Heidegger's thinking of earth in "the origin of the work of art" : the self-withdrawal of being and the other beginning

Download

index.pdf

Date

2012

Author

Genç, Alişan

Metadata

Show full item record

Item Usage Stats

276
views

93
downloads

This thesis aims to explicate the claim that in Heidegger's thinking technē as art emerges as capable of disclosing the fundamental movement of being, namely self-withdrawal, through a certain elaboration of earth. To this end it will be argued that the elaboration of earth in the artwork is what makes it possible for art to aid in the process of the overcoming of Western metaphysics. In connection with this I will attempt to show how technē has a determinant role in the course of Western metaphysics, which starts with Greek thinking and culminates in the age of modern technology. Therefore the issue of technē in Heidegger’s thinking emerges as the basic axis of this thesis. Thus two of Heidegger’s most influential texts, namely “The Origin of the Work of Art” (1936) and “The Question Concerning Technology” (1953) will be the primary sources for this thesis.

Subject Keywords

Art., Philosophy., Ontology., Idea (Philosophy)

URI

http://etd.lib.metu.edu.tr/upload/12614637/index.pdf
https://hdl.handle.net/11511/21762

Collections

Graduate School of Social Sciences, Thesis

Suggestions

OpenMETU
Core

A Philosophical approach to upper-level ontologies Satıoğlu, Dilek; Zambak, Aziz Fevzi; Department of Philosophy (2015) The aim of this thesis is to provide a philosophical approach to upper-level ontologies. The ontologies and/or categorical system of Aristotle, Kant, Husserl, and Quine are evaluated in order to give a philosophical understanding of ontologies. After an explanation of the developments in ontology as a new interdisciplinary study, the most well known upper-level ontologies, BFO, DOLCE, SUMO, and Cyc, are analysed technically. In the light of philosophical ontologies and categorical systems, these upper-level...
Art(s) of becoming: performative encounters in contemporary political art Akkın, İbrahim Okan; Parkan, Barış; Department of Philosophy (2017) This thesis analyses Deleuze & Guattari’s notion of becoming through certain performative encounters in contemporary political art, and re-conceptualizes them as “art(s) of becoming”. Art(s) of becoming are actualizations of a non-representational –minoritarian– mode of becoming and creation as well as the political actions of fleeing quanta. The theoretical aim of the study is, on the one hand, to explain how Platonic Idealism is overturned by Deleuze’s reading of Nietzsche and Leibniz, and on the other ha...
Heidegger and Foucault: On the Relation Between the Anxiety-Engendering-Truth and Being-Towards-Freedom Karademir, Aret (Springer Science and Business Media LLC, 2013-08-01) In his very last, now famous, interview, Michel Foucault states that his philosophical thought was shaped by his reading of Heidegger, even though he does not specify what aspects of Heidegger's philosophy inspired him in the first place. However, his last interview is not the only place where Foucault refers to Heidegger as his intellectual guide. In his 1981/1982 lecture course, The Hermeneutics of the Subject, Foucault confesses that the way Heidegger conceptualized the relationship between subject and t...
Self-love and self-deception in Seneca, the Stoic Sururi, Ayten; İnam, Ahmet; Department of Philosophy (2005) In this thesis, Seneca̕s notion of self as self-love and the problem of self-deception are analyzed. In examining three types of self-love, اignorant, progressing selves,اthree models of self-deception are discussed. Self-deception is related to the problem of self-knowledge. I discuss the nature of self-love as self-esteem and self-preservation and self-shaping all of which are innate qualities and develop into more complex forms of knowing. Passions are concrete examples of the representations of deceived...
Nietzsche’s overcoming of humanism : the deanthropomorphization of nature and the renaturalization of human being Kuldaşlı, Reha; Rehberg, Andrea; Department of Philosophy (2014) In this MA thesis, I will investigate Nietzsche's overcoming of humanism, i.e., his critique of anthropocentric and anthropomorphic interpretations of existence in the context of his grand project of the transvaluation of all values. I will problematize humanism with respect to the Nietzschean notions of will to power, nihilism, and evaluative thinking in an attempt to show its shortcomings from a Nietzschean perspective. Then, I will attempt to offer a reading of Nietzsche's reinterpretation of nature in t...

Citation Formats

A. Genç, “Heidegger’s thinking of earth in “the origin of the work of art” : the self-withdrawal of being and the other beginning,” M.S. - Master of Science, Middle East Technical University, 2012.