Hegel and Danto: the end-of-art thesis

Download
index.pdf
2014
Biricik, Buket
Show full item record
219
views
92
downloads
The purpose of this study is to provide an independent view of one’s own on the issue of the end of art. In order to achieve this goal, this work focuses on Hegel’s announcement of the end of art and its effects on the Arthur Danto’s philosophy.
Art, Aesthetics.
http://etd.lib.metu.edu.tr/upload/12616950/index.pdf
https://hdl.handle.net/11511/23369
Graduate School of Social Sciences, Thesis

Suggestions

The Concept of disinterestedness in modern philosophy of art: Kant, Schopenhauer, Nietzsche, and Heidegger
Akkökler Karatekeli, Büşra; Turan, Şeref Halil; Department of Philosophy (2016)
This thesis aims to investigate the concept of disinterestedness in the modern philosophy of art. To this end, I firstly attempt to elucidate how this concept is described and gained its specific meaning in Kant. Then, I focus on Schopenhauer’s salient contribution to the discussion of aesthetic disinterestedness – thought along with his metaphysics –, namely the body, and attempt to bring into view the relation between the body and aesthetic disinterestedness. In the following, I investigate how Nietzsche’...
Ibn Khaldûn and John Locke: a political interpretation of society – a road to private property
Çal, Canan; Ceylan, Yasin; Department of Philosophy (2014)
The purpose of this study is to provide an independent view of one’s own on the issue of the end of art. In order to achieve this goal, this work focuses on Hegel’s announcement of the end of art and its effects on the Arthur Danto’s philosophy.
Arthur Danto’s ontology of aesthetics upon pop art
İsmet, Burçak; Parkan, Barış; Department of Philosophy (2014)
The main objective of this dissertation is to examine Arthur Danto’s method of indiscernibles in his theory of aesthetics. In order to explicate this conception, Danto’s method of indiscernibles is elucidated by means of Andy Warhol’s works of Pop Art. Through this study Danto’s critical approach against traditional realism in philosophy of art is examined and Danto’s renewed solution for the reality problem of artworks is exposed with the acquaintance of Warhol’s art. After the examination of Danto’s use o...
The Relation between metaphysics and art in Nietzsche’s philosophy
Karahan Balya, Gülizar; Parkan, Barış; Department of Philosophy (2015)
The purpose of this dissertation is to investigate the significance and relative positions of two central themes in Nietzsche’s philosophy, namely metaphysics and art. The perspective of life and the thought of will to power are located at the core of this investigation since they are considered to function as the organising ideas in Nietzsche’s overall philosophy. This perspective and thought require existence to be viewed as groundless and excessive and particularly as a constant flux of becoming that is ...
The relevancy of art and time in Heidegger's philosophy
Sarıot, Eray; Çırakman, Elif; Department of Philosophy (2008)
This thesis aims at propounding possible relations between the concepts of time and art in Martin Heidegger’s thinking. Time and art which hold a central place in different periods of Heidegger’s thinking in line with his fundamental question of Being are considered together mainly through the analysis of artwork’s temporal characteristics. The temporality of the artwork in question is investigated specifically in terms of its basic elements of earth and world and with its relation to authenticity. In this ...
Citation Formats
B. Biricik, “Hegel and Danto: the end-of-art thesis,” M.S. - Master of Science, Middle East Technical University, 2014.
METU IIS - Integrated Information Service open@metu.edu.tr