an account of the significance of time in Kant’s Critique of Pure Reason by discussing its role in the unification of sensibility and understanding. I primarily investigate the role that time plays in the constitution of objective knowledge. I discuss that since time is the necessary condition for objects to be given to our sensibility, without it any representation would be without a temporal order and perhaps would not make any sense at all. Kant claims that it is ima...

Citation Formats

G. Karahan Balya, “The Relation between metaphysics and art in Nietzsche’s philosophy,” Ph.D. - Doctoral Program, Middle East Technical University, 2015.